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Roller-Printed Yard Good, Made to Memorialize George Washington, ca 1824-1832
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About the Item
ROLLER-PRINTED YARD GOODS TEXTILE, MADE TO MEMORIALIZE GEORGE WASHINGTON SOMETIME BETWEEN LAFAYETTE’S FINAL VISIT & GRAND TOUR OF AMERICA, FROM 1824-25, AND THE 1832 CELEBRATION OF GEORGE WASHINGTON'S 100th BIRTHDAY
Roller-printed on cotton and thought to be of American origin, this yard goods textile was probably produced sometime between Lafayette’s final visit to and grand tour of the U.S., in 1824-25, and the 100th birthday of George Washington in 1832, which was widely celebrated. Due to the 50-year anniversary of our nation’s independence in 1826, which occurred in the midst of these two significant events, this was an extremely patriotic period.
The imagery features an oval medallion with a portrait of George Washington, in sepia ink, on a striking blue background. Above this is a spread-winged eagle, flanked by 13 star flags in the 4-5-4 configuration, over which are 13 seven-pointed stars in a wide arc. Surrounding it all and stretching to the borders is a floral design of leaves, flowers, fruit, and wheat stalks.
An example of this textile, among the collection of the New York Historical Society, is documented in “Threads of History: Americana Recorded on Cloth, 1775 to the Present”, by Herbert Ridgeway Collins, Smithsonian Press, 1979 (item 77, pg. 81). This is the best text on American political textiles. Collins formerly served as Curator of Political History at the Smithsonian Institution. Collins dates the textile to 1830 specifically, but does not provide explanation. Knowing something about how the book was compiled, I’d suggest that this date was probably attributed by the New York Historical Society and a conclusion of educated guesswork, as opposed to decisive knowledge of production. I’d suggest that a specific occasion drove the need for such a fabrics, perhaps one of the two aforementioned events. Lafayette and Washington were great friends. It may be that the fabric was produced to honor him and gain some favor with the Frenchman who selflessly aided the rebellion.
Mounting: The flag was mounted and framed by us in-house. We take great care in the mounting and preservation of flags and related textiles and have preserved thousands of examples. For 25 years we have maintained our own textile conservation department, led by a master’s degree level graduate from one of the nation’s top programs.
The background is 100% hemp fabric, ivory in color. The mount was placed in a black-painted, hand-gilded and distressed Italian molding. The glazing is U.V. protective acrylic (Plexiglas). Feel free to contact us for more details.
Provenance: I purchased this fabric at the Winter Antique Show in New York City from the late Joe Kindig, Jr.. When I acquired it, the fabric was part of three panels joined to create a quilt top. Because lengths of this fabric of this scale are practically unknown outside institutional collections, and because the summer quilt was undesirable as an entire object, I decided to thoughtfully disassemble it, carefully conservation mount and frame larger sections that anyone was likely to ever encounter, and sell the lengths individually.
Condition: There is modest fading. There are stitch tracks from the assembly and quilting, from the summer quilt of which this was formerly a part (see provenance, above).
Frame Size (H x L): 45.5" x 38.25"
Flag Size (H x L): 34.25" x 27"
- Dimensions:Height: 45.5 in (115.57 cm)Width: 38.25 in (97.16 cm)Depth: 2.5 in (6.35 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1824-1832
- Condition:See Item Description.
- Seller Location:York County, PA
- Reference Number:Seller: pat-5961stDibs: LU849742228872
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View AllPrinted Linen Kerchief of George Washington, ca 1806, Germantown, PA
Located in York County, PA
Extraordinarily early (1806) printed linen kerchief glorifying George Washington, Germantown print works, Germantown, Pennsylvania
Printed in sepia ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years. Stuart painted it in oil on canvas for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton.
The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington through the fabled story of the cherry tree), were made ca 1806 by Germantown Print Works in Germantown, Pennsylvania.
To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion...
Category
Antique Early 19th Century American Political and Patriotic Memorabilia
Materials
Linen
1806 Printed Linen Kerchief Glorifying George Washington, Germantown, Penn
Located in York County, PA
EXTRAORDINARILY EARLY (1806) PRINTED LINEN KERCHIEF GLORIFYING GEORGE WASHINGTON, PRINT WORKS, GERMANTOWN, PENNSYLVANIA
Printed in blue ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait. Stuart painted three versions of it in oil on canvas, one of which was completed in 1796 for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton.
The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington, through the fabled story of the cherry tree), were made circa 1806 by Germantown Print Works in Germantown, Pennsylvania.
To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion on the right. It is reasonable to assume that the textile may have been produced in demonstration of the maker's desire, and/or that of others, to advance trade with England. Commercial printers were very influential in early America, as they possessed the means by which to disseminate information.
This kerchief and its companion piece are documented in Threads of History, Americana Recorded on Cloth, 1775 - the Present, by Herbert Ridgeway Collins (1979, Smithsonian Press), p. 63, items 38 & 39.* The two pieces pictured are in the collection of Cornell University, but the Collins text also cites an uncut pair to be present in the collection of the Western Reserve Historical Society, Cleveland, OH. The name "Germantown Print Works" is printed on the Western Reserve examples. Another example of the textile in question is documented in "Running for President, The Candidates and Their Images, 1789-1896" by Schlesinger, Israel, and Frendt, (1994, Simon & Schuster), p. 15.
I have seen three different color variations of this textile, including sepia, mulberry red, and blue. This particular example has a hand-sewn binding along the top, lower, and left edges.
Mounting: The textile was mounted and framed within our own conservation department, which is led by expert staff. We take great care in the mounting and preservation of flags and have framed thousands of examples.
The gilded molding has a rippled profile and dates to the period between 1825 and 1850.The background is 100% cotton twill, black in color. The glazing is U.V. protective plexiglass. Feel free to contact us for more details.
Condition: There is an all-over golden oxidation of the white fabric and there is very minor staining. There are tiny tack holes in each corner and there are minor nicks around the perimeter.
* Collins relates that Germantown Printworks was operated by the Hewsons. In doing so he cites one of Worthington Chauncey Ford's books on George Washington, but it isn't clear which one (there are many) and no page numbers are given. John Hewson was an Englishman who came to America and opened his printing business on the advice of Benjamin Franklin. He was one of the first “calico printers” and is the earliest documented to have advertised printed kerchiefs. His ads for bandanas appear as early as June 20th, 1774. He is suspected of having produced the very first American kerchief that pictured an American president, which is documented in Collins as item 1 on page 48. Linda Eaton, curator at Winterthur, in 2012, is currently doing in depth research on the three printers of fabrics that were operating in Germantown in early America. She discovered that the owner and/or operator of Germantown Print Works, while not currently known, was not John Hewson. This information is not yet published. She also noted that Winterthur possessed examples of the two George Washington textiles...
Category
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