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Haviland Limoges France Imperatrice Eugenie Vase
$185
£139.49
€160.74
CA$256.65
A$287.57
CHF 149.69
MX$3,517.97
NOK 1,900.05
SEK 1,794.57
DKK 1,199.98
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About the Item
Haviland Limoges France vase in Imperatrice Eugenie pattern is made on one of the discontinued blanks and is probably one of the first vases decorated in this iconic pattern.
Originally the pattern was created by Theodore Haviland for the Empress Eugenie in 1901; Parma violets, that were cherished by the Empress, were used by Leonce Ribiere as a foundation for a dinnerware collection that now can be seen in Haviland Porcelain Museum in Limoges. The pattern holds historical significance, as the Empress was considered one of the trendsetters of her day, contributing to cultural life of Court and France and helping to create Napoleon III style. In 1967 Ribiere's pupil Lassere reworked the pattern into its current reiteration.
The vase is 7.5" high with 2.7" diameter base; it measures 3.9" in diameter at the widest point on the body and 3.7" in diameter at the rim. The rim is fluted and is formed to resemble flower petals. The vase is marked with Haviland Limoges France (castle mark), dating back to 1958-1967.
The vase is in excellent vintage condition.
- Creator:Haviland & Co. (Manufacturer)
- Dimensions:Height: 7.5 in (19.05 cm)Diameter: 3.9 in (9.91 cm)
- Style:Napoleon III (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1967
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421138573402
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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