Kazuko Matthews Post Modern Ceramic Teapot, California, 1980's

Post-Modern porcelain teapot designed by Peter Langer for Feltman Langer. It is in the style of and often attributed to Peter Shire. The teapot is asymm...

This is a post-modern Memphis Milano style ceramic jewelry dish signed Palmer. It was made in Italy in the 1980s. It is a catch-all trinket dish perfect for jewelry or soap. Iconic r...

Lana Wilson Ceramic " Artifact Teapot " Sculpture, California, c.1994 Artist Statement Artifacts like a tarnished copper yak butter teapot used in ceremonies in Bhutan or a Sambura ...

Ceramic Postmodern bud vase or weed pot, signed.

Flattened stoneware Post Modernist vase by California studio artist Kazuko Matthews. Teapot measures 16.5" by 9.5" by 3" and is signed Kazuko Matthews on the bottom. In very good vin...

Nice and traditional design in this stoneware / ceramic vase with scales and waves in opposite side . Signed incised in bottom .

Large Vintage Glazed Earthenware Teapot by Peter Shire, 1982. Earthenware and Enameled Metal construction, Hand-Built. Approx: 15 1/2" high x 12" wide x 25" long Peter Shire: ...

A great Italian Post Modern art pottery bowl by noted artist , Pino Castagna . Signed. Biography: Pino Castagna was born in Castelgomberto, Italy, in 1932, and studied in the schools of fine arts of Verona and Venice. Together with Scottish sculptor Michael Noble and his wife, Ida Borleti, from 1957 and 1963 he designed a creative skill stimulation programme for the mental patients of the Verona psychiatric hospital, as well as directed a ceramics school and workshop in Garda. His growing interest in sculpture was encouraged by frequent visits to Paris and Milan. In 1969, he moved his workshop to Costermano del Garda, Italy, where he currently lives and works. Since then, Castagna’s work has been characterised by constant experimentation with new techniques and materials as diverse as ceramics, aluminium, stone, wood, concrete, strings or tree branches. Each of these offers a new and original expressive possibility, which the artist explores by testing the materials’ plastic potential and pushing their endurance limits. In addition to his practice as sculptor, Castagna’s oeuvre encompasses painting and design, as well as public art, fully revealing the architectural and environmental vocation of his work. Remarkable examples of this vocation may be found in Cespo veneziano [Venetian Basket...