Ashtrays

This item is a special one by the shape witch is well balanced, and the shine of the stone. This an Amethyst astray or Vide-poche from africa, circa 1960. The color is purple.

Porcelain ashtray designed by La Gardo Tackett (1911-1992). Best known as the head designer for Architectural Pottery, in Los Angeles, California. Diameter of 7 5/16 inches. Two a...

Made in Italy, 1950s. This is a thick Murano glass bowl / ashtray / vide-poche ascribable to Alfredo Barbini because of its wavy rims. It is made with Murano glass and green canes...

Wonderful small heavy golden bronze ashtray attributed to the hands of Walter Bosse, Vienna, Austria. And crafted and with unique hand applied greenish shimmering patina inside and o...

Beautiful vintage Italian ashtray made with porcelain in Italy signed by Tommaso Barbi. The manufacturer's brand stamp is at the bottom of the...

This original vintage glass element was designed and produced in the 2000s in Lombardia, Italy. It is made in Sommerso Technique and has a fantastic faceted form. The vibrant color m...

Fully Brass Vintage Lighter made in Italy 1970s

-Good original condition -Metallurgical glass.

Mid-Century Modern Danish bowl by Svend Aage Holm Sørensen for Søholm, 1950s Rare Danish ashtray designed by Svend Aage Holm-Sorensen and manufactured by Soholm, Denmark in the 1950...

One of our best-selling and iconic pieces from Loyzaga Design, the Ruhlmann ashtrays come in different sizes and styles, as well as types of marble combinations. These are hand carve...

A sculptural decorative lighter bronze Italian lighter designed by Esa Fedrigolli for Esart. Signed

Rare deep red cased and iridized glass, bowl complete with stubber (cendrier / ashtray), designed by Carlo Scarpa (1906-1978) circa 1942, for Venini, with acid stamp on its underside 'Venini Murano MADE IN ITALY' From 1933 to 1947 Scarpa became the artistic consultant to Venini from 1933 to 1947 the glass manufacturer, one of the great celebrated glass works in the history of design. Carlo Scarpa’s highly inventive use of traditional Murano techniques resulted in this original sculptural and sensually formed crimson dish companied by its pestle. Scarpa's success was to look to the past with an innovative approach towards technique and creativity giving birth to the avant-garde. • Literature A Focused Obsession, Modern Italian Glass- The Martin Cohen Collection Helmut Ricke, Eva Schmitt, 'Italian Glass Murano: Milan...

One of our best-selling and iconic pieces from Loyzaga Design, the Ruhlmann ashtrays come in different sizes and styles, as well as types of marble combinations. These are hand carve...

Hollywood regency brass ashtray / vide poche Italy 1970s brass H 3.5 cm - 19 x 19 cm Conditions: excellent consistent with age and use

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

4 Cool Melamine Stackable Ashtrays or Snack Dishes in graphic black and white. Designed by Walter Zeischegg in 1967 for Helit, in Ulm, Germany. In original packaging from the 1960's.

Murano Glass Ashtray, 1950S. Freeform With Heat-Stretched Neck In Turquoise, Plum And Clear. Very Good Condition. Dv1429.

Eye-catching hand blown Murano Burgundy red, gold flecks and controlled bubbles art glass bowl or ashtray. Attributed to Archimede Seguso, ...

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal.  Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Beautiful New old stock Ashtray with owl acid etched ,circa 1970's by Cristal D Arques France.

A faceted blue sommerso murano glass ashtray designed and manufactured by Seguso in perfect conditions. Crafted with precision and artistry, the ashtray boasts a multifaceted surface...

Charlie bowl by Fakasaka Design Dimensions: W 19.5 cm D 19.5 cm H 3.5 cm. Materials: black/brown bronze. Charlie bowl / ashtray / centerpiece / candle holder / card holder F...

Jean Gerbino (1876-1966) Vallauris France - ceramic with stunning mosaic glaze - European Vintage. It can be just a decorative element to your living space or use it to hold your jew...

American Art Deco pewter rectangular three section ashtray with horse and rider handle.

Midcentury set by Leerdam three ashtrays and small vase Measure: Vase 10 x 12 cm, ashtrays 8.5 cm.

Round ashtray, entirely in chromed steel, with fabric padding on the support part. Good conditions. 1970s Measurements in cm 13p x 2h Beautiful ashtray with a rounded shape, with a b...

Italian White Marble Bowl / Ashtray, circa 1975.

1970s Stunning Smoking Set by Stilform in Lucite and brass galvanized gold 24K Made in Italy. The table lighter works perfectly. This smoking set is in excellent condition. Dimensio...

A fine quality late 19th Century Meissen porcelain group entitled 'A good mother' Having wonderful detail and bold colours to the figures. The mother seated with a child holding her ...

Stoneware ashtray with glass inlaid rim. The round ashtray features an unglazed exterior and underside with a crushed glowing green glass rim and turquoise glazed interior. The piece...

Green glass club ashtray in the shape of a clover Produced by HSG "Ząbkowice" in Dąbrowa Górnicza Very good condition, no damage width: 9cm length: 10.5 cm height: 2cm

This exquisite ashtray is a stunning example of French Art Deco design, created by Pierre D'AVESN for VERLYS, Les Andelys, France, in the late 1930s. Crafted from thick molded glass,...

Murano glass ashtray, Italy, 1960s Found in a noble apartment. It is intact and in good condition. You can observe small air bubbles inside the glass. This certifies the authenticity...

Vintage blue Murano glass ashtray made in Italy in the 1980s. The bowl is in good vintage condition. Dimensions: Width: 17.5 cm / 6.9 inches Height: 6 cm / 2.36 inches Depth: 14 cm...

Vintage blue murano glass ashtray made in Italy in the 1970s. The bowl is in very good vintage condition. Dimensions: Width: 9 cm / 3.5 inches Height: 7 cm / 2.75 inches Weight: 70...

A beautiful and substantial light blue French crystal bowl or ashtray, organic modern design, from luxury Maison, Daum, France, circa mid-20th cent...

Vintage Guilloche Gilt Ashtrays, Enamel Ashtrays - Set of Three - Denmark, 1960s. In the style of David Andersen. Very good overall condition, minimal wear of time. Dimensions: 6.5x5...

Ashtray with Umbrella Stand by Gino Colombini for Kartell, Made in Italy, 1970s.  Beautiful floor ashtray . Could be used as an umbrella stand as well. It is made of red plastic. It ...

This is a Set of Two White Porcelain Horse Ashtrays by Gucci Firenze, circa 1980s. The ashtrays feature a clean, glossy white finish and are elegantly crafted in square shapes with s...

A charming collection of American-style vintage Boho tooled metal ashtrays, each featuring intricate hand-tooled designs. These unique pieces combine the rustic appeal of copper with...

1900's Bronze "mask" ashtray Very nice patina. Very elegant piece

Textured gold glass ashtray was made by Anchor Hocking as a part of Soreno series. Soreno ashtrays, also called Lido, have a pattern of a series of raised lines forming an almost ma...

Bitossi Aldo Londi Rimini Blu Ceramic Ashtray Signed Large Rimini blue Mid-Century Modern ashtray. It has 3 cigar or cigarette holders and it is made in blue glazed terracotta ceram...

Mid-Century Modern geometric Op-Art Beck & Jung aluminum ashtray "Ultima15" designed by Bo Ljungberg & Holger Backström for Diverse Ting, Malmö Sweden. All Aluminum construction, wit...

1960s Gorgeous Bitossi ashtray/catchall by Aldo Londi, it's part of "Blue Rimini" Collection, and is in very good condition. Handmade, made in Italy Dimensions: 5,90" x 4,52" x 1,57"...

An Austrian poker set of four ashtrays designed by Ferdinand Vogel. Gorgeous set of four players ashtrays, created in Vienna Austria during the art deco period, back in the 1930. Cr...

A clear glass ashtray from the Sands Hotel, in Las Vegas, Nevada. The center is printed with their logo in red text against yellow and reads “A Place In The Sun, Sands, A Hughes Hote...

Created by the internal designing team at Arnolfo di Cambio in 2019, this sculptural piece exudes elegance and contemporary flair. It will be a superb addition to a modern home, wher...

A stunning malachite ashtray from the 1980s, showcasing the natural beauty of this vibrant green mineral. Expertly crafted in Italy, the ashtray features intricate patterns and a sm...

A beautiful, decorative midcentury Rimini blue glazed ashtray. Very large, has a diameter of 9 1/2 inches, Designed by Aldo Londi, manufactured by Bitossi Ceramiche / Italy in the 19...

This original vintage glass element was designed and produced in the 2000s in Lombardia, Italy. It is made in Sommerso Technique and has a fantastic faceted form. The vibrant color m...

One of the finest Mid Century dishes/ashtrays we have seen by the famed Ruscha firm in Germany, this example was probably made by Otto Gerharz, who ...

Kazan Ashtray by Naibu Materials: Volcanic stone. Dimensions: D 15 x H 10 cm. Naibu We are a multidisciplinary studio founded by Mara Calderón de la Barca and Brenda Ochoa, based in...

Beautiful amethyst geode hand carved ashtray or rings bowl, Spain, 1950s. This piece of amethyst geode has been carved and polished at the central part allowing to be used as jewelr...

Smoke Supreme Red Ashtray by SLIDE Studio Dimensions: D 30 x W 42 x H 73 cm. Materials: Polyethylene and galvanized metal. Weight: 8 kg. Available in different color options. Prices...

Large and rare vide poche in Onyx or Marble. This ashtray is rare by his color and size. It is in a Brown color. It has been made in italy circa 1960.

Set of two Griglia floor ashtrays by Enzo Mari for Danese. Upper part can be also used as a table ashtray.  

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...