Ceramic Ceramics

Designer: Britt Louise Sundell Series: Santos Product Description: The Santos-series has been designed by Britt Louise Sundell for Gustavsberg. The artist is most famous for her...

Ceramic Harlequin figurine. Not signed. Probably produced in Germany at the turn of the 1970s and 1980s. XX century. The figurine is in perfect cond...

Komerobi, in Japanese, means: " the sunlight that passes through the leaves of the trees ". This cup by its extremely clean design is a reminder of the zen essentiality and the use of the cup for its most sacred purpose during ceremonies. Featuring a wooden wick, that enables the flame to expand itself also horizontally and with a sound reminding the crackle of the fire. Citrus top notes mixed with Ginger, Almond, and Spices heart notes give this fragrance an irresistible appeal. A black burnt Raku band and its raku crackle...

Vintage Royal Doulton fishing Ceramic. A Royal Doulton Series Ware 'The Gallant Fishers' fishing bowl. The bowl is with a polychrome fishing scene of a fisherman lying on the river bank reading a book. The inscription around the edge reads 'And When The Timrous Trout I Wait To Take And He Devours My Bait'. here is a slight foul to the side of the bowl, but may have been done when made as it is glazed over. The bottom has pattern number D3680 and has the special "The Gallant Fishers" back stamp. The stamp looks like an old English shop sign...

Handmade stoneware table lectern manufactured at the workshop of Apparatu in Barcelona. Different clay bodys are mixed with natural fibers like corn, str...

A large and impressive West-German mid-century art pottery vase with abstract designs by Scheurich Keramik dating from around 1960. The tall bulbous vase stands on an unglazed round ...

Two maiolica flower pots Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire) The...

1950s gorgeous white, blue and gold tea set/coffee set in Bavaria Porcelain. Made in Germany. The items are in excellent condition. - 1 Coffee...

J. Macintyre & Co. Ginger Stout beer bottle. A good example of a J. McIntyre & Co. of North Berwick Ginger Beer glazed stone ware bottle. The front of the...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

Traditional rustic ceramic vase. Manufactured in France, circa 1940. In original condition, with minor wear consistent with age and use, preserving a beautiful patina.

This is an exceptionally large English mid-19th century Victorian Ironstone Platter decorated in a beautifully detailed Japanese Imari pattern. The enameling is sharp with deep coloration and the overlaid gold is in very good original condition. The platter is marked "Stone China" on the reverse. The platter is in very good overall condition with normal patination and very minimal losses to the painted decoration. There is a bit of wear to the underside of the rim which does not detract from the value of the platter. Platers of this size are very uncommon and desirable. This piece could be installed as a work of art or even fitted with a custom table base...

This exclusive ceramic plate is handmade and hand-painted in Italy following the original Renaissance painting technique, unchanged over time, which we observe to the letter: it is d...

Yunomi is the taller tea cup, compared to the Chawan ( that has a usage during the tea ceremony ), which has a more formal everyday tea-drinking use. The Japanese design is elegant a...

ROYAL COPENHAGEN - Ellen Malmer/designer - Nils Thorsson/shape designer - Mid Century Modern - Baca series - Aluminia faience vase number 635/3121 - signed on the base ROYAL COPENHAG...

Large Imari Meiji period four panel charger entirely hand decorated. Two of the panels depict flying cranes amongst foliage. The remaining two panels are hand decorated with a floral...

A beautiful example of American art deco design on this beautiful covered dish, excellent condition and beautiful yellow pastel color.

A good pair English Staffordshire pottery figures portraying a Seated man and woman with a Basket containing flowers dating from around 1...

Royal Copenhagen figurine no. 3539. Girl with a doll. Height 15 cm. 1st. Factory quality. Perfect condition. Early stamp. The design of Ada Bonfils.

Rare Goldscheider Vienna Art Déco Art Ceramic Group of the late 1930s: Little blond girl with curly hair in a white and blue checked summer dress with red edges holding a fox terrie...

Set of 6 majolica asparagus plates. Marked on the bottom, Faïencerie Onnaing. French origin, dated around 1880-1890. In good condition.

beautiful and decorative tiles in red, black and white glazed ceramic with fish subject and still life. Very good condition.

A lovely yellow vase designed by Pia Rönndahl at Rörstrand in the 1980s. The vase is 17.5 cm high and in excellent condition except from some minor marks. It is marked as on photo an...

A large vintage serving platter featuring the harvest fruit brown and white transfer-ware pattern by the celebrated English pottery firm, John...

Ceramic table lamp by Olivia Cognet Materials: Ceramic Dimensions: around 40-50 cm tall Available in different sizes, finishes...

The Earthly Body vase series evokes silk softly billowing in the wind, the Earthly Body series is like a siren calling on you to touch its soft skin. Crafted using the colours found ...

Very Rare Art Déco Goldscheider Ceramics Figurine around 1930: Young dancer in a sleeveless top reminiscent of a bathing suit and wide trousers, a sailor hat on the short black curls, looking to the right and taking a step forward with her right leg, leaning her upper body slightly backwards, her hands relaxed in her trouser pockets. The figure is supported on the left leg, below the featured leg, by a model sailing ship...

A stylish Italian small rounded wall plaque hand decorated with a geometrical pattern by Ceramica D'Amore Vietri and dating from around 1950. The sma...

Yunomi is the taller tea cup, compared to the Chawan ( that has a usage during the tea ceremony ), which has a more formal everyday tea-drinking use. The Japanese design is elegant a...

Aura, a mural of a gentle, profound and peaceful nature painted by Mexican artist José Miguel Gómez in different sized ceramic mosaics. Each piece represe...

An amazing Memphis Milano tea set manufactured in Italy by Mas Italia. the red and white ceramic it's in perfect condition, the set has not been probably never used. The tea set by M...

A wonderful set of salad plates to make your table shine Hanpainted, in italy, Saint Jacques (scallops) will bring an everyday summer on your ta...

Important ceramic pichet attribued to Jean Rivier, Vallauris France 1960. Beautiful creamy white and brown enamelling. Elegant shape and very nice dimensions.

Large Spanish handmade and painted white and green glazed terracotta "lebrillo" earthenware bowl in the style typical of Granada.   

An unusual Austrian art pottery sculptural figure of St Christopher carrying the Christ child across a river attributed to renowned Austrian sculptor, Ceramist, designer and teacher Michael Powolny (Austrian, 1871-1954) and probably dating between 1920 and 1930. The hand-crafted figure shows St Christopher with the Christ child on his shoulder and a wooden staff...

A stylish mid-century art pottery Denby handled jug hand painted with stylized floral designs by renowned English ceramist Glyn Colledge (British, 1922-2...

Ceramic table lamp by Olivia Cognet Materials: Ceramic Dimensions: around 40-50 cm tall Available in different sizes, finishes. A...

Gemini vase in White Designed by Project 213A in 2020 Handmade Stoneware A beautiful flower arrangement can bring out the inner quality of flowers and plants, expressing emotion. T...

Colourful glazed ceramic centerpiece bowl by Vi.Bi. Torino made in the early 1960. This ceramic piece features beautiful pastel Italian colors, and Vi.B...

Pair of Chinese plates with floral motifs from the Compagnie des Indes dating from the 18th century. It is decorated in the centre with a flower...

Stunning Art Deco ceramic vase by Saint Clement, France with white crackle glaze finish and floral decor near the bottom, circa 1930s. The crackle clear glaze was a popular techniq...

Large late 19th century stoneware jardiniere, a Royal Doulton Isaac Walton Series Ware piece by Charles Noke (English, 1858-1683). This large jardiniere has three handles and is decorated with several detailed figures; characters based on the 17th century English author Isaac Walton's book The Complete...

Large unique ceramic dish, Art Nouveau. Design Julia Kabel for Kähler approx. 1910 - 1920. Glaze with polychrome, decorated with birds and foliage. Go...

Bruno Gambone large glazed ceramic horse sculpture with flattened hollow body, Italy, 1970s. This regal stoneware horse has an off-white matte gla...

A wonderful Minton bone china vase c.1850. Superbly painted round the body with studies of roses in the manner of Jessie Smith. Small ermine-device m...

Georges Jouve's Ceramic cup or vide-poches " La pomme " signed Jouve & apollon mark on back in deep enamel. White cracked enamel with a turquoise/green/pink apple Measures: 17 cm ...

Antique Japanese parcel-gilt porcelain dish Japanese, late 19th century Measures: Height 7.5cm, diameter 37cm This fine porcelain dish is a superb piece Satsuma ware from the Me...

A pottery conical face vase by widely collected South African ceramicist Charmaine Haines, produced 2020. Charmaine Haines was born in 1963 in Gr...

Product Description: This sugar bowl and creamer belong to the popular series called Salix by Stig Lindberg and decorator Bibi Breger. The Salix serie dra...

A colorful jewel toned polychrome majolica platter decorated with various embossed fruits such as peaches, grapes, tomatoes, pears and various green foliage. It has been hand painted...

Ceramic table lamp by Olivia Cognet Materials: Ceramic Dimensions: around 40-50 cm tall Available in different sizes, finishes...

A rare, probably unique, tall grotesque figural ewer by Robert Wallace Martin for the Martin Brothers dated 1880. The ewer is very tall and modelled as a fanciful animal seated...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Vintage Dutch hand painted ceramic set of salt and pepper in colourful figures. circa 1940.

Beautifully painted and impressive scale Staffordshire group of a hunter riding back from the hunt with his quarry, a stag draped over the horse. The overall white glaze, except for ...

This Japanese porcelain vase is barrel shaped with a yolk handle. It is both finely and intricately hand painted. It pictures groups of scholars with scrolls dressed in elaborate brocade kimonos...

Georges Jouve's Ceramic cup or vide-poches "La Figue" signed with apollon mark Measures: 15 x 15 cm.

This striking sculpture is part of the Anatomica series by Vito Nesta, featuring decorative objects with simple and essential anatomical shapes characterized by bold, contrasting col...