Ceramic Pitchers

This wonderful set of 14 Copeland Late Spode dessert plates will surely add color and whimsy to your place settings. This pattern was originally in...

This is a very large and impressive Jug or Pitcher over 12 inches tall, made of earthenware pottery by the Copeland (Late Spode) factory in the late 19th ce...

This charming Alsace region pottery jug has a lovely color and colorful flower decoration. This jug is a large size and is suitable as a decoration or a classic jug or vase.

This handmade ceramic pitcher and cups set has classically simple forms. The glaze treatment is wonderfully irregular, embracing the spontaneity of the process. The darker glaze on t...

There isn’t much in the way of decoration but the shape and style of this water pitcher is fabulous. Notice the curved body juxtaposed against the straight handle. There’s a ribbing ...

This elegant example of Aesthetic Movement silver was manufactured by ORF Silver Company. This decorative motif clearly displays the influence of Japanese art on Victorian design. Th...

An English sage green and white Jasperware matte stoneware pitcher by Wedgwood in the Neoclassical style, circa early-20thth century, England. Pitcher has a white raised relief of gr...

After the great depression of 1929, the decorative style became a lot less ornate and more plain. Simple and unadorned became the style of the times. It reflected the sentiment of the times and was mirrored in the objet d’art. This water pitcher...

Large Majolica duck in an egg pitcher signed Keller et Guerin Saint Clement, circa 1900. Decorated with a duckling watching a dragonfly.

Aqua Majolica asparagus saucer from Luneville, circa 1880.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and refined English octagonal ceramic tray; on the white background, soft and rich blue decorations have been executed using the transferware method; in the center we find the poetic and graceful representation of the Severn River and the town of Bridgnorth (the name of this decoration is "Severn"), while the edges of the tray are adorned with sumptuous and spectacular flower and leaf decorations. The Severn River is the longest river in the United Kingdom (350 km), rising in Wales and flowing into the Bristol Channel; Bridgnorth is an ancient Saxon settlement; observing the view of the river and town from his castle at Bridgnorth King Charles I Stuart (1600-1649) said "the most beautiful sight in all my kingdom". On the back of the tray there are 3 imprinted marks including one with final number 14, then we find in the center a blue mark, these indicate to us exactly that the tray was produced in Stoke-on-Trent by the Copeland-Spode company in 1914 (see mark no.1079 p.172 of "Encyclopaedia of British Pottery and Porcelain Mark). The Spode firm was founded in the heart of the Potteries - Stoke-on-Trent by Josiah Spode in 1770. Josiah Spode is most famous for developing the specific design technique that meant underglaze transfers could be printed on earthenware. Later, focusing on porcelain production, Josiah Spode pioneered the development of a new form of porcelain, originally called "Stoke China...

This is a good stoneware jug or pitcher made by The Royal Doulton, Lambeth, London factory, very early in the 20th century, in the Edwardian period. The jug has a moulded shape with...