Coiled Porcelain White Sculpture Vessel. Rose

Ondine is a heavily textured Moon jar with soul! *Porcelain *Handbuilt, *Handwash, doesn't hold water, unglazed *each piece is unique because of their imperfections. cracks and fol...

Charlotte is a one of a kind porcelain hand built sculpture. She is heavily textured with folds and crevices that make her mysterious and enticing with a different presence at each t...

She speaks another language, And I like that about her is a bespoke one of a kind porcelain hand built coiled sculpture. *Porcelain *Handbuilt, *Handwash, doesn't hold water, ungl...

Raven is a bespoke one of a kind porcelain hand built sculpture. Reminiscent of a nest she is a beautiful piece to bring home into the home. *Porcelain *Handbuilt, *Handwash, doesn...

This piece is a one of a kind vessel. Rustic and layered. Because of the small base I will include museum wax for the bottom to make sure she stays in place. You can move her easily ...

'I use a medical dental drill bit to carve the surface of white porcelain, from a form thrown on a wheel, to create delicate patterns. This work requires an enormous amount of patien...

'I use a medical dental drill bit to carve the surface of white porcelain, from a form thrown on a wheel, to create delicate patterns. This work requires an enormous amount of patien...

Kawa Vase 20 Tall white ceramic vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Vases...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...