Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Yugen Square Plate by Matthieu Gicquel

$3,747.51per item
£2,821.50per item
€3,170per item
CA$5,172.13per item
A$5,793.92per item
CHF 3,013.56per item
MX$70,673.91per item
NOK 38,366.63per item
SEK 36,177per item
DKK 24,133.21per item
Quantity

About the Item

Yugen Square Plate by Matthieu Gicquel Dimensions: D 39 x W 39 x H 5 cm. Materials: Optical glass. Weight: 19 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl, in pronounced wear and tear? But then... The everyday and the commonplace contain within them the sublime. But the evidence of beauty, its subtlety, is intrinsic to the object and above all to the way it is viewed. That’s the whole idea behind Yûgen: each object is a universe in itself, but it’s up to the viewer to let themselves be caught up in its mystery. At the crossroads of these two concepts, we are talking here about a meditative state, taking time, slowing down. Sitting down, contemplating one of Matthieu Gicquel’s creations, letting yourself be carried away by a colour changing with the light, by a reflection, a ray. A glass object is a moment when the mind wanders, discovering details and minute variations. A creation is a ray of sunlight on the skin when you wake up in the morning. The work of the glassmaker is extreme formal simplicity combined with the complexity of the soul and the eye. And like Leonardo da Vinci, Matthieu Gicquel brings us to the truth that simplicity is the ultimate sophistication. And through it, the designer’s art encourages us to open our minds. Pierre Soulages would say that «the sacred (is) there for everyone, including people who are not believers». In fact, there is a sacred dimension to the glassmaker’s work in that, through its contemplative function, it leads to an elevation of the soul, a transcending of the mundane (though very much present in the material itself, in its pragmatism) to touch on the spiritual. All that remains now is to take the time to look out, to apprehend what our eyes cannot see and contemplate, finally, to discover beyond what is no longer just a simple piece of glass.
  • Dimensions:
    Height: 1.97 in (5 cm)Width: 15.36 in (39 cm)Depth: 15.36 in (39 cm)
  • Style:
    Post-Modern (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2023
  • Production Type:
    New & Custom(Current Production)
  • Estimated Production Time:
    4-5 weeks
  • Condition:
  • Seller Location:
    Geneve, CH
  • Reference Number:
    1stDibs: LU1219237221882

More From This Seller

View All
Yugen Small Square Plate by Matthieu Gicquel
Located in Geneve, CH
Yugen Small Square Plate by Matthieu Gicquel Dimensions: D 29 x W 29 x H 5 cm. Materials: Optical glass. Weight: 10 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...
Category

2010s French Post-Modern Platters and Serveware

Materials

Optical Glass

Géode Square Plate by Matthieu Gicquel
Located in Geneve, CH
Géode Square Plate by Matthieu Gicquel Dimensions: D 29 x W 29 x H 3 cm. Materials: Optical glass and gold leaf. Weight: 6 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...
Category

2010s French Post-Modern Platters and Serveware

Materials

Gold Leaf

Géode Rectangular Plate by Matthieu Gicquel
Located in Geneve, CH
Géode Rectangular Plate by Matthieu Gicquel Dimensions: D 21 x W 46 x H 3 cm. Materials: Optical glass and gold leaf. Weight: 7 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...
Category

2010s French Post-Modern Platters and Serveware

Materials

Gold Leaf

Yugen Round Plate by Matthieu Gicquel
Located in Geneve, CH
Yugen Round Plate by Matthieu Gicquel Dimensions: Ø 36 x H 5 cm. Materials: Optical glass. Weight: 12 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...
Category

2010s French Post-Modern Platters and Serveware

Materials

Optical Glass

Géode Round Plate by Matthieu Gicquel
Located in Geneve, CH
Géode Round Plate by Matthieu Gicquel Dimensions: D 32 x W 36 x H 3 cm. Materials: Optical glass and gold leaf. Weight: 7 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...
Category

2010s French Post-Modern Platters and Serveware

Materials

Gold Leaf

Medium Creux Tray by Clemence Birot
Located in Geneve, CH
Medium Creux tray by Clemence Birot Dimensions: 39 x 22 cm Materials: ash (black stained). Clemence Birot started her career in Copenhagen,...
Category

2010s French Post-Modern Serving Pieces

Materials

Ash

You May Also Like

Calla Platter by Brian Chaaban
By CHAABAN
Located in London, GB
Create memorable dining experiences with our exquisite Calla Platter, where expansive elegance meets artisanal excellence in perfect harmony. Our Platter embodies graceful sophisti...
Category

2010s American Modern Platters and Serveware

Materials

Bronze

Ceramic Plate by Sergio Bollagisio, Mid-20th Century
Located in Greding, DE
Flat Studio ceramic bowl by Sergio Bollagisio with stylized bamboo decoration on the mirror. The bowl is double-walled and slightly wavy, giving it a weightless overall impression.
Category

Mid-20th Century Italian Modern Decorative Bowls

Materials

Ceramic

Remarkable Large Modern Glass Dish
By Roberto Giulio Rida
Located in NYC, NY
A beautifully executed large glass dish with an incised pattern of squares. Beautiful when paired with the dark version listed.
Category

Late 20th Century Italian Minimalist Tableware

Materials

Glass

Remarkable Large Glass Dish
By Roberto Giulio Rida
Located in NYC, NY
A beautifully executed large glass dish with an incised pattern of squares. Beautiful when paired with the clear version listed.
Category

Late 20th Century Italian Minimalist Tableware

Cultura Stainless Steel Streamlined Serving Platter
By Cultura Italy
Located in Pasadena, TX
This is a beautiful serving dish by Cultural. It's made of brushed stainless steel.
Category

Mid-20th Century Italian Modern Platters and Serveware

Materials

Stainless Steel

Handcrafted Ash Yakisugi Platter
Located in London, GB
Fine traditionally hand-crafted and turned Ash platter finished with Japanese scorched yakisugi technique and natural rim. These are handmade to the...
Category

2010s English Modern Platters and Serveware

Materials

Ash