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Thomas Buechner III for Vitrix Hot Glass Studio Vase, NY Art Glass

$850
£645.31
€738.09
CA$1,187.57
A$1,320.84
CHF 689.70
MX$16,073.23
NOK 8,808.55
SEK 8,260.86
DKK 5,508.66
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About the Item

Sculptural Organic Modern vase was hand blown with thin layer of red glass underlying the two-toned fused glass. The abstract, graphic pattern of dark red, almost burgundy colored fused glass on light beige background is swirling around the curves of the vase; the whole structure is enclosed in thin layer of clear glass in sommerso technique, adding depth and definition to the piece. Minimal shape of the vase allows the bold flow of the pattern to take the center stage. The vase is signed and dated by the artist on the bottom with "Vitrix Hot Glass", artist initials, and 9/79, dating it to 1979 - the year the Vitrix studio was founded. Rare, hard to find example of early Vitrix glasswork would make a great gift to any studio glass or art collector. Founded in 1979 by brothers Matthew and Thomas Buechner III in Corning's Market Street District, Vitrix Hot Glass Studio is regarded among America's prominent contemporary glass studios. Thomas Buechner (1926-2010) attended Princeton University, the Art Students League in New York and the Ecole des Beaux Arts in Paris. Buechner was appointed Director of the Corning Museum of Glass in 1950 after his tenure as an exhibition designer at the Metropolitan Museum of Art. Buechner established the Museum's academic journals and curated the groundbreaking exhibition, Glass 59, that was the first to explore international works in contemporary glass. The first Director of The Corning Museum of Glass (1950-1960) and then Director of the Brooklyn Museum (1960-1971), Buechner simultaneously worked as an illustrator for the Chicago Tribune’s and the Washington Post’s “Book World”. Since then, he has been an independent artist, and a mentor to many aspiring artists in the community. As author and lecturer, Buechner is known to glass scholars, artists and collectors. He wrote the glass section for the Encyclopedia Britannica and founded both the Journal of Glass Studies and the New Glass Review. His art has been acquired by museums including the Metropolitan Museum of Art and the Smithsonian’s National Museum of American Art. He taught in Rome and Germany, Corning and Elmira.

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