Signed Japanese Black Glaze Kutani Porcelain Vase by Mitsui Tamekichi III

A fine signed antique Japanese Meiji period mixed metals vase. By Miyabe Atsuyoshi for Inoue of Kyoto. With a bronze body and d...

A fine vintage wooden vase. Carved in a hyperboloidal form. With a dark red lacquer throughout. Marked to the base with a stylized tensho-tai script seal. Simply a wonderful Jap...

A fine antique Japanese Meiji period Kutani porcelain vase. By Matsumoto Sahei/Shoundo. In an aka-e style decorated throughout in iron red with extensive gilt accents. There are cartouches to either side both with branches of red flower with a backdrop of clouds on a white ground. With 2 figural dragon finial handles. Marked to the base with '九谷松雲堂製' which translates as 'Made by Shoundo of Kutani' Matsumoto Sahei (1851-1918) was a master potter who enjoyed success & recognition during his era. In 1876, Sahei received the artist name Shoundo from the nanga painter Tokuda Kansho - he would use that title for nearly 20 years until passing it onto his son as his successor in 1893. Sahei also has the distinction of taking Tokuda Yasokichi I as an apprentice when the latter was 17-years-old. The Tokuda family is perhaps one of the most famous families of Japanese ceramics: Yasokichi I is credited with revitalizing the lost art of ko-Kutani and Yasokichi I, II, & III were all recognized as "Living National Treasures" during their lifetimes. Shoundo exhibited internationally numerous times at the tail end of the 19th Century. The Keisei Isogaya Museum of Art (which specializes in Meiji Kutani) has a vase of Sahei's that was exhibited in the Philadelphia Centennial Exhibition of 1876. He is listed as exhibiting a wide variety of porcelain goods at the 1878, 1889, and 1900 Paris World Exhibitions. He is also listed as exhibiting 'incense burners & porcelain' at the World's Columbian Exhibition held in 1893 in Chicago. The pair of vases that Sahei exhibited in Paris in 1900 bear a strong resemblance to this pair. Simply a wonderfully rare Japanese porcelain...

A fine Chinese Peking glass vase. Crafted to imitate realgar (雄黃), a mineral widely used in Traditional Chinese Medicine. With a polished p...

Chinese black glazed porcelain vase with a tall, slim shape and a white interior.   

Of broad pear shape rising from a low foot to a waisted neck and flared rim, covered overall with a lustrous brownish-black glaze with rare six bands of russet-strokes radiating in yuhuchunping shape. Period : Northern Song-Jin Dynasty Type : Yuhuchunping Medium : Black glazed with russet painted Provenance : Acquired in late 1990s from Hongkong Reference : 1) Bonhams London 12 MAY 2016 - Fine Chinese Art - Lot 30 (Price realised : £ 37,500 / Type : Closely Related) 2) Bonhams London 11 MAY 2021 - Roger Keverne Ltd Moving On - Lot 99 (Price realised : £12,750 / Type : Related) 3) Christies NEW YORK 22 MAR 2018 - The Classic Age of Chinese Ceramics - The Linyushanren Collection, Part III - Lot 521 (Price realised : 35,000 USD / Type : Closely Related) 4) Christies HONG KONG 30 MAY 2024 - Important Chinese Ceramics and Works of Art - Lot 2854 (Price realised : HKD 201,600 / Type : Related) * Black-glazed ceramics in Northern Song-Jin dynasty Black-glazed ceramics, also known as "black ware," were prominent during the Northern Song (960–1127) and Jin (1115–1234) dynasties. The creation of these ceramics involved the application of a rich, dark glaze, typically achieved using iron oxide. This glaze was applied over a stoneware or porcelain body, then fired at high temperatures to produce a glossy, dark finish ranging from deep brown to black. Notable techniques included the "tea-dust" glaze, which exhibited a speckled appearance, and the "oil-spot" glaze, characterized by small, iridescent spots. The high-temperature firing process was crucial for achieving the desired glaze effects and durability. The design of black-glazed ceramics often included intricate carvings, incised, or molded decorations. Common forms included bowls, vases, jars, and ceramic pillows. These pillows, used as headrests, featured detailed designs such as floral patterns, animals, and mythical creatures. An example of this is a black-glazed ceramic pillow from the Jin dynasty, which features carvings of two lions. Similar pieces can be found in the Guanfu Museum, where black-glazed pillows...

A black ceramic vase France, mid 20th Century

This bottle vase has lappets of ho-o birds on a ‘gold-stone’ ground, chrome mounts, 20th century.