Plateau in the Restauration Taste with Grape and Leaf Motifs

Center Table, about 1818–20 Attributed to Thomas Seymour (1771–1848), working either for James Barker or for Isaac Vose & Son, with Thomas Wightman (1759...

Monumental clear cut-glass covered compote, circa 1820. La Cristallerie de Vonêche (active 1802-30), Belgium. Glass, blown and cut. Measures: 17 3/8 i...

New York, circa 1815-1820. Wood, gessoed and gilded, with mirror plate. 75 1/2 in. high, 44 1/8 in. wide (at the cornice), 8 1/2 in. deep (at the cornice). Condition: Some restorati...

RECORDED: cf. Anna Tobin D’Ambrosio, ed., Masterpieces of American Furniture from the Munson-Williams-Proctor Institute (Syracuse University Press, Utica, New York, 1999), pp. 85, 86, 87 illus. the Munson-Williams-Proctor tables // cf. The Metropolitan Museum of Art, New York, 19th Century America–Furniture and Other Decorative Arts (1970), exhib. cat., [n.p.] no.133 This table is identical to a pair of card tables bearing the stenciled label of Charles A. Baudouine of 335 Broadway, New York, which were acquired by James and Helen Munson Williams of Utica, New York, in May 1852 for their home, Fountain Elms, which is where they remain today as part of the Munson-Williams-Proctor Art Institute collection. The Williams tables were billed as “1 Rosewood Multiform Table” at $160 for the pair, and they were indeed “multiform” in that they could be used separately and folded as a pair of console tables, opened as a pair of card tables, or joined together as a center table. The present table varies essentially in the fact that it does not include the mechanism that would have allowed it to be attached to another to form a center table. Of French descent, Baudouine was born in New York in 1808. He made his debut as a cabinetmaker in the New York directory of 1829/30, where he is listed at 508 Pearl Street. By 1839/40 he relocated to Broadway, where he remained in business at various addresses until about 1854. A sense of the scale of Baudouine’s operation is given by German immigrant cabinetmaker Ernest Hagen...

Sizable restauration centerpiece in ormolu on four scrolling feet of foliage. The oval base is covered with a mirror that is surrounded by an open work frieze. The frieze is delicate...

A very fine French 19th-20th century neoclassical revival style ebonized wood and figural silver plated mounted plateau Surtout de Table centerpiece...

Large oval silver tray in the neoclassical style with two side handles. The elegant and restrained design reflects early 19th-century aesthetics.Made in Weißenfels around 1811–1820, ...

Exceptional brass handled footed tray for service or use for bar. Hammered tray with grapevine trimmed edge. Large piece measuring 31in long x 17in wide x 2in tall. Warm aged pati...