Serveware, Ceramics, Silver and Glass

Classic Bouquet by Gorham sterling silver Flatware set, 56 pieces. The handle design is a bouquet of flowers with pierced and beaded detailing. This se...

King Edward by Gorham Sterling Silver dinner size flatware set, 42 pieces. This set includes: 8 Dinner Size Knives, 9 5/8" 8 Dinner Size Forks, 7 3/4" 8 Salad Forks, 6 1/8" 8 T...

Baronial by Gorham, circa 1973, sterling silver flatware set - 40 pieces. The handles of the forks and spoons are pierced. This set includes: 8 Place Knives, 9 1/8" 8 Place Forks...

Set of 8 Engraved Puritan sterling silver goblets. Made by Gorham in Providence. Each: Spare and elegant form with subtle bell-form bowl on cylindrical stem flowing into raised foot....

We are thrilled to present this set of twelve Mid-Century Modern sterling silver cordials in their original boxes. There are four cordials per box and t...

Inspired by the famed Italian opera house, Gorham La Scala features a scalloped tip with a floral and scroll edge, a pierced handle, and a central rose...

"Lot of four antique 19th century sterling silver souvenir spoons of Columbia, Missouri representing the University of Missouri, Read Hall (of the) Uni...

We are happy to offer you this sterling silver tray made by Gorham Silversmiths, hallmarked 1927. Designed in the iconic “Plymouth” pattern, this tray has been restored to it’s origi...

Fairfax sterling silver coffee and tea set on tray. Made by Durham, which was part of Gorham, in Concord, ca 1926. This set comprises 7 pieces: Hot wa...

“Willow” sterling silver salad set by Gorham Silversmiths, circa 1954. Sleek and chic in that quintessential Mid-Century style! On each handle a wheat...

Edwardian sterling silver 3-piece coffee set. Made by Gorham in Providence, ca 1917-8. This set comprises coffeepot, creamer, and sugar. Coffeepot has tapering ovoid body with flush ...

Victorian Period, sterling silver mustache cup, Gorham manufacturing Corp., Providence, Rhode Island, circa 1895. Measures 3 inches high x 3 inches diamet...

Large and heavy dinner size Decor by Gorham sterling silver flatware set - 41 pieces. This set includes: 8 Dinner Size Knives, 9 5/8" 8 Dinner Size Forks, 7 3/4" 8 Salad Forks, ...

Gorham Narragansett Salt Spoon from the late 19th Century in the Aesthetic taste. Applied Crab motif with barnacle decorated spoon. Marked Sterling...

La Scala Gold by Gorham Sterling Silver flatware set - 58 pieces. This set is vermeil (completely gold-washed) and includes: 8 Knives, 9" 8 Forks, 7 1/2" 8 Salad Forks, 6 1/2" ...

Violet by Whiting-Gorham Sterling Silver Flatware set - 34 pieces. This set includes: 8 Knives, with French Stainless blades, 9" 8 Forks, 6 3/4" ...

The Versailles pattern was created by the French sculptor, Antoine Heller, who was inspired by the murals in the Palace of Versailles. It is a multi-motif pattern from 1888 and each ...

Victorian Classical sterling silver coffee and tea set. Made by Gorham in Providence in 1885. This set comprises 6 pieces: Coffeepot, teapot, creamer, sugar, and waste bowl. Each: Ro...

“Poliedri” chandelier designed by Carlo Scarpa and produced by the Italian manufacturer Venini in, 1958. Made of opaline Murano glass. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Presenting a captivating collection of nine meticulously crafted American silver snowflake ornaments, each one representing a distinct year's edition. Among them, three have been exp...

We are thrilled to offer you this sterling silver shoehorn made by Gorham Silversmiths of Providence, Rhode Island. Hallmarked 1899, this piece is 124 ...

Sparkling lace-like scrolls of deeply carved sterling link together to create a magnificent movement of intricate detail. Golden Medici achieves balance between the pure lines of the column and the complex decoration. Retired pattern. This pattern sets a truly beautiful table! Golden Medici by Gorham...

Unused La Scala by Gorham sterling silver flatware set - 54 pieces. This set includes: 12 Knives, 9 1/8" 12 Forks, 7 1/2" 12 Salad Forks, 6 1/2" 12 Teaspoons, 6 1/4" 1 Gravy L...

Dinner size Luxembourg by Gorham sterling silver flatware set - 48 pieces. This set includes: 8 dinner size knives, with blunt plated blades, 9 5/8" 8 dinner size forks, 7 5/8" 8 ...

Victorian sterling silver baby cup. Made by Gorham in Providence, circa 1890. Straight and gently upward tapering sides and scroll-bracket handle. Applied cast oval medallions that d...

Pair of Victorian cut-glass and sterling silver decanters. Made by Gorham in providence in 1891. Each: moon body with large stylized flower head on both sides and diaper and stars on front and back. C-scroll handle...

Lyric by Gorham sterling silver Flatware set - 24 Pieces. Great starter set! This set includes: 6 Knives, 8 7/8" 6 Forks, 7 1/4" 6 Salad Forks, ...

Beautiful antique Murano hand blown Sommerso clear bubbles in champagne or caramel color with gold flecks Italian art glass ashtray. Documented to Venini company, and created by mast...

Savoy Plaza large silver tray. Louis XVI style large oval platter / tray with neoclassical banded reed border. From the famed French style hotel overlookin...

Outstanding Dinner & Luncheon Size Old Baronial by Gorham sterling silver Flatware set with lion motif, 120 pieces. This set includes: 12 Dinner Size Knives, 9 3/4" 12 Dinner Size F...

Inspired by carvings from the Melrose Mansion of Natchez, Mississippi, this pattern possesses unusual boldness and depth. Melrose has elegant curves and intricate detailing along the...

Victorian, sterling silver, figural bud vase, Gorham manufacturing Company, Providence, Rhode Island, year-hallmarked for 1865. Monogrammed with an Old English letter K. Measures 6 3...

In the mid to late 1950's "space age silver" was all the rage. In 1957, the year of Sputnik, star-studded sterling flatware was continuing to be designed and released, which continued all through the 60's. President Kennedy's mission in 1961 to reach the moon culminated the successful voyage of the Apollo 11 spacecraft in 1969. It was an exciting time in space...

Originally issued in 1987, Edgemont Gold by Gorham has symmetrical flutes that adorn the end of the flatware, flaring in an unmistakable pattern. Edgemont Gold Accent by Gorham St...

Craftsman sterling silver porringer. Made by Gorham in Providence, ca 1910. Traditional form. Unusual open geometric handle. Allover spot hammering. ...

Chippendale sterling silver serving tray. Made by Gorham in Providence in 1944. Round with flat curvilinear ogee rim. A large and heavy piece in this pattern. Fully marked including ...

Monumental Rondo by Gorham sterling silver Flatware set, 93 pieces, including many serving pieces. This set includes: 12 Knives, 8 7/8" 12 Forks, 7...

Shamrock V by Gorham Gorgeous Shamrock V by Gorham sterling silver five-piece coffee set. This set includes: 1 - Coffee Pot: Marked #A41501, measures 10 1...

Japonesque sterling silver flask. Made by Gorham in Providence in 1878. Ovoid with flat front and back, short neck, and chained, threaded, and cork-lined cover. Engraved bamboo, cran...

Set of twelve silver-plated bronze Queen hand bells by Gorham American, Late 20th Century Height 13cm, diameter 6cm A set of six pairs, each depicting significant royal figures from...

Being offered is a sterling silver vase by the Gorham Silver Company of Providence, Rhode Island. Hallmarked 1914, this piece is sleek and contemporary. A tapered body and a round ba...

For a dramatic statement, this glamorous pattern brings three-dimensional opulence to your table. Introduced in 1964, the finely tooled design incorporates deeply carved borders with lavish scrollwork enhanced by intermittent floral details and a striking rosette crowning the neck. Significant weight and uncompromising craftsmanship lend a luxurious note to traditional and formal settings to wow your guests and provide the ultimate finishing touch to all of your meals. LA SCALA BY GORHAM...

Dinner size Lyric by Gorham sterling silver flatware set, 79 pieces. This set includes: 12 dinner size knives, 9 5/8" 12 dinner size forks, 7 7/8" 12 salad forks, 6 1/2" 12 tea...

Gorham sterling shell (formerly Hampton 1913) by Gorham sterling silver Flatware set - 60 pieces. This set includes: 12 Knives, 9 1/4" 12 Forks...

A beautiful Corroso a Bugne vase by Carlo Scarpa for Venini. With acid signature "Venini Murano" Literature: "Venetian Art Glass: An American Collection 1840 - 1970", Barovier, pag...

Turn-of-the-century Art Nouveau sterling silver and crystal decanter. Made by Gorham in Providence. Ovoid crystal bowl with cut and engraved ornament: Beaded horse...

Gorgeous Golden Scroll by Gorham sterling silver Flatware set, 38 pieces. This set includes: 8 Knives, 9 1/8" 8 Forks, 7 3/8" 8 Salad Forks, 7" 8 T...

Princess Patricia by Durgin / Gorham sterling silver dinner size flatware set - 90 pieces. This set includes: 12 dinner size knives, 9 1/2" 12 di...

Turn-of-the-century Art Nouveau glass perfume with engraved silver overlay. Made by Gorham in Providence. Globular with short neck and everted rim in silver collar. Ball stopper. Ope...

Lattimo Velato vase by Carlo Scarpa for Venini Murano ca. 1936 A rare lattimo velato vase designed by Carlo Scarpa ca. 1936. Manufactured by Venini Murano Venice in the 1930s. Thin ...

Originally issued in 1987, Edgemont Gold by Gorham has symmetrical flutes that adorn the end of the flatware, flaring in an unmistakable pattern. Edgemont Gold Accent by Gorham st...

Heavy Vetro Sommerso Vase by Carlo Scarpa for Venini Murano ca. 1930s A vetro sommerso bollicine vase designed by Carlo Scarpa between 1934 and 1...

We are happy to offer you this pair of sterling silver candlesticks by Gorham Silversmiths of Providence, Rhode Island. Hallmarked 1927, there’s an inscription on the bottom-side “Fr...

Unused Baronial New by Gorham, c1973, sterling silver flatware set - 28 pieces. The handles of the forks and spoons are pierced. This set includes: 6 place knives, 9 1/4" 6 place...

Gorgeous Dinner Size English Gadroon by Gorham sterling silver Flatware set, 40 pieces. This set includes: 8 Dinner Size Knives, 9 1/2" 8 Dinner Size Forks, 7 5/8" 8 Salad Forks...

Being offered is a pair of sterling silver candlesticks by Gorham Silversmiths hallmarked 1915. They are simply beautiful in their shape and elegance. They have a tapered body giving...

Chantilly by Gorham Exceptional Chantilly by Gorham Duchess sterling silver five-piece tea set - all hand chased. This set includes: 1 - Coffee Pot: Marked #732, measures 9" x ...

Dinner size Cambridge by Gorham sterling silver flatware set - 90 pieces. This set includes: 12 dinner size knives w/blunt plated blades, 9 3/4"...