"Salt & Pepper Set" Paul Evans, Pewter, Danish, Mid-Century Modern

SALE ONE WEEK ONLY "Early Coffee Set" is an exquisite and rare 3-piece pewter coffee set adorned with knobs and handles of rosewood. The set includes coffee pot 8.50” x 6”, covered sugar 4” x 2.88”, and creamer 4” x 3.75" designed for Raymor in Denmark. Underside of each impressed with Pewter and Raymor stamps. These pieces have been restored to Museum Quality by Frank Powell...

"Goberg Candlesticks" Steel, Iron, Patina, Rare, 1900's, Art Nouveau, Pair The exquisite rare antique candlesticks are an ARTS & CRAFT Art Nouveau pair signed GOBERG a Hugo Berger wr...

SALE ONE WEEK ONLY "Comitan" is a stoneware vessel, 1980s, with a handsome elongated neck and full-body. The surface has a rich warm patina with cryptic scratches, stripes and hatchings marking the body. This gorgeous piece is a perfect example of Conover's best work. Claude Conover was a ceramic sculpture artist described as falling within the styles of American, Modern and Contemporary Design. In 1983 he won The Cleveland Arts Prize competition in the visual arts for his bold and unique ceramic pieces that reflect strength of form and endurance unusual in the field. Using his own clay stoneware and mostly monochromatic colors, Conover decorated the surfaces with cryptic scratches, stripes and hatchings. Although decorative in intent, the indecipherable incised lines on his ceramics suggest some prehistoric unreadable script. The resultant works evoke a timeless monumentality reminiscent of ancient vessels whose utilitarian purpose is now lost to us. Within this limited repertoire, he produced beautiful, eternal works of art. Although Conover’s large impressive pots are his best work, he also made other forms, such as bowls, lamps, and ceramic animal sculpture. Conover was born in Pittsburgh and educated at the Cleveland Institute of Art, where a number of prominent artists also attended: Brian Michael Bendis, Marc...

The Ceramic Garden Planterette is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. The piece is signed by Glick and stamped with the name of his studio: Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Very cool midcentury salt and pepper shakers made of stainless steel, Denmark.

Patinated Pyramid Salt and Pepper Vessels. Design is attributed to Paul Evans. W 2 x 15/16 x 2 in W 1.5 x 15/16 x 3 in

Mid-Century Modern Danish pair of salt and pepper shakers by Jens Harald Quistgaard for Dansk, circa 1970's. The Minimalist shakers feature a tapered cylindrical form in brushed stai...

Stylish torpedo shaped salt and pepper shakers in stainless steel. Designed by IHQ - Jens Harald Quistgaard for his own company Dansk Design during the 1960s. Measurements: H: 12...