Dutch silver decorative box with scene of 17th C Naval Anglo-Dutch War, 1952

Silver Box by Simon Rosenau with a scene of 5 men drinking in the 17th Century Richly decorated silver box, interior covered with a yellow fabric, raised...

Dutch silver lidded box with 17th century scenes by Jan Steen A large Dutch silver box with a high round lid, raised on four legs of dolphins. The box decorated in high relief with ...

Dutch silver Inkwell with a Scene of Houses and a Windmill A lovely small Dutch silver inkwell with a scene of houses and a windmill. This inkwell is made between 1906 and 1953. All...

A small Dutch silver box with a 17th century scene after a painting by Jan Steen. The scene of "The Saint Nicholas Feast" by Jan Steen, painted in 1665-1668...

An unusual Indonesian lobbed silver dish Jakarta (Batavia) or Coromandel coast, third quarter 17th century, apparently unmarked The eight lobbed dish exuberantly decorated with floral motifs, with the middle section replaced, consisting of indistinctly marked German silver from the early 19th century, bearing the coat-of-arms of the Von Pfeffel family. Diam. 30.5 cm Weight 461 grams Note: Lobbed silver dishes with exuberant floral decorations were characteristic of the decorative arts in the Netherlands in the first half of the 17th century. This style of floral decoration was adopted by silversmiths as well as by furniture makers working on the Coromandel Coast and in Batavia, often by workers who had fled the Coromandel Coast because of war and famine. In Batavia this style was known as “Custwerck” (work from the Bengal coast). These lobbed dishes are seldom marked. Only after 1667 the use of the town mark became obligatory in Batavia but only for silver made in Batavia not for silver imported in Batavia from other VOC settlements. The engraved coat of arms in the centre is a replacement of the original centre. The coat of arms can be identified as those of Christian Hubert von Pfeffel (1765- 1834). As a diplomat, statesman, ambassador of Bavaria in London and Saxony and councillor to the King of Bavaria, he was made “Freiherr” in 1828 and since then used this coat of arms. His son Karl Maximilian Friederich Hubert Freiherr von Pfeffel (1811-1890) in 1836 married Karoline Adelheid Pauline von Rottenburg (1805-1872), the natural daughter of Prins Paul von Württemberg (1785-1852) and his mistress Margrethe Porth. Paul was the jounger brother of the King Wilhelm I of Württemberg (1781-1864). The heraldic motto of the von Pfeffels Vur Schande habe den Huot means as much as “Beware of Shame”. Christian Hubert Theodoor Marie Karl von Pfeffel Karl Maximilian’s grandson was the last male in the von Pfeffel line. His daughter, Marie Louise (Paris in 1882 - Cornwall 1944), born and grown-up in France, changed her name in de Pfeffel. She was the great grandmother of Boris Alexander de Pfeffel Johnson, the present British Secretary of State. None of the members of the von Pfeffel family had any direct links with the Dutch East Indies but indirectly by way of the Royal House of Württemberg they did. Sophia Frederika Mathilda von Württemberg (1818-1877), daughter of Wilhelm I King of Württemberg, in 1839 married Willem III...

A splendid and heavy Dutch-colonial silver filigree salver Indonesia, Batavia (Jakarta) or possibly Padang, West Sumatra, 2nd half 17th century Diam. 22.9 cm Weight 551 grams This filigree-work was probably done by Chinese masters...

An antique round patch box, crafted in sterling silver during the 17th century, is potentially from the era of Charles II. The silver circular box and cover showcase embossing featuring a Tudor Rose within a bordered design. The interior is hallmarked with the maker's mark I.F, and the base bears the initial letters C.W. It was likely made in London around the 1680s. Dimensions: Diameter x height: 2.8 x 1.4 cm Weight: 6.9 grams Condition: Minor signs of wear and tear, interior has blemishes, otherwise good condition overall. Patch boxes, popularized during the 17th century, held significant cultural and historical relevance. These small, often round, containers were crafted to store small patches or beauty spots, which were fashionable accessories worn by both men and women during this era. Patches were made from silk or velvet and were applied to the face to cover blemishes or enhance facial features. The 17th century was marked by an increased focus on personal grooming and beauty, and patch boxes became essential accessories for those seeking to adhere to contemporary fashion standards. The Tudor Rose, a prominent symbol embossed on many patch boxes from this period, carried special significance. The Tudor Rose is a combination of the white rose of York and the red rose of Lancaster, symbolizing the union of the two warring houses during the Wars of the Roses, which ended with the establishment of the Tudor dynasty...

An exceptional, fine and impressive antique Charles II sterling silver child's mug, an addition to our silverware collection. This exceptional antique Charles II sterling silver mug has a cylindrical tapering form with a flared rim. The surface of this hand raised silver mug is embellished with the later engraved cartouche and initials 'EM'. This 17th century silver mug is fitted with an impressive sterling silver S-scroll handle ornamented with the contemporary engraved initials 'BC' to the upper portion. This antique silver mug...