Vases

Our aim is the emotion, through glass, lighten by the spirit of art. 1295 MURANO is a furnace, a design lab and an interior point of view regarding to the most exclusive productions of Murano glass. Our glass is original, made with the antique techniques of historical glassmaking and realized by the most precious masters...

Miniature 17th century blue and white vase with a fluted rim and three bands of decoration This miniature vase was part of a hoard recovered by Captain Michael Hatcher from the ...

This sophisticated Mid-Century Modern ceramic bowl was realized in Germany circa 1950. It features a rectangular form with raised sides and a concave center with a black exterior and...

Double Shadow Sculpture Set A work of harmonization of darkness and light, cold and heat: yin e yang. Wonderful twin spherical sculptures with b...

A fine pair Japanese Meiji period cloisonne bottle shaped vases decorated with scattered floral patterns and dating between 1868 and 1912. The vases are lightly made standing on a fl...

Italian artisanal vases in glazed earthware with a relief decoration. Name of the manufacturer imprinted under the base: "La bottega". Excellent vintage c...

Mid Century White Arabia Porcelain vase Mid Century White Arabia Porcelain vase. Handmade in Finland. 7cm diameter by 16cm height. In excell...

A large heavily textured volcanic vase with black, white and brown glaze and markings. Wide necked vessel with a bellied form. Made from black textured s...

Angelo Mangiarotti (1921-2012) was an Italian designer and architect who focused on industrial process and design production. Mangiarotti believed strongly in the correct use of technique and manner and built his reputation on the idea that one should never forget the real needs of users. He graduated from the Architecture School of Politecnico di Milano in 1948, moved to the U.S. in 1953 and worked as a visiting professor at the Illinois Institute of Technology where me met the likes of Konrad Wachsmann, Ludwig Mies van der Rohe, Frank Lloyd Wright and Walter Gropius. In 1955, Mangiarotti returned to Italy and opened his own firm in Milan with Bruno Morassutti...

Art Deco ivory pottery vase with double floral design front and double handles with leaf form. Signed and numbered on bottom, Red Wing USA .

A nice modernist white porcelain "shells" vase by Heinrich Fuchs for Hutschenreuther, circa 1970s. The vase is made of white porcela...

A ceramic vase with white glaze decoration by Michel Levêque, Potter of La Borne. Perfect original conditions. Signed " M. Levêque" under the base. Circa 1970.

Made in Italy, 1950s. This vase is made in Sommerso Murano glass, which has been blown in a fish form with three different colors: purple, yellow and indigo. It is a vintage item, ...

A rose-colored glass vase produced in Poland in the 1970s. Very good condition Measures: Height 10cm, diameter 6cm.

Angelo Mangiarotti (1921-2012) was an Italian designer and architect who focused on industrial process and design production. Mangiarotti believed strongly in the correct use of technique and manner and built his reputation on the idea that one should never forget the real needs of users. He graduated from the Architecture School of Politecnico di Milano in 1948, moved to the U.S. in 1953 and worked as a visiting professor at the Illinois Institute of Technology where me met the likes of Konrad...

Blue and white Delft handled chinoiserie vase. Antique Dutch porcelain vase with rich blue flowers and chinoiserie fencing in a lustrous glaze; with scro...

A pair of large Canton style famille jaune porcelain vases Chinese, Late 19th Century Height 120cm, diameter 42cm These large and impressi...

Rare Victorian 'Drabware' stoneware pitcher with embossed strawberries, leaves and branch handle - matte salt glaze to the exterior with gloss glaze to the interior - unsigned - Unit...

Handmade Crystal Pulegoso Murano Glass Sculpture Infinity with 21 transparent multicolored butterflies attached with magnet. Modern sculpture ideal for a modern and rustic classic e...

While beautiful tales of underwater worlds like Atlantis have been told throughout centuries, VELENI’s Fish Bowl FIB-10r aims to recount another story. A conoidal volume filled with ...

Porcelain vase by Wallendorf, Germany. Very good condition. dimensions height 17 cm diameter 9 cm.

Pair of reproduction Staffordshire style porcelain mantel vases by Chelsea House, Port Royal, in the shape of black and white King Charles Spaniels with gold chain leashes.    

A stunning round globe vase in glass designed by Edvin Ollers at Glimma Glass works in the 1950s. It is 18 cm in diameter and about 18 cm high. The vase is...

‘Pale Blue Flower with Foliate Rim’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces ex...

A porcelain flower vase with an organic form and texture, made by casting liquid porcelain in sewn leather molds. Clear glaze applied on interior...

A porcelain vessel with an fabric-like form and leather texture, made by casting liquid porcelain in sewn leather molds. Clear glaze applied on interior surface. As a result of the production process each vase is one-of-a-kind. Dimensions 7" diameter x 8" height 1 unit in stock, ships in 3-5days. Signed and dated. The Kawa Series is a collection of porcelain objects that are made by casting liquid clay into sewn leather molds. The precarious and beautifully-involved process is completely unique to Luft Tanaka Studio...

Decisione vase Metal and ceramics are combined together in this stunning result of a modern raku bowl where the different materials shine on their own and where metallic and crack...

While a vase may usually serve the purpose of keeping plants alive, VELENI’s Vase VA1-10m’s volume is made up of ‘a soil’ of microplastics. The plants or flowers may seem like they a...

Ming Dynasty blue and white porcelain vase from the Wan Li period (1563-1620). This vase, drawn with a very free hand, is decorat...

‘Green Seed Pod’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic scu...

Look at this magnificent Chinese antique Famille Rose porcelain vases. It was hand made and hand paint from famous Chinese Porcelain. Ea...

ELLIPSE N°4 - white. Hand-crafted in our studio in France. H: 22.5 cm / L: 29 cm H: 10 inch / L: 11.4 inch. - Stoneware fired at high temperature finished with transparent ...

The Bibi vase is part of the Australe collection It is made with a clay slab, that means, by folding a clay slab around a disc- shaped base thus to create the structure, which is th...

‘Vase with Star Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

Vintage Asian porcelain vase with celadon glaze - bamboo form - unsigned - mid 20th century. Excellent vintage condition - no loss - no dama...

Fine pair of 19th century rose medallion vases.

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

This collection is a work of art that make a statement in modern décor and in the modern cultural art world. It can be used as a vase containing flowers, or as a beautiful centerpiec...

‘Vase with Foliate Rim II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

Vintage opaline from Florence. This is a rare color and size, a must have for any collector. Looks simply stunning. The piece is in excellent condition and a real beauty! With best wishes, Geert ?Early Bird Gallery...

A vintage Chinese porcelain vase from the mid 20th century, with hand-painted blue and white body. Created in China during the midcentur...

Rose and Erni Cabat Glazed Porcelain Feelie Vase, Yellow, Green Ceramic. Signed and dated. Rose Cabat worked in earthenware, stoneware and, finally, porcel...

Pair of 1900 vases in blue porcelain of Tours with gilded decoration of roses topped by ribbons. These gold-coloured motifs are typical of the Art Nouveau decorations of the ceramist...

A pair of blue porcelain vases with dolphin handles gilded leaves and flowers. England, circa 1890.

Twin-C vase, clear grey and clear. Vase in soft resin designed by Gaetano Pesce in 1995 for Fish Design collection. Measures: L - ø 22cm x H 36cm Other sizes available. Colours: ...

A vase made in cased glass using the “Opalini” technique. This model is distinguished by its lower, wider opening with the typical wavy shape: a new take ...

18th Century French Pewter Pitcher is an elaborately decorated example of fine craftsmanship in everyday items, using techniques that were passed down fr...

Clover - White Hand-crafted in our studio in France. H: 18.5 cm / L: 19 cm H: 7 inch / L: 7.5 inch. - Stoneware fired at high temperature finished with transparent glossy g...

This stunning vintage burgundy red and clear cut glass vase has a honeycomb pattern that reflects an optic design. It looks art deco meets mid century modern. The rim is flat cut pol...

Emile Galle Art Deco Vase in grey glass overlaid in purple and cut with pendant sweet peas; signed Galle in cameo after a star.

This set of vases and trays is the pink rose series, in addition to the dark blue ocean series and the turquoise forest series. Creating colors in the interior of a vase or conta...

Vintage Chinese porcelain ornamental oriental vase dating from the early 1900s. The vase is entirely hand painted, depicting flowers and birds. The vintage Chinese porcelain vase...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Lovely and romantic French wedding vases...

A tall porcelain flower vase with an organic and fabric-like surface. Clear glazed applied on interior surface. As a result of the production pro...

UGO ZACCAGNINI - Vintage exceptional pair of twin handled Italian studio pottery majolica vases - wheel thrown with hand modeled and applied 'gr...

Val Saint lambert crystal centerpiece cut to clear, Beautiful Val Saint Lambert circular crystal Fruit bowl, hand-cut-to-clear, the glass is thick, deeply and evenly cut, Origi...

A stunning Neoclassical Wedgwood Portland blue bowl with a white overlay. This piece is believed to have been a small sugar bowl, however we think it...

Herend Chinese Bouquet Raspberry. Two vases in hand-painted porcelain modelled with handles. Mid-20th century. Measures: 14 x 9.5 c...