Victoria Bridge Silver Epergne

This elegant silver plate epergne is a rarity in that it also includes a full, cut-glass cruet set. This service’s delicate central basket is elevated above a plateau holding ten finely-cut bottles, including two mustard pots, four small vinaigrettes and four larger vinaigrettes. Intricate bright-cut engraving along the pierced galleries completes this stunning piece. An epergne is a dining table...

The grandeur of Regency design meets superb workmanship in this cast ormolu epergne. Three imposing sphinxes support each corner, reflecting the fascination with Egyptian antiquity...

This unique Italian hardstone centerpiece is a luxurious example of the Renaissance Revival style. The design is formed primarily from semiprecious s...

This delightful and exceptionally rare steamboat centerpiece exemplifies the remarkable artistry of Chinese export silver. Chinese silver pieces are renowned for their exceptional qu...

Crafted by the oldest and most respected crystal manufacturer in Europe and believed to have been exhibited at the 1889 Exposition Universelle in Paris, this incredible nef by Saint Louis Crystal is as exquisite as it is unique. The framework of the vessel is hand-wrought in exquisite doré bronze boasting chased details along the hull that resemble wood grain. Sumptuously etched Greek motifs surround the crystal bowl which serves as the body of the ship, while the mast suspends an etched crystal globe and a wind-swept doré bronze flag...

An outstanding pair of sterling silver candlesticks by English silversmith Alexander Johnston. Reflecting the mid-18th century Georgian taste for the Rococo style, these candlesticks feature deeply chased decoration, from shells and palms to acanthus and rosettes, as well as an engraved armorial on each pedestal. Their exuberant yet balanced design is characteristic of the sophisticated style brought to England by French Huguenot silversmiths in the 1700s. Alexander Johnston first entered his mark in 1747 and work such as his, as well as that of artists like the celebrated Paul de Lamerie, indicated the adoption of French forms in all of the decorative arts, from furniture to textiles, hailing the dramatic shift from the more restrained classical manner. Excellent condition. Hallmarked London, 1751 10 ¾” high Reference: English goldsmiths and their marks, 2nd ed., 1921, Sir Charles James Jackson.

Fine quality antique silver épergne centrepiece in a design reminiscent of silverware made around 1750. The stepped body has a cast apron panels...

Consisting of three dishes and three vases surrounding a large center vase. Marked: London, 1901, Goldsmiths and Silversmiths company.

We are thrilled to offer you this sterling silver epergne from 1894, manufactured by Elkington & Company of Birmingham, England. It is a regal ...

Marked: Thomas Pitts, London 1771. Arms: Carson Impaling Parker.

A fine and impressive antique Edwardian English sterling silver epergne or centerpiece; part of our ornamental silverware collection. ...

Victorian neoclassical sterling silver epergne. Made by Charles Stuart Harris in London in 1895. Central oval frame with pendant leaf garland threaded through fixed rings and support...