Vintage Cognac Decanter with Stopper, Viking Ship Shape, France 1960s

Elegant crystal decanter with a silver frame, covering the crystal top part. There is a silver Minerva hallmark "Minerve casquée " on the silver part.

A fine vintage Venetian, Murano blue glass liquor decanter with stopper and six matching shot glasses. Each applied with a sterling silver overlay, decorated with the San Giorgio lan...

Liquor service made of glass with applied pewter decoration, comprising a decanter and eight goblets. Hand-blown glass, the decanter is decorated with a...

Fabulous, silver-plated Art Deco cocktail shaker and six martini glasses. Designed by Folke Arström in Sweden in 1936 and produced for GAB, each piece is stamped. The shaker still re...

A wonderful deep-coloured cobalt blue carafe, flask or decanter from Danish glassmaker - Holmegaard Glasværk's "Viking" series. The glass around the neck is iridescent in colour. D...

Delightful and sculptural glass decanter featuring a rounded body adorned with small cobalt-blue dots and a unique face-shaped stopper. The hand-painted stopper displays stylized fac...

French Victorian style Baccarat tapered cylindrical shaped decanter used for tequila with stopper having a criss-cross cut design

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...