Neoclassical Planters, Cachepots and Jardinières

Oval silver plated Monteith bowl with loop leaf handles. Great as a jardinière or cachepot. Impressed mark on the underside, French, 19th century.

Wonderful large oval French neoclassical ormolu doré bronze and diamond cut crystal oval centerpiece / Jardinière with lions feet and double ...

Decorate a dining table with this elegant antique planter. Crafted in France circa 1880, and made of bronze, the jardiniere stands on scrolled feet with foliate motifs. Oval in shape...

An Exhibition Gilt-Bronze and Champlevé Enamel Jardinière, By George Servant, Paris. This magnificent ‘Louis Seize’ jardinière is designed in the Néo-Grec style. The handles are su...

These large, gilt bronze tripod stands have been designed in a majestic French Neoclassical style. Both stands serve to support bowls, raising t...

Saxe porcelain jardinière. Germany, late 19th century.

Pair of ceramic planters. Attributed to Sarreguemines. France, late 19th century. Planters dimensions: 42 cm diameter, 36 cm height. Bases...

Silver, gold vermeil and gilt bronze jardinière, France, late 19th century. With silver marks. Interior in gilt bronze.  

Fine pair of signed Elkington & Co gilt bronze Neoclassical Jardinière/Champagne ice buckets or wine coolers. Depicting new classical Roman figures and subjects with lions and leopar...

Vintage solid brass planter with ring handles. The planter is very well made with it’s original laquer finish, the planter was made by Architectural Brass Company in Atlanta, Georgia...

CACHE POT WITH PEDESTAL J. MASSIER, in French ceramic covered with dripping glazes in shades of blue, decorated with helical chevrons. On the base ma...

Beautiful patina on these vintage planters/urns. Can be for interior or exterior. Believed to be glazed terracotta, but could be porcelain. Base is 16" x16". No breaks of cracks.

This is a neo-classical style tole black and gilt brass planter or plant stand.. it has brass ram appointments and is most likely Italian. The base has brass hooves and is resting on...

Enamel and gilt bronze jardiniere. France, late 19th century.

A Fantastic 19th Century silvered bronze neoclassical/archeological style covered bowl, Attributed to E.F Caldwell. The bowl and cover are each beautifully hand-chased and hand-chise...

Large carved white marble campagna-form garden urn Continental, 19th century Measures: height 60cm, diameter 42cm Crafted from white marble, this fine garden urn is carved in th...

A beautiful, relatively large, Italian white porcelain urn or jardinière with gold Neoclassical design, circa early to mid-20th century, Italy. Bea...

A beautiful Italian porcelain footed bowl urn by Mottahedeh, in the Neoclassical style, circa early-20th century, Italy. Beautiful as a s...

A hand carved, oval shaped rimmed basin with drainage hole.

19th Century Jardiniere with lion head masks and garland detailing decorated with blended rich red majolica glaze.

White Italian Neoclassical Urn. Large white Italian urn form earthenware vase after the antique with classically draped figures, garlands, egg and dart rim and ribbed fluting. Italy...

An amazing crater vase hand-crafted in Grottaglie, small town in Puglia famous for high quality ceramics. It's in original condition with normal signs of use and age, it's composed b...

A lovely antique early 20th-Century French mustard yellow tole footed jardiniere or cache pot with the original tin removeable liner. Signed "Made In France" on reverse. This gorgeous jardiniere is decorated with a hand painted gilt garland of ribbons and musical instruments and adorned with gilt bronze dolphin shaped...

Gorgeous pair of large scale granite urns. Measure approximate 21.5 height x 16 width x 16 depth. Almost 10 inch opening at top. Have been used as planters. The body has Classic...

Pair of exquisite monumental centerpieces with bronze work in the the Manner of Pierre-Philippe Thormire, 1751-1843. The pair in the form of reticulated gilt grape vine...

A vintage wicker splint gathering basket with tacked rim, circa late-20th century, USA. A rectangular wicker splint gathering basket for fruits, vege...

1900s Antique Copper Bucket Pot Jardiniere Iron Handle Patinated fair condition. Has bends and dings + fabulous character. 17.5 h x 26 diameter Unrestored vintage antique presentatio...

A gorgeous neoclassical red & gold tole cachepot, planter, or vase France, Circa Early 20th Century Measures: 6"W x 5.75"D x 5"H. Very good original vintage condition.

Pair of antique French gilt tôle & iron tole metal filigree oval planters France, circa 1900s Each one of oval basket form, the flaring woven filigree gilt tôle metal frames, reta...

This is perfect for holiday entertaining! This is a large scale tole cachepot by Maitland-Smith. It is marked. It has a pastoral scene on both sides and gilt feet...

A pair of Neoclassical style iron urn planters from circa 1900 with liners and mythological figures. This pair of Neoclassical-style iron urn planters from circa 1900 embodies the gr...

A gorgeous neoclassical black & gold tole cachepot, planter, or vase Italy, Circa Early 20th Century Measures: 6"W x 5.25"D x 5.25"H. Very good original vintage condition.

Pair of large black marble urns (marquino negro).

Corbeille vase pair of Swedish Rörstrand white gilded, Sweden. A pair of Swedish porcelain corbeilles from the Rörstrand Porcelain Factory. Gilded ...

The Ceramic Garden Planterette is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. The piece is signed by Glick and stamped with the name of his studio: Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Our magnificent oval shaped centerpiece carved from variegated rouge marble in the neoclassical style has finely cast and gilt bronze mounts including acanthus and berry finial, ribb...

Beautiful classic style and lines. Walnut frame with cane insert sides. Removable top and fully lined on both layers.

Early 19th century German neoclassical silver compote or jardiniere Hallmarked Martin Schott, Frankfurt, 1820-1840, Germany Measures: 8" H, 9" W, 4" D.

Antique hand-painted opaline footed vase will make a delightful addition to your decor, with subtle gray tones in the background and warm browns and go...

Pair of W.M.F. silver plate jardinière with glass. Germany, circa 1900.

Planter marble red Swedish 19th century oval sarkofag shape, Sweden. A planter or decorative vessel made during the 19th century in Sweden. Made from red ma...

We are delighted to offer for sale this lovely Antique Westerwald pottery vase with Neoclassical figure heads A very decorative stoneware vase in...

Hand carved and finely detailed giltwood planters with metal/tolle insert to catch water. The base is 8.5" x 8.5"