Ceramic Vase by Gio Ponti for Richard Ginori, 1930s
About the Item
- Creator:Gio Ponti (Designer),Richard Ginori (Author)
- Dimensions:Height: 9.06 in (23 cm)Width: 9.45 in (24 cm)Depth: 8.27 in (21 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1930
- Condition:Wear consistent with age and use.
- Seller Location:BARCELONA, ES
- Reference Number:1stDibs: LU9391237015802
Gio Ponti
An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism.
Ponti (1891–1979) designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.
The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.
His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.
Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.
Find a range of Gio Ponti furniture on 1stDibs.
Richard Ginori
The striking elegance and craftsmanship associated with vintage Richard Ginori porcelain and ceramics are hallmarks of the distinguished Italian manufacturer's deep heritage. Over nearly 300 years, the company has established a legacy of enduring design — its exquisite handmade serving pieces, tea sets, tableware, vases and more are coveted all over the world.
Richard Ginori traces its long history back to the village of Doccia, Italy, where marchese Carlo Ginori opened the Doccia Porcelain Manufactory in 1735. The factory employed talented Viennese painters and modelers, and although it took time for Carlo to perfect his models and molds, the company eventually became known for its impeccable white porcelain, inspired by Ginori's love of white gold. By 1779, the factory’s refined porcelain decorated palaces and stately residences.
In 1896, the factory expanded and merged with the Società Ceramic Richard of Milan. The new company was named Richard Ginori, and the early 20th century marked a period of artistic revival for the manufacturer.
In 1923, the influential Italian architect, publisher and furniture designer Gio Ponti was appointed as the company's artistic director (a role he held until 1933). He was still a young man at the time, but the now-celebrated polymath was fearless in his efforts to innovate at Richard Ginori — he introduced a contemporary spirit at the manufacturer and integrated ancient Roman art and other neoclassical elements into his richly ornate designs for decorative objects and ceramic vessels. At the 1925 International Exhibition of Modern Decorative and Industrial Arts in Paris — the design fair that brought the Art Deco style into the world — both Richard Ginori and its bold artistic director won a Grand Prix.
In the decades that followed, offerings at the storied porcelain manufacturer showed an adoption of the modern style that had taken shape in furniture design and decorative arts during the mid-20th century. In 1954, the company was renamed Ginori 1735, a reference to its inaugural year. Over time, Richard Ginori has partnered with numerous renowned designers such as Giovanni Gariboldi, Antonio Piva, Franco Albini and Aldo Rossi. In 2013, Gucci purchased the Ginori 1735 brand and factory.
On 1stDibs, find a collection of vintage Richard Ginori serveware and decorative objects.
- ShippingRetrieving quote...Ships From: Barcelona, Spain
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Enameled Ceramic Vase by M. Millet, 1980sLocated in BARCELONA, ESInvesting in this Enameled Ceramic Vase signed by M. Millet, originating from the 1980s, presents a compelling opportunity to own a piece of unique artistic expression. Crafted with ...Category
Vintage 1980s Spanish Art Deco Vases
MaterialsEnamel
- Large Glazed Ceramic Vase by Atelier Primavera, 1950sBy Atelier Primavera au PrintempsLocated in BARCELONA, ESA large glazed ceramic green vase by Atelier Primavera, hailing from the 1950s, is a masterpiece that epitomizes mid-century ceramic artistry. Crafted by the prestigious Atelier Prim...Category
Vintage 1950s French Art Deco Vases
MaterialsCeramic
- A mid-century ceramic glazed vase by Atelier SerraBy Cerámica SerraLocated in BARCELONA, ESPurchasing this Mid-Century ceramic glazed vase by Atelier Serra is an opportunity to bring a touch of timeless elegance and artistic flair into your home. Atelier Serra, known for i...Category
Mid-20th Century Spanish Mid-Century Modern Vases
MaterialsCeramic
- "Iguana" Mexican Ceramic vase signed by Jorge WilmotBy Creators of ObjectsLocated in BARCELONA, ESReinventing Guadalajara ceramics: the legacy of artisan Jorge Wilmot Eight years after his death, the legacy of ceramics artisan Jorge Wilmot lives on in the establishment of the Gu...Category
Vintage 1960s Mexican Primitive Vases
MaterialsCeramic
- A Mid-Century Steuler Keramik ceramic vaseBy SteulerLocated in BARCELONA, ESInvesting in this Mid-Century Steuler Keramik ceramic vase offers the opportunity to own a piece of design history that seamlessly merges form and function. Steuler Keramik, renowned...Category
Vintage 1960s German Mid-Century Modern Vases
MaterialsCeramic
- Fiskgraal Vase by Edward Hald for Orrefors, Sweden, 1950sBy Orrefors, Edward HaldLocated in BARCELONA, ESGraal technique, a method involving multiple layers of glass to create intricate patterns. The vase's enchanting blue hue, reminiscent of serene Nordic skies, is achieved through a ...Category
Vintage 1950s Swedish Mid-Century Modern Vases
MaterialsGlass
- Gio Ponti Large Green Vase in Ceramic by Richard Ginori 1930s ItalyBy Gio Ponti, Richard GinoriLocated in Montecatini Terme, ITLarge vase in green ceramic designed by the Italian designer Gio Ponti and manufactured by Richard Ginori between the 1930s and the 1940s. In this piece, the ceramic was modeled with an elegant and raffinate, flared shape that makes it a perfect decorative vase. The manufacturer's brand is stamped under the base. The history of the Ginori Manufactory began in Doccia, just a stone's throw away from Florence, when in 1735 Marquis Carlo Andrea Ginori started a porcelain factory which was destined to become a worldwide icon of style. The eighteenth-century is a key century for the development of porcelain in Europe, in this period the first manufactures are born, fed by new styles and international trends. In stately homes, palaces and courtyards, the precious porcelain of the Doccia Manufactory is synonymous with elegance and refinement. The passage from the nineteenth, the century of reason to that of feeling marks a new chapter in the development of artistic taste and the manufacture of porcelain. Florence becomes the scene of a controversy between the academic supporters of the Beautiful ideal and the naturalists promulgators of the beautiful natural Since 1806 the direction of the Manifattura passed to Leopoldo Carlo Ginori Lisci who initiates a process of profound renewal. In 1986 The Manifattura expanded and the Richard Ginori Ceramic Company is born. The tradition of master craftsmen meets new technologies and the creations are perfected thanks to the use of new patents From 1923 to 1933 the artistic direction of the Manifattura was entrusted to Gio Ponti. The master is responsible for introducing highly innovative elements with sensitivity and respect for the taste for the ancient, and for the oriental culture. In 1925 at the Universal Exposition in Paris, the Manifattura and its artistic director were awarded the assignment to both of a Grand Prix. The Manufactory was renewed by relying on the experience of the greatest Italian designers of the time: Franco Albini, Franca Helg, Antonio Piva, Sergio Asti, Achille Castiglioni, Gabriele Devecchi, Candido Fior...Category
Vintage 1930s Italian Mid-Century Modern Vases
MaterialsCeramic
- Gio Ponti for Richard Ginori Vase in Terracotta and Gold, 1930sBy Gio Ponti, Richard GinoriLocated in Tilburg, NLGio Ponti for Richard Ginori vase in terracotta and gold, Italy, 1930s. It is a wonderful little gem, this vase designed by Gio Ponti and made by Richard Ginori in the 1930s. Great simple design and beautiful contrast between the terracotta and the gold. Part of a series of terracotta and gold bowls...Category
Early 20th Century Italian Mid-Century Modern Vases
MaterialsPottery
- Lidded Vase by Gio Ponti for Richard Ginori, 1930sBy Gio PontiLocated in Zürich, CHGio Ponti Teal-coloured lidded vase/Urn 5756 Inscribed at the bottom '695T' Expertise conducted by the Gio Ponti Archives The vase is in great con...Category
Vintage 1930s Italian Mid-Century Modern Vases
MaterialsCeramic
- Gio Ponti Ceramic Vase for Richard Ginori San Cristoforo, Italy, cirka 1930By Richard Ginori, Richard-Ginori San Cristoforo, Gio PontiLocated in Malmö, SEA rare and beautiful oval shaped, tapered, ceramic vase with hand painted gold decorations. Designed by Gio Ponti for Richard Ginori, Milan, Italy, circa 1930. Great condition. H...Category
Vintage 1930s Italian Art Deco Vases
MaterialsCeramic
- Gio’ Ponti Richard Ginori Vase Ceramic, 1930, ItalyBy Gio PontiLocated in Milano, ITGio’ Ponti Richard Ginori vase ceramic, 1930, Italy.Category
Mid-20th Century Italian Other Vases
MaterialsCeramic
- Gio Ponti for Richard Ginori Maritime Vase, Seascape with Boat, Italy, 1930By Richard Ginori, Gio PontiLocated in Brooklyn, NYGio Ponti for Richard Ginori Italian Vase (circa 1930) decorated with a maritime scene of a ship at sea, signed to base and further marked overall: 6 x 5 3/4 inches Provenance: Property from the Collection of Seymour Stein...Category
Early 20th Century Italian Art Deco Vases
MaterialsPorcelain
Recently Viewed
View AllRead More
Barnaba Fornasetti’s Hallucinatory House Has His Father’s Spirit
Behind a nondescript facade in northeastern Milan is the magical residence of Barnaba Fornasetti. It's a shrine to the style developed by his design-legend father, which still defies categorization.
Billy Cotton Layers His Interiors with Lived-In Comfort
The Brooklyn-based designer is adept at styles ranging from austere to over-the-top, espousing an architectural, detail-oriented approach also evident in his line of furniture and lighting.