Rectangular Ceramic Studio Tray by Zaur, Roma, Italy

A large San Marco ceramic gold and silver shell bowl. Gold glazed inside with a contrasting chrome outside shell. Great for decorative purposes or as a fruit bowl. No fading, chippin...

A beautiful pumpkin shaped bowl with lid crowned by a brass handle by Ceramiche Batignani from the 1950's. This handmade bowl is in perfect condition.

An Italian mid century studio made vase glazed in white and gray/black. No chippings or cracks. Signed on the bottom.

A large studio handmade ceramic vase in blue and brown glaze. Marked underneath with the initials A.M. 1969.

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the Universit...

FIAMMA ROMA - Ferruccio Palazi - mid-century 'faux bois' studio ceramic triple handled vase - featuring hand painted wood grain to the terracotta ma...

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the University of Pennsylvania, he studied painting at the Art Students League in New York City, supporting himself with retail jobs selling men’s clothing. But in 1946 a chance encounter with a display of contemporary Japanese pottery inspired him on the spot to switch from painting to pottery. Green learned pottery techniques through engineering manuals and applied his knowledge of college chemistry to teach himself glazing. ​“In those days I looked at pots constantly,” he said. ​“I’d travel 100 miles to look at a good pot. I simply taught myself.” He took his painting skills and applied them to his clay works, creating pieces that critics praised for their painterly qualities and subtle sense of color. In 1976, he retired from the retail clothing...

A potter and painter, Albert Green (1914-1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the University of Pennsylvania, he studied painting at the Art Students League in New York City, supporting himself with retail jobs selling men’s clothing. But in 1946 a chance encounter with a display of contemporary Japanese pottery inspired him on the spot to switch from painting to pottery. Green learned pottery techniques through engineering manuals and applied his knowledge of college chemistry to teach himself glazing. ​“In those days I looked at pots constantly,” he said. ​“I’d travel 100 miles to look at a good pot. I simply taught myself.” He took his painting skills and applied them to his clay works, creating pieces that critics praised for their painterly qualities and subtle sense of color. In 1976, he retired from the retail clothing...