A Pair of American Miniature Silver Tefillin Cases, Circa 1900

A Very Rare Pair of Silver Tefillin Covers made by Bezalel in Jerusalem, Circa 1925. The Acid-etched technique with which these tefillin covers were made accompanied by the classic Bezalel design is truly remarkable. Probably 1 or 2 of these tefillin covers were ever made by Bezalel in this fashion in the early 20th Century. Featured on the outside of the four sides of the tefillin covers are beautiful chased motifs of grape clusters on hanging vines, pomegranates growing on trees, palm trees with hanging date clusters, and fig bushes with figs sprouting from their branches. These four species of fruit are part of the seven species...

A silver German spice box from the early 20th century is a finely crafted, understated yet elegant piece that reflects the high level of craftsmanship typical of German silversmiths during this period. The box is rectangular, with smooth silver surfaces and the design leans toward simplicity, characteristic of the early 20th century's shift toward Art Deco or late Jugendstil (German Art Nouveau) influences. The hinged lid features clean geometric patterns that frame the engraving written in Hebrew at the center flanked by flower engravings and securely closes over the compartment with a latch that holds the fragrant spices. The sides of the spice box are beautifully engraved with more Hebrew verses relating to the blessings of the spices and flanked by flower motifs. The overall structure is delicate yet sturdy, reflecting the precision and skill of early 20th-century German Judaica...

This Egyptian silver-plated snuff box, circa 1930, features a delicate silver-plated finish that reflects the artisanal craftsmanship of early 20th-century Egypt. The container is sm...

A beautifully engraved silver snuff box from Jerusalem from the late 19th century is finely crafted and is a piece that reflects the rich cultural heritage and craftsmanship of the r...

This elegant and rare Mid-Century Modern salt and pepper shaker set by Tiffany & Co. exemplifies the refined simplicity and timeless sophistication characteristic of the era. Crafted...

A very fine pair of Modernist salt & pepper shakers. By Ward Bennett Design. In silver plated brass. The shakers are each multifaceted having 14 sides. Each marked to the base w...

Vintage mid 20th century sterling silver pierced torah scroll cufflinks from a Rabbi's estate. Marked sterling and Michaud. They have a "t" back so they are easy to put on and remove.

This charming piece of jewish history in front of you is a one of kind modern Judaica object, This box used to hold the Etrog To protect the it during the holiday of Sukkot, it is traditionally Wrapped in silky flax fibers and stored in a special decorative box, mostly made from silver. Wolpert designed this amazing hand hammered Bauhaus style box in 1963-1964 while he was Working in New York. all of the boxes we could found from this design made by Wolpert have The upper part inscribed in a simple engraving with the phrase "Pri Etz Hadar" In Hebrew ״פרי עץ הדר״. the box in front of you is the only example in existence as far as we Know where the letters are also repoussé and also engraved, such a beautiful and hard to get Combination, the rest of the box is shaped as a modernistic Etrog, all the body of the box is Skillfully hand hammered in a way it reflects the light in a warm and calm way, a true Masterpiece of modern judaica by the great and important artist Ludwig Yehuda Wolpert. One of the the two great masters of 20th century Judaica. the Box is marked "WOLPERT" AND "STERLING" and the base has the engraved inscription : "ALAN WECHSLER GENERAL CHAIRMAN, ALLIED JEWISH APPEAL OF SOUTHERN NEW JERSEY 1978" Similar boxes can be find in museum collections around the world In the Jewish Museum New York In the North Carolina Museum of Art In The Derfner Judaica Museum Another similar box was featured in the Israel Museum exhibition "Forging Ahead, Wolpert and Gumbel, Israeli Silversmiths for the Modern Age" Ludwig Yehuda Wolpert was born in Hildesheim, Germany, to an Orthodox family. In 1916-1920, He began his studies in sculpture at the Frankfurt School of Art. In 1925-1928, he studied Goldsmithing at the Frankfurt School of Art. Following the presentation of the works in the 1930 exhibition "Kult und Form" ("Ritual and Form") at the Jewish Museum in Berlin, his works became well known in the German Jewish World. His works were greatly influenced by Modernist design, especially the Bauhaus Movement. Wolpert's works avoid decoration, relying on clean, geometric shapes. In 1933, Following the Nazi rise to power in Germany, he immigrated to the Mandatory Palestine with His family. There he worked for two years in the workshop of Bernhard Friedländer, where he Designed and produced silverware and Jewish ceremonial art.Together with Victor Solomon...