Georgian Mason's Ironstone Desert Plate in Coloured Wall Pattern, circa 1818

This is a fine Ironstone pottery Desert Plate made by the Mason's factory at Lane Delph, Staffordshire, England and beautifully hand decorated in the Rock, Leaves and flowers Pattern...

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

This is a very good hand painted Mason's ironstone Desert Plate, in the Fence, Rock and Tree gilded pattern, from their earliest George IIIrd period, circa 1818. The piece is well p...

This is a very decorative Desert Plate by Mason's Ironstone, Lane Delph, England in the Oriental Pheasant pattern, dating to the early period of Maso...

A Circa 1810-20 Soup Plate, Stone China by Davenport, English. Marked Davenport, Longport, Staffordshire Stone China. A rich Imari design & palette (pattern #135). Auspicious symbols...

Large Amherst Japan ironstone platter, the rim has a repeating pattern of flowers, foliate and volutes , the main body features larger flowers, foli...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese...

Striking 19th Century English ironstone platter hand decorated in Chinoiserie with bamboo trees and flowers inside a colorful floral border.