Ash Vase Brushed With White Cream by Patrick Rapp

'I use a medical dental drill bit to carve the surface of white porcelain, from a form thrown on a wheel, to create delicate patterns. This work requires an enormous amount of patien...

"Sasha Wardell is known for her pioneering approach in moving forward the traditional process of bone china production. She is recognised internationally for her work, and her innova...

Let your fingers hold a world in your hands. See some small, sophisticated Swedish vases in globe form by Ewald Dahlskog. These earthly vessels transport the viewer elsewhere with ea...

Let your fingers hold a world in your hands. See some small, sophisticated Swedish vases in globe form by Ewald Dahlskog. These earthly vessels transport the viewer elsewhere with ea...

A German white matte porcelain vase by Rosenthal Studio-Line Collection, circa late-20th century, Germany. Oval in shape with organic modern design on around - front, side and back. Maker's mark on bottom...

Modern hand-thrown ceramic vase in cream with vertical grooves along the side. Signed on the bottom, artist unknown, this vase can hold flowers, decorate your shelves or tables on i...

American Post-War Design white glazed tapered cylindrical shaped ceramic and heavily textured vase (by GARY DI PASQUALE).  

'Tall White Dehydrated Form No 69’ is a unique sculptural vessel by the British artist, Nicholas Arroyave-Portela. Nicholas Arroyave-Portela’s professional ceramic practice began in 1994. After 20 years based in London, he moved and set up his studio in Barcelona, Spain. Arroyave-Portela's creations are all thrown on the wheel using his own unique technique. Pulling up as much clay from the bottom mass as possible, the clay walls of each piece are created thin and even, maximising the artist’s ability to manipulate the form while the material is still soft and malleable. Additional porcelain slips are sometimes applied to create further surface textures and layering. After the first initial bisque firing (1080 degrees) glazes are applied by using various methods such as spraying and pouring, a process often repeated several times after each firing of 1260 degrees. The multi-firing process allows for the build-up of the glaze, creating a rich palette of tones and finishes. Arroyave-Portela's works can be found in various major museums and private collections worldwide including the Ashmolean Museum (Oxford UK...