Murano Glass Ashtray, attributed to Barovier & Toso, Italy, 1950s

Murano glass ashtray, Italy, 1960s Found in a noble apartment. It is intact and in good condition. You can observe small air bubbles inside the glass. This certifies the authenticity...

Mid-Century Italian brass ashtray, 1950s Good condition, small signs of aging.

Mid-Century Italian alabaster ashtray, 1950s It belonged to my grandfather, it is intact and in good condition. Factory seal.

Submerged glass ashtray from Murano, Italy, 1970s, it was purchased by my great-grandfather in Venice. Small signs of age. A chip is highlighted by one of the descriptive photographs...

Barovier et Toso ashtray pockets Murano glass, 1940, Italy.

Rare and unusual Murano art glass bowl or ashtray was made with a layer of burst silver foil on blue and clear cased glass and amber glass base. Proper attribution was made after ...

Murano with gold We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Barovier Toso We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. The company is one of the oldest family businesses in the world, founded in 1295 as Barovier. "The name Barovier derives from the term berroviere (highwayman/policman , which indicates the armigero (person entitled to bear arms guarding the captain of the people. It is probable that some Barovier, originally from Treviso, settled in Murano around 1291, when a law of the Republic imposed the concentration on the island of all glass furnaces." Jacobello was the first member of the Barovier family to work glass at this time. It is thought that the company originated in Treviso[citation needed]. The Toso family had been established in Murano since around 1350. In the 1400s Angelo Barovier created glass objects which are currently preserved in various museums.[6] Angelo is recognized as significant for uniting the knowledge which had been developed and handed down by family Barovier. He was not only considered and artist but a scientist. The company became Ferro Toso Vetrerie Artistiche Riunite S.A in 1936 when Vetreria Artistica Barovier merged with Ferro Toso, specializing in crystalline glass, mother-of-pearl glass, and gold-free cornelian red glass. In 1942, the company was renamed Barovier & Toso. In 1919–1920, 30 year old designer Ercole Barovier began a 50-year career as the artistic director of Barovier & Toso. "After studying medicine and working as a radio operator during World War One he joined the family firm in 1920 when he and his brother Nicolo took over the management from their father Benvenuto. From 1927 Ercole was the main designer and from 1934, when Nicolo left the company, (he was) also the sole owner." While Barovier did not have formal training as a glassblower, his artistic designs produced objets d'art that have become the most critically acclaimed in the history of Ercole - Barovier.[9] In 1930 he produced his award-winning “Primavera” series. "The Primavera series ... is distinguished by a milky white 'craquelé' glass with the addition of black or blue pasta vitrea trim ("opaque colored glass whose consistency is made to appear like ceramic") and decoration. There was a very limited production of this series due to the fact that it was a result of a glass mixture obtained accidentally so it could never be replicated."[13] One example of this series, a Primavera Pigeon, was sold at auction for GBP 275,000 (approximately $360,000 USD, not inclusive of the buyer’s premium) on October 16, 2019. Barovier continued to produce innovative designs of which the “Lenti” vase...

Ashtray in Murano glass attributed to Barovier&Toso with bubbles and gold circa 1950.