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Sculptural Silver Center Bowl with Relief Surface Graziella Laffi
About the Item
A stunning sterling silver vessel in the form of a stemmed bowl crafted by Graziella Laffi (1923-2009), Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels protrusion alternated with a radiating design that resembles star fish or a blooming flower. It has an impressive presence with its unique form and ornamentation that appears both modern and ancient at the same time.
Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts alongside silver work in Washington, D.C. and New York, including the American department store May Co. and the Brooklyn Museum of Art. In 1989, she held an exhibition at Palazzo Strozzi and also displayed her work at the Milan and Florence Biennale. Graziella exhibited her work extensively, yet it was not for sale. According to her unpublished autobiography, Graziella intended the collection to be on permanent display at an institution in Lima. That plan did not come to fruition. In 2002 Graziella presented a necklace to Queen Sofía of Spain, and most recently, since Graziella's death in 2009, twelve works entered the collection of the Los Angeles County Museum of Art (LACMA).
Provence: From the family of Graziella Laffi.
- Creator:Graziella Laffi (Artist)
- Dimensions:Height: 6.5 in (16.51 cm)Diameter: 7 in (17.78 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use. In overall fine condition, with wear commensurate with age.
- Seller Location:Atlanta, GA
- Reference Number:1stDibs: LU945026370362
Graziella Laffi
Graziella Laffi, often referred to as the Spratling of Peru designed and made exceptional silver hollowware and exquisite jewelry pieces in both modern and pre-Columbian designs. She was born in Florence, Italy but lived and worked in Peru and drew much inspiration from the country’s rich architectural past. Her works span from the early 1950s to early 1970s.
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A large sterling silver vessel in an asymmetrical hour-glass vase form with a larger upper conical body balanced on a much smaller base. Crafted by Graziella Laffi (1923-2009), Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels with concentric rings, arranged in geometrical pattern in two difference sizes. It is an impressive presence with its unique form and ornamentation that is modern and ancient at the same time.
The vessel weights about 2012 grams.
Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...
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Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...
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