Christopher Dresser Moon Flask Vase, circa 1870s

This wonderful bud vase was crafted in France by ceramicist Paul Milet (1870-1950) during the first quarter of the 20th Century. The small green mottled glaze vase is typical of the ...

This exquisite polychrome Chinese vase has been mounted with bronze mounts and has previously been in two private collections. The vase dates to the reign of Chinese Emperor Tongzhi ...

A table lamp converted from a terracotta vase attributed to Christopher Dresser and Watcombe Terra-Cotta Co., of Torquay, Devon, England, circa 1875. The matte finish vase has been decorated with transfer prints in a neoclassical style including a Greek key around the neck. The lamp is accompanied by a hand-dyed, heavy linen shade in black with a fine wool lining. "Watcombe Pottery...

This pair of Grand Tour era ewers are in the 'oinochoe' shape and date to circa 1870. The pair are miniature in size and comprise of ormolu (gilt bronze), malachite, onyx and hardsto...

Rookwood pottery was established based upon Arts and Crafts ideals positing the celebration and elevation of pottery as an art form. Both professional and amateur decorators and potters were instrumental in the success of what became an art industry and the nations first Internationally recognized art pottery. It is marked 1885, 61 and W. Rookwood's font, Form # 61 and the use of W to indicate white clay are well known to Rookwood collectors and have been identified in most publications concerning the pottery dating back to Peck's books. Sometimes we just can't figure out who decorated them. Many of the decorators were married society ladies and some used their spouse's initials or names on pots. I have been unable to identify what appears to be M AED in under-glaze initials. Nor does the pencil notation which appears M.E. Foster (or Foote) turn up in my review of the literature, including The Ladies God Bless 'em. The quality of the decoration is high and represents the interest in Japonisme and Aesthetic Movement art. The four cobalt lined vertical panels recall vertical Japanese woodblock prints and the gold tracery and rim is surprisingly present with only modest wear to the high points and minor bleed through of the under-glaze around the lip. (shown). It is important to note that unless or until the decorator is identified, it is impossible to assert that the decoration is by a Rookwood artist. Many amateur ladies and gentlemen, particularly members of the Cincinnati Pottery...

An unusual Aesthetic Movement flow glaze twin handled vase in the ‘Persian Taste’ by renowned British designer Christopher Dresser (British, 1834 – 1904) for Watcombe Torquay...

Though undocumented (to our knowledge) this beautiful ceramic carafe bears all the hallmarks of Christopher Dresser's innovative work.

Vintage, hand painted ewer. Gorgeous faience pitcher vase with a beautifull turquoise background decorated with a bright raised enamel and 24K gold ...