KPM Berlin Picture Plate the Three Fates by Paul Thumann, circa 1880 For Sale
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KPM Berlin Picture Plate the Three Fates by Paul Thumann, circa 1880

About

KPM Berlin Gorgeous porcelain picture painting: The picture plate shows The Three Fates: This painting has once been created by Paul Thumann (1834-1908). Subject: The Three Fates In ancient mythology, the fates are incarnations of destiny, shown as female figurines: Clotho (spinner), Lachesis (allotter) and Atropos unturnable). The fates controlled the mother thread of lifestyle of every mortal from birth to death. STYLE: It is a picture of historicism, strongly influenced by classicism (= this style of painting reached its climax in period as from fourth quarter of the 18th century until circa 1810.). Subject and style of this picture - it is not signed by the painter - is based on a painting of The Three Fates by German artist Paul Thumann (1834-1908) who had studied painting in Berlin, Dresden, Leipzig and Weimar. Thumann became a professor at the Weimar academy in year 1866. In 1875, he was appointed professor at the Academy of Arts, Berlin and held that position until 1887. Thumann travelled extensively throughout his life; visiting Hungary and Transylvania and spending some time studying in England, in addition to the usual art-related tours of Italy and France. From 1887 to 1891, the painter lived in Italy. Thumann took over the master studio of professor Julius Schrader in 1892. [Wikipedia]. Hand-carved gorgeous wooden frame existing. Measures: 45.0 x 38.0 cm 17.71 x 14.96 inches (frame included). 26.0 x 19.5 cm 10.23 x 7.67 inches (frame excluded). Hallmarked: Incised kpm berlin sceptre mark at reverse side visible Further engraved numbers: 255-193 existing, too, at reverse side Condition: The porcelain platter is in excellent condition. There aren't any damages (any scratches, any losses of color etc.) existing: The colors are in stunning condition (not restored and not faded !) The wooden frame has a very few slight signs of wear due to age.

Details

  • Materials and techniques
  • Condition
    Excellent
  • Condition Details
    there aren't any damages (any scratches, any losses of color etc.) existing: The colors are in stunning condition (not restored and not faded !) The wooden frame has a very few slight signs of wear due to age.
  • Dimensions

    H 17.71 in. x W 14.96 in. x D 3.54 in.

    H 44.99 cm x W 38 cm x D 9 cm

  • Seller location
    Vienna, AT
  • Reference number
    LU101444166593

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About KPM Porcelain (Manufacturer)

The Königliche Porzellan-Manufaktur Berlin, or KPM (Royal Porcelain Factory, Berlin, in English) was one of the most influential porcelain factories to emerge in 18th-century Germany, along with Nymphenburg and Meissen. KPM was the third incarnation of a company originally founded in 1751 by Wilhelm Caspar Wegely to take advantage of the burgeoning market for “white gold.” On the verge of bankruptcy, Wegely sold his inventory and tools to Johann Ernst Gotzkowsky, who in 1761 established another porcelain factory, which also failed, and was subsequently taken over by Frederick II of Prussia in 1763. Like Augustus II, Elector of Saxony, the patron of Meissen and a keen collector who described himself as suffering (quite happily) from “porcelain sickness,” Frederick II was proud to refer to himself as KPM’s “best customer.” KPM produces china and figurines to this day, and throughout its long history, it has been a style-setter for elegant tableware, particularly in the 1930’s, the period during which their popular patterns Urbino, Urania and Arkadia were designed.


Thanks to its royal patronage, KPM had the resources and contacts necessary to establish itself as a leading luxury producer, and supplied Russian and European elites with tableware in the Rococo and Neoclassical styles, as well as monumental vases, and decorative plaques. Many of these objects can be found today in major museums as a result of Frederick II’s penchant for sending KPM porcelain as diplomatic gifts throughout Europe. Unlike Meissen, which was known for crafting porcelain sculptures of dazzling complexity, KPM is revered for the precision and splendor of its surface decoration, and for its porcelain plaques depicting scenes from history and mythology. One especially lovely example circa 1790 is a neocalssical-style tea service decorated with gold accents and a grisaille design of figures from the ancient world. By contrast, this boldly colorful narrative cup and saucer set from the 1840’s depicts scenes from real life as colorfully as a painting. The set was commissioned by a gentleman for his wife as a tongue-in-cheek gift commemorating her misadventures while in town for a visit to the opera, which resulted in her opera glasses being stolen. The saucer shows the thief and the glasses, and the cup reveals the scene of the crime in vivid hues.


KPM was forced to move from its original location in 1867 due to the building of the new Prussian Parliament building, and this afforded the company the opportunity to to create a new factory with the newest equipment and materials of the day. With the growing popularity of Art Nouveau and the western fascination with Asian ceramics, KPM began formulating glazes that evoked the color palette and rich surfaces of Chinese porcelain. By the turn of the century, KPM was exhibiting its wares to a global audience at international expositions. At the end of World War I with the collapse of the Prussian monarchy, KPM was renamed the State Porcelain Manufactory Berlin, continuing to use the name KPM and its use of the cobalt blue sceptre mark that is painted on the bottom of every piece.


By the late 1920’s, the designers and craftsmen of KPM were inspired by the tenets of Modernism, particularly the styles of the Bauhaus and the Deutscher Werkbund. During this period, the firm’s aim was to produce useful household porcelain for a range of consumers, rather than catering to a small elite. Among the most successful patterns of this era was designer Trude Petri’s Urbino line, which is still produced today. Following World War II, KPM was temporarily housed in the town of Selb, and only returned to its rebuilt quarters in Berlin in 1957. In the 1980s, KPM became an private company independent of the state, and began to focus production on the preservation of historic forms, designs, and techniques. KPM continues to collaborate with designers from all over the world, most recently on the Berlin dinnerware service with designer Enzo Mari, and a collaboration with the luxury brands Bottega Veneta and Bugatti.

About the Seller

4.7 / 5
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1stdibs seller since 2013
Typical response time: 4 hrs
Located in Vienna, AT
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