Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 21

Large of Art Nouveau Japanese Satsuma Style Vase

$12,450
£9,561.06
€10,956.86
CA$17,526.52
A$19,633.58
CHF 10,230.89
MX$239,489.17
NOK 130,011.09
SEK 122,591.19
DKK 81,779.02

About the Item

Japan, 20th century A truly hand-painted with extreme attention and design energy in the creation of patterns and gilt line work all around the entire big vase. It's highly representing the period of Art Nouveau of the peak value with ruffled rim bulbous shape and applied foo lion handles decorated with turquoise blue and light green glaze and colorful floral patterns.
  • Dimensions:
    Height: 18.5 in (46.99 cm)Diameter: 14.5 in (36.83 cm)
  • Style:
    Art Deco (In the Style Of)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    20th Century
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Norton, MA
  • Reference Number:
    1stDibs: LU5848225789432

More From This Seller

View All
Large Art Nouveau Japanese Vase in Satsuma Style, Signed
Located in Norton, MA
Japan, 20th century A truly hand-painted with extreme attention and design floral patterns and gilt line work in the urn form and elephant handles. It's signed in the bottom of the ...
Category

20th Century Japanese Art Nouveau Vases

Materials

Porcelain

19th Century Large Japanese Satsuma Moriage Vase
Located in Norton, MA
Meiji period, bottle form with tall flared neck and scrolls handles, polychrome moriage enamel and gilt decoration, decorated with dragon and phoenix on...
Category

Antique 19th Century Japanese Art Nouveau Vases

Materials

Porcelain

19th Century Large Japanese Satsuma Vase, Ric.048
Located in Norton, MA
Meiji period, Large Satsuma Porcelain vase, decorated with dragon and floral pattern.  
Category

Antique 19th Century Japanese Art Nouveau Vases

Materials

Porcelain

Pickard Art Nouveau Vase Signed Koep
Located in Norton, MA
Art Nouveau Pickard hand-painted porcelain vase having a gold grape cluster and leaves design with black ground signed Koep. Stamped mark to bottom. Measures approx. 7" height x 5.5"...
Category

Antique 19th Century French Vases

Materials

Porcelain

Large Chinese Carved Pear Shape Landscape Vase
Located in Norton, MA
Carved and glazed with a panoramic village scene. A river runs through the village show houses on the riverbanks, fishermen, and mountains in the distance. A red sun is over the hori...
Category

20th Century Chinese Other Vases

Materials

Porcelain

A Large Art Nouveau Enameled and Gilt Art Glass Vase
Located in Norton, MA
A Large Glass vase of Art Nouveau style with Enameled and Gilt Art Glass Vase in a frosted body formed a very elegant shape with subtle curved lines. Th...
Category

Vintage 1910s French Art Nouveau Vases

Materials

Glass

You May Also Like

Monumental Antique 19th Century French Sarreguemines Majolica Vase
By Sarreguemines
Located in Pearland, TX
A gorgeous monumental 17" antique 19th century Art Nouveau period French Sarreguemines majolica vase. Maker's mark on reverse. This exquisi...
Category

Antique Late 19th Century French Vases

Materials

Ceramic, Majolica

Quality large antique Japanese satsuma vase
Located in Ipswich, GB
Quality large antique Japanese satsuma vase, having a quality large antique satsuma vase with a blue and white ground decorated with flowers figures and patterns in vibrant red, gree...
Category

Early 20th Century Ceramics

Materials

Ceramic

Antique Decorative Vase, French, Ceramic, Flower Urn, Art Nouveau, Victorian
Located in Hele, Devon, GB
This is an antique decorative vase. A French, ceramic flower urn in Art Nouveau taste, dating to the late Victorian period, circa 1900. Appealing colors...
Category

Antique Late 19th Century French Vases

Materials

Ceramic

Art Nouveau Southern French Fayance art pottery FLOOR VASE rare colours&pattern
Located in Landshut, BY
A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...
Category

Vintage 1910s French Art Nouveau Vases

Materials

Pottery

Antique Tall Chinese Organic Decor Vase, Early 20th Century
Located in Copenhagen, DK
Large antique Chinese porcelain vase decorated with green, white and pink organic motifs with golden accents. Stylized art nouveau decorations of branches, leaves, roots and butterflies. Manufactured between 1890 and 1920 - possibly Famille Verte. Stamped under base. Beautiful vintage condition. China...
Category

Early 20th Century Chinese Art Nouveau Vases

Materials

Porcelain

Fine 19th Century Alhambra-Style Vase
Located in London, GB
Exquisite quality Alhambra style vase in turquoise, yellow, green and blue with engraving and calligraphy all around the vase.   
Category

Antique 19th Century Spanish Vases

Materials

Porcelain

Fine 19th Century Alhambra-Style Vase
$15,715 Sale Price
20% Off