Optical Glass Platters and Serveware

Géode Round Plate by Matthieu Gicquel Dimensions: D 32 x W 36 x H 3 cm. Materials: Optical glass and gold leaf. Weight: 7 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...

Géode Square Plate by Matthieu Gicquel Dimensions: D 29 x W 29 x H 3 cm. Materials: Optical glass and gold leaf. Weight: 6 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...

Yugen Round Plate by Matthieu Gicquel Dimensions: Ø 36 x H 5 cm. Materials: Optical glass. Weight: 12 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...

Yugen Small Square Plate by Matthieu Gicquel Dimensions: D 29 x W 29 x H 5 cm. Materials: Optical glass. Weight: 10 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...

Yugen Square Plate by Matthieu Gicquel Dimensions: D 39 x W 39 x H 5 cm. Materials: Optical glass. Weight: 19 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...

Géode Rectangular Plate by Matthieu Gicquel Dimensions: D 21 x W 46 x H 3 cm. Materials: Optical glass and gold leaf. Weight: 7 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...