Ceramics

Michael Powolny Art Nouveau centrepiece with three cherubs - most lovely ceramics item! Modelled by Michael Powolny (1871 - 1954), circa 1907. Hallmarked: Manufactured by Wiener Keramik (Vienna Ceramics) (WK / hallmarked). Material is ceramics (multicolored painted / glossy finish). Model 113 (model number is impressed / bottom glazed) Monogram of "Michael Powolny (MP)" is impressed, too. Made 1912. ________________________________________________________________________________ Subject: Most lovely three naked male cherub's figurines holding a round plate attached to their heads / the mentioned plate is blue painted at bottom side / the surface of tiered round socle is partially moss green shaded. ________________________________________________________________________________ Height: 21.0 cm (= 8.66 inches) Diameter of platter: 24.5 cm (= 9.64 inches) ________________________________________________________________________________ Bibliography: Waltraud Neuwirth, Markenlexikon für Kunstgewerbe (3), Wiener Keramik / Modelle 1906-13; pages 100-101 Elisabeth Frottier, "Michael Powolny, Keramik und Glas aus Wien 1900-1950", Vienna 1990, page 200, List of Work (= Werkverzeichnis) number W 113 (WV 61), Model 113 ________________________________________________________________________________ Experts of Fine Arts assess Michael Powolny's work nowadays as result of activity of one the most important ceramics sculptors / designers of Austrian Art Nouveau. Most of Powolny's successors were strongly under his sway since Powolny had left 'large steps' in Viennese Art of Ceramics. Excellent condition. ____________________________________________________________________________________ About Michael Powolny (Sculptor). As both a designer and a teacher, the Austrian ceramicist and glassware designer Michael Powolny was an important figure in the development of modernist aesthetics in Vienna at the turn of the 20th century. His romantic sculptural pottery figures embrace the lush, dynamic stylings of Gustav Klimt and other progressive artists, while his functional pieces — such as glass bowls and vases — employ the simple linear and geometric ornamentation that marked the work of Josef Hoffmann and other members of the Wiener Werkstätte Community of designers and craftsmen. Powolny received classical training in ceramics from his father, a potter, and at the Vienna School of Applied Arts, but later joined in the modernizing movement in the Austrian arts at the close of the 19th century. In 1897, Klimt, Hoffman, Koloman Moser and other artists and architects founded the Vienna Secession, a group that fought for freedom of expression against the city’s tradition-bound arts establishment. Powolny’s work reflects the changing times. He used classical figures in his ceramics — female nudes, cherubs — yet would dress them in modern ornament such as garlands of abstract, geometric flowers. Pieces from Powolny’s ceramics company were sold through the Wiener Werkstätte (Viennese Workshops) founded by Hoffmann and Moser, and Hoffman later hired Powolny to create ceramic ornamentation for his architectural masterpiece, the Palais Stoclet in Brussels. Powolny would go on to design glassware that combines elegant, tapering forms with precise linear decoration. His most influential work may have come as a professor at the School of Applied Arts, where he taught both Lucie Rie, the great Austrian-British modernist ceramicist, and the American potter Viktor Schreckengost, creator of the “Jazz Bowl...

This early 20th century piece of Italian lustreware was made by the renowned Rubboli family pottery in the Umbrian town of Gualdo Tadino, Italy. Italian lustreware Majolica production traces its origins to the Renaissance. The art was revived in Gualdo Tadino during the last quarter of the 19th century, largely due to the efforts of ceramist Paolo Rubboli. Rubboli established his pottery in the region around 1870, and became known for the high quality of his distinctive cobalt, red and gold Neo-Renaissance lustreware. Rubboli's wife Daria and sons Lorenzo and Alberto continued Paolo's efforts after his death in 1890, and joined the newly formed consortium Societa Ceramica Umbria in 1920. Rubboli pieces dating to the period are marked with a blue underglaze "SCU" in a triangle mark along with a conjoined "PR" monogram in homage to Paolo's work. This large ceramic Neo-Renaissance Rubboli double handled compote is finished in cobalt, red and gold lustre. The piece consists of a round bowl at the top with elongated applied handles at either side, all of which rest upon a pedestal base. The bowl features two bas-relief winged mask heads on the exterior which have been depicted with open mouths sprouting handles in the form of serpent-like forked tongues. The exterior is also painted with pairs of imposing gryphons, each of which flank a large urn. The interior of the bowl is also heavily decorated and bears a fantastical winged lion set at the center of a series of scrolling acanthus leaves and urns, best seen in image 8. The remainder of the piece is finished with foliate and geometric motifs. It is of note that a similar piece was included in the traveling exhibit of important Majolica and lusterware entitled 'The Rubboli Collection - Italian lustre pottery in Gualdo Tadino' held in the Chiesa Monumentale di San Francesco between July 17 – October 3, 2010. The compote is in excellent original condition with no restorations or repairs. There are some glaze skips present on the piece as well as minor chips at the base of the pedestal foot which do not detract from the appearance of the compote and are mentioned for accuracy. The underside of the piece bears the blue underglaze Rubboli family Società Ceramica Umbra mark cited above consisting of the letters “SCU” within a triangle along with the entwined Paolo Rubboli 'PR' monogram, which was used from 1920 to 1931. The 3lb 5oz compote stands...

This German porcelain jar with lid bears the stamp Lorenz Hutschenreuther, Selb, a Bavarian company with a long history dating all the way back to the parent company which was founded in 1814. An unusual example with a strong Art Deco point of view, this dates from the late 1920s. Stylized flowers and a touch of gilding make this a decorative as well as useful piece. Lorenz was the son of C.M Hutschenreuther and when he began producing ceramics and fine dinnerware...

Painted with freshness and sophistication, this pair of Italian Art Deco plates depict elegant female figures, each balancing baskets on their heads, striding toward a tower in the distance. One in a blue Classical robe, with her Art Deco hair...

The large and rare Majolica group consisting of a nude male figure riding a horse was sculpted by Else Bach for the famous Karlsruhe ceramic works in the 1920s-1930s. Bach is best kn...

Large aluminia Christmas plate 1910 in faience. In a very good condition. Measures: 30 cm. in diameter.

Art deco green colored glazed vintage tile, which shows a motif with a violinist. An amazing vintage tile designed by Michael Powolny, circa 1925, ...

Enrico Mazzolani female figure, Italy, 1930s.

GOLDSCHEIDER VIENNA SO-SAID "ASCHENKINDL" Designed by Ernst WEBER, circa 1928 made circa 1928 - 30 model number 5790 / 32 / 1 HALLMARKED: Goldscheider WIEN (= VIENNA) stamp mark Made in Austria SUBJECT: THERE IS A FIGURE OF A SITTING BOY WEARING A SMALL ROUND HAT - he balances a pot for keeping matchsticks. Additionally, there is a large round platter for putting ash on it existing. The boy is clad in lovely costume - a jacket with mesh and large-checked trousers...

Bing & Grondahl figurine of a man standing with grapes by Kai Nielsen (1882–1924). Model number 4025. From the series 'Grape Harvesting.' Measures: 24 cm. Quality, in perfect...

Sculpted in the late 1920s by Margaret Berger, a student of Alexander Archipenko, this is one of the finest sculptures to come out of his ARKO Modern American Ceramics school in Wood...

René Buthaud (1886-1986). "Amphitrite", a ceramic low relief depicting the Greek mythological sea-goddess as a young girl riding a sea horse...

SOLD INDIVIDUALLY: A collection of antique stoneware dipping baskets once used by plating factories to contain tarnished metal articles as they were submerged in acids in order to be...

One of the most famous and elegant models from the Goldscheider manufacture: The dance 'Der Gefangene Vogel' performed by the dancer Niddy Impekoven (1904-2002) in the early twenties...

Art Deco Set of 3 mantlepiece objects, made by Manufacture de Gustave de Bruyn et fils (Fives-Lille), in the 1920/1930s. Ceramics in dark blue and matt black colour.

Louis Dage (1935- 1957) céramique d'art émaillé neige vert émeraude d'époque art deco atelier d'Antony avant 1934 Hauteur : 26 cm diamètre : 21 cm Il est né en 1885 à Lille et mort en 1963 à Saint-Sever. Sa carrière s'effectue d'abord dans le Nord de la France (Fives-Lille, Nimy en Belgique, Billancourt, Antony) puis à Saint-Sever. Il a fondé en 1920 la Faïencerie d'Art d'Antony (95), associé avec Eugène Val, membre important de la chambre syndicale de la céramique et de la verrerie, où il collabore avec : Jean de La Fontinelle (spécialiste des décors animaliers), André Villien...

An antique Wedgwood Fairyland lustre "K'ang Hsi" bowl, designed by Daisy-Makeig Jones, circa 1920. The exterior decorated in the 'Woodland Bridge' design on a deep blue ground. The interior with a variation of the 'Garden in Paradise' design, with elves dancing in a woodland setting . Cobble beaded border to the foot rim. With the Wedgwood Portland vase...