18th Century Continental Baroque Period Gilt Tooled Leather Clad Knife Box

A remarkable one-of-a-kind Spanish Baroque Period hand carved walnut table with beautifully aged warm rustic distressed patina. Hand-crafted in Spain in the first half of the 18th century, with later architectural elements, having a rectangular single board plank top with breadboard batten ends and desirable overhang, above deep geometric pattern carvings to three sides of the apron and chip carved running ornamentation to the back, elevated on tall hand turned legs. A wonderful way to add authentic antique character, rustic warmth, and European old world charm! Dimensions (approx) 32" Tall, 56.5" Wide, 27" Deep As warm and attractive as it is useful, having the ideal large size and proportions for a variety of different uses, including as a Mediterranean Revival dining sideboard server - buffet table...

A scarce Baroque Period Spanish altarpiece retablo / reredo, by (attributed) Luis Salvador Carmona (1708-1767), depicting thorn crowned Christ crucified / Cristo crucificado hand carved, polychromed wood with forged iron nails, mounted on later plaque. This rare antique religious work / object of art, circa 1750, most likely commissioned by the Catholic Church of Spain, destined to be prominently displayed as an altarpiece / retablo or as part of a much larger reredo, directly behind the main altar at a Spanish or Continental European Catholic Church (French, Italian, Iberian, Portuguese) The Crucified Christ, displayed mounted on a later faded red fabric upholstered shaped backboard plaque with textured gilt border. The exceptional hand sculpted, carved, gessoed, polychrome painted figure depicting bloodied Jesus, with crown of thorns atop his head, only wearing a undulating shaped cloth around his loin, arms extended and feet crossed, spear head form iron nails through both. The verso covered in an old paper printed backing with metal hook hardware at top for wall hanging. Dimensions (approx): Overall: 22" High, 14.5" Wide, 3.25" Deep Figure only: 16" High, 10" Wide, 3" Deep Historical background: Artist: (attrib) Luis Salvador Carmona (1708, Nava del Rey – 1767, Madrid) was a Spanish Baroque sculptor who came from a family of artists, including uncle of Manuel Salvador Carmona. He was sent to be trained in Madrid in the workshop of Juan Alonso...

A scarce Baroque period Spanish or Italian hand carved polychrome painted wood Santo sculpture with inset colored glass eyes, original white robe garb and later wood rosary. Intrica...

A rare and exceptional Baroque period hand carved walnut sideboard (buffet - credenza) with beautifully aged patina. circa 1700 Hand-crafted in Italy, likely Florence or Bologna, in the early 18th century, possibly 17th century, featuring handsome rich antique walnut...

18th century Georgian knife box made from mahogany, flame mahogany and satinwood. Satinwood cross-grain inlay borders the top, ornate and intricately done satinwood marquetry inlay o...

Pair of 18th century English Mahogany Knife Boxes with Sterling Silver hardware and original fitted interiors.

Pair of late 18th-early 19th century Georgian inlaid mahogany knife boxes. Great color and patina. Serpentine form.

A pair of fine Japanese export lacquered cutlery boxes Kyoto or Nagasaki, late 18th century H. 33.5 x W. 24 x D. 21 cm The bow-fronted boxes with sloping lids flat at the top are made of hinoki wood (Cypress), coated with Japanese paper and decorated in lacquer with scattered gold birds and flowers on a nashiji background. The Japanese mounts are made of copper and both boxes still have internal partitions to keep the cutlery upright. The form of these boxes is similar to a pictorial-style knife box in the collection of the Groninger Museum (inv. 1989- 347), dated between 1730 and 1780, but the style of the decoration is more like that on a knife box in the Peabody Essex Museum in Salem (inv. E62271), which was brought to Salem by James Devereux, Captain of the Franklin, in 1799. Provenance: Henriette Jeane Christine van Neukirchen, called Nyvenheim (1807- 1849) and Nicolaas Johan Steengracht van Oostcapelle (1806-1866), thence by descent to the last owners, Ludolphine Emilie baronesse Schimmelpenninck van der Oye (1944) married in 1969 to Roland Daniel van Haersma Buma (1944), the last residents of castle Duivenvoorden near Voorschoten and the great-great-granddaughter of Nicolaas Johan Steengracht van Oostcapelle. There is no evidence that Nicolaas Johan himself, or any of his or his wife’s ancestors had ever been in Japan. However, Nicolaas’ grandfather (Nicolaas Steengracht, 1754-1840) was a director of both the VOC and WIC (West Indies Company...