Satsuma Pottery Vase, circa 1890

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...

Large Japonese Vase Satsuma Circa 1930. H / 13 inches.

A gorgeous hand-painted Japanese Satsuma vase, Meigi, circa 20th century, Japan. Beautiful hand-painted detail of colorful flowers and spider mum flowers around finished with gold de...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

An antique and large pottery vase in the manner of Satsuma offers pottery construction with engraved and hand painted pond scene with swans and stylized cloud elements, C1920. M...

A good quality 19th Century Japanese Satsuma vase, having imperial influences with a dark blue ground, blossom tree decoration to the flared neck, circul...

Pair of Earthenware vases from Satsuma Japan Each side with different decoration Signature under the base "Zenkozan" end of the Meiji period Height 22 cm Perfect condition

A Satsuma earthenware vase, by Kinkozan, Japanese, Meiji period (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaz...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A very good quality Japanese Meiji period (1868-1912) Satsuma lidded vase. Depicting various Deities and servants in a garden setting. Boarders of classical motifs and designs. Batc...