Pair 19th Century Blue & White Chinese Lidded Urns

Pair 19th Century Meiji Period Japanese Imari Lidded Urns are extraordinarily well preserved, retaining their vivid coloration derived from copper and cobalt based pigments even afte...

19th Century hand-painted lidded urn from Rouen is typical of the colorful and artistic works from the storied region, capturing the vivid natural hues o...

Pair Antique Chinese Porcelain Lidded Urns with Wood Bases are a delightful design, with classic form and exquisite jewel tones expressed with talented artistry to depict a variety o...

Pair 19th Century Hand-Painted Chinese Vases are stunning works of art, rendered on fine Kaolin clay and illustrative of the mastery of the art attained by master artisans with hundr...

Pair of 19th century blue and white temple jars, Chinese or Urns. Each 19 inch large and impressive Urn with a full original lid, measures 15 in High without the lid. The pair signed...

A very decorative 19th century Famille Verte Chinese porcelain lidded urn. The urn has a wonderful design of water lilies with butterflies and assorted foliage amidst a yellow backgr...

This 19th century Chinese Export Blue and White Porcelain Decorative Urn is a stunning example of fine craftsmanship and intricate artistry. The urn boasts beautiful hand-painted flo...

This stunning lidded urn might have once been found in a 19th century Italian apothecary. The front of the shaped urn body has the hand-painted phrase “C. Violaru”, which is the heavily abbreviated form of the Latin word for violet (violaceum). Up until the mid-1700’s, apothecaries would make syrups from violets and use it to treat kidney ailments. Above the Latin wording is a whimsical musical scene with a man blowing a horn leading a couple who is holding hands over rocky terrain lined with shrubbery. A large house and trees can be seen behind the trio with a pair of mountains in the distance. On the opposite side of the urn is a floral display with a bird perched on a rock. Beneath the bird is a geometric design, possibly a stylized sun with radiating beams of light. Both scenes are segmented by a pair of thin quarter round moldings that encircle the entire vase. Other hand-painted motifs include floral and foliate margents, geometric patterns, and Vitruvian waves that are infilled with horizontal fluting. The sides of the urn have a fish-scale background beneath two mustachioed mascarons. Both men have been styled in grotesque fashion, with a pair of spiraled horns emanating from their heads. In between the horns is a looping handle that is affixed to the body in similar tight spirals. The domed lid has three scrolled arms that merge in a geometric finial. The base color of the urn is white, with illustrations in a monochromatic cobalt oxide blue, reminiscent of Delft blue pottery...