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Rubboli Lustre Majolica Pitcher Vase Mythical Beasts Decor
$450
£341.49
€391.04
CA$639.48
A$696
CHF 365.39
MX$8,408.67
NOK 4,586.08
SEK 4,324.13
DKK 2,919.05
About the Item
Striking ceramic Neo-Renaissance Rubboli pitcher vase features cobalt, red and gold Lustre majolica glaze decoration. Hand-painted decor follows the traditional shape of the piece, with abstract pattern accentuating the base and the top of the vase, and motifs of mythical beasts surrounding central medallion with another mythical creature.
The vase is marked on the bottom; the mark "A.R. Italy" dates the piece to 1936-1975. We are offering a large sculptural vase, decorated n the same style, also by Alberto Rubboli, in a separate listing; the vases can be displayed together for a stunning presentation.
The vase is a striking example of the revival of the magnificent Italian Renaissance decoration of the 16th century. In late 19th century the collecting craze for Renaissance majolica, especially lusterware, prompted the Italian potters to hunt for the secret formulas that were lost four hundred years earlier. Studios owned by such ceramicists as Cantagalli, Molaroni, Rubboli, Santarella, and others attempted to duplicate antique lusterware pieces for the general public. Each studio developed their own closely guarded formulation.
In 1870s Paolo Rubboli opened his own pottery in Gualdo Tadino in Umbria, the town that had been a center for pottery production for centuries thanks to the superior clay and iron deposits, an important ingredient in the creation of the luster glazes. Paolo had, for many years, worked at some of the greatest ceramics factories in Italy, including the Ginori Porcelain factory in Doccia. Supposedly, while working at Ginori in 1863 - 1865, he met the great chemist, Luigi Carocci, who gave Rubboli the secret formula for creating the lusterware glazes. In 1890 Paolo passed away, and his wife and two sons, Lorenzo and Alberto, continued to maintain the family pottery; in 1920s they formed Società Ceramica Umbra (The Ceramic Society of Umbria) with many famous potteries and ceramicists working as a consortium in the region of Umbria at the time.
In 1936 the brothers decided to end the partnership and dissolve the company; thus the A.R. and L.R. monograms were born, identifying the newly formed and independent workshops of Alberto and Lorenzo Rubboli. Alberto continued to work almost until the time of his death on May 19, 1975.
The elegant, sculptural form, high quality craftsmanship, and traditional style will make the vase a great gift to a collector or a design enthusiast and a perfect addition to a wide range of interiors, from Traditional to Eclectic, Transitional, Modern Country, Hollywood Regency, Glam, Palm Beach, Collected, or Contemporary.
- Creator:Rubboli (Workshop/Studio)
- Dimensions:Height: 7.5 in (19.05 cm)Width: 6.25 in (15.88 cm)Depth: 5.13 in (13.04 cm)
- Style:Renaissance Revival (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1936 to 1975
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421146836192
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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Sculptural, large ceramic Neo-Renaissance Rubboli vase is finished in cobalt, red and gold lustre. Hand-painted decor follows the classical shape of the piece, with abstract pattern accentuated the base and the top of the vase, and traditional designs of mythical beasts surrounding central medallion motifs.
The vase is a stunning, museum quality example of the revival of the magnificent Italian Renaissance decoration of the 16th century. Late 19th century collecting craze for Renaissance majolica, especially lusterware, prompted the Italian potters to hunt for the secret formulas that were lost four hundred years earlier. Studios owned by such ceramicists as Cantagalli, Molaroni, Rubboli, Santarella, and others attempted to duplicate antique lusterware pieces for the general public. Each studio developed their own closely guarded formulation.
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