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Rare Patricia Esch Bud Vase, Early American Studio Glass, 1971
$350
£264.86
€305.47
CA$488.75
A$547.56
CHF 285
MX$6,668.22
NOK 3,630.57
SEK 3,418.97
DKK 2,280.27
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About the Item
Rare bud vase by Patricia Esche is an important example of early American studio glass movement. It is stylistically similar to her blue vase with ruffled rim that is displayed as a part of "There at the beginning: Early Studio Glass from the Parkman Collection" by Corning Museum of Glass. Stripes of fused glass in dark, jewel-like Bordeaux red color on amber background showcase the fluid, organic shape of the vase, while light gradations of color and some controlled bubbles help convey the density and the structure of the glass.
The vase is signed and dated by the artist on the bottom.
Patricia Esch (b. 1940) attended Antioch College in Yellow Springs, Ohio, where she received a BA in Design in 1963. She then studied under Harvey Littleton at the University of Wisconsin until 1965. Afterwards, she moved to Colorado and set up a studio in Denver; she was described as "The only woman glassblower within at least 800 miles of Denver" in the local newspaper. In 1973, Esch was honored by the American Association of University of Women. She had been a visiting craftsperson at Colorado State University and at Chadron State College in Nebraska. Esch was a studio glass artist until 1974, when she sold her equipment and returned to Wisconsin to pursue other creative avenues; she continues to make art glass as a hobby, and her work has been exhibited around the world.
- Dimensions:Height: 2.93 in (7.45 cm)Diameter: 3.23 in (8.21 cm)
- Style:Organic Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1971
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421144351832
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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