A Set of Dishes: Early 19th Century Sewell Creamware Pottery Dinner Service

These lovely dishes were made in England around 1815. They have hand-painted pink roses on bright white Derby porcelain, complemented by green and turquoise leaves. During the late 1...

This set of five Coalport Porcelain dinner dishes was made in England circa 1830. In the center of each one is a bouquet of exquisite hand-painted flowers. The close-up images show...

This set of nine dinner plates, six matching soup dishes, and a platter painted in Spode's "Peacock" pattern was made by Copeland Spode circa 1860. The "Peacock" pattern was first made by Spode circa 1820. The pattern features two peacocks...

We are pleased to offer this set of a dozen Wedgwood creamware dinner plates with delicate floral decoration. These English creamware dinner plates date to the late 19th century, cir...

Spode Pottery neo-Classical Greek Pattern blue set of dinner plates-33 plates Zeus in His Chariot, Early-19th Century The Spode pottery underglaz...

This large hand-painted charger was made by Mintons Art Pottery Studio of Kensington Gore, London. The studio traces its origins to the renowned earthenware and fine bone china factory Minton, located in Stoke-on-Trent, Staffordshire England. Colin Minton Campbell, descendant of founder Thomas Minton, took over company management in 1858 and went on to establish Mintons Art Pottery Studio in 1871 for the purpose of hand decorating pottery and tiles. The studio initially operated under the direction of painter and book illustrator William Stephen Coleman and drew upon the talents of artists studying at the Kensington's National Art Training School, now known as the Royal College of Art, as well as those of well-regarded Continental artists. The company was short lived as it was destroyed by an accidental fire in 1875 and was not rebuilt. This large earthenware charger has been hand-painted in polychrome enamel and depicts two young children at play in the nursery. The scene includes multiple colors and textures and features a cherubic toddler seated upon a bed alongside a young girl standing on a blue footstool...

The Neale & Co. puce-colored shell-edge plates are each decorated in a purple transfer with figures in the foreground amongst a landscape of Classic ruins. The rims, also with a feathered puce (purple) border, are highlighted with unusually strong remnants of the original gilding. Each is impressed with the Neale & Co. mark on the reverse. Marks: The impressed Neale & Co. mark was only used between 1778 and 1795. Reference: Neale Pottery & Porcelain: Its Predecessors and Successors 1763-1820, Diana Edwards, page 126, #100 for a large stand...

UPDATE: SOLD 12 dinner plates, 10 soup plates, one well-and-tree platter. Each piece transfer-printed in blue with panels of classical figures and vases, comprising: a soup tureen and cover, a {21" well-and-tree meat platter}, a 21" platter printed with a coat of arms, a 14.75" platter, a 14.5" platter and strainer, two 12.5" platter, three 11.75" platters, two sauce tureens, covers and stands, an open vegetable dish, a lozenge-shaped dish, two shaped square dishes, a lozenge-shaped tazza, {twelve dinner plates, ten soup plates}, five dessert plates and five side plates, some pieces with either printed and impressed Copeland and Garrett...