19thC Burl Tiger Maple Compote

Each Fruit measures between 2.5 and 3 inches spherically. There is a collection of seven alabaster hand painted peaches and is in a burl or bird...

19th century American Burl container from the mid west and in good condition.This could be American Indian.The condition is very good.

Early 19thc birds eye maple one drawer stand from New England. beautiful turned legs and beautiful button knob on the drawer. The drawer has dovetail construction.

19thc Twig console table or sofa table, hand made circa 1880-1890. Wonderful age/has been varnished for added protection the the table. Table is strong and sturdy.Beautiful plank she...

Late 19th century English drop-leaf table from the Mid-Victorian Era. Made of gorgeous yellowish-brown walnut with a fantastic burl walnut table top. The patina on the top is simply glorious!! The table was made circa 1850-60. It sits on beautifully turned fluted legs with the porcelain and brass casters. Two of the legs swing inwards and outwards to extend the 2 leaves of the table. Fully extended the table has a fabulous curved and indented edge, in an oval shape on both ends. The center column is beautifully turned and fluted. The 2 side columns are again beautifully turned and fluted and end with 2 extending scrolling supports that end in turned bulbous twin feet. This is a high quality item and highly desirable! Antique Sutherland Tables...

The small burl walnut tables are most appealing and pleasing to the eye.

Very desirable early to mid-19th century ash table, the top comprising two bookmatched planks of highly figured burl ash, having double thickness carved rope twist applied edge, the ...

A Fine Burl Amboyna and Marquetry Centre Table Attributed to George Blake and Co and Probably Retailed by Edward Holmes Baldock English London made Circa 1845. An exceptional table of wonderful colour, utilising the finest amboyna veneers as a background for a complex pattern of floral marquetry on the stem, feet and table top. The tilt-top with segmented veneers and central floral inlay within an inlaid floral scroll surround and with a conforming inlaid outer border. The triform pedestal base with foliate inlay, carved leaf scroll feet with carved lateral flower head roundels with recessed castors. The basic design for this table comes from the work of the designer Richard Bridgens and was published in 1838 as plate 16 in his Furniture with Candelabra. As can be seen from the image of Bridgens' design, the outer scrolling border on the top of our table is very much in the style of that suggested in the design but the other marquetry is of a sophisticated floral type popularised slightly later, suggesting a date of c.1845 for our table. Marquetry of this sort was a speciality of the Blake family, marquetry experts and associates of the great dealer Edward Holmes Baldock. Baldock was responsible for building some museum quality collections of fine 18th century French furniture during this period for some of his famous aristocratic clients but he also supplied new furniture in the French taste, often incorporating marquetry by the Blake firm. The use of exotic amboyna as the ground for this marquetry is also in keeping with other pieces known to have been supplied by Baldock, for whom it appears only the best was good enough. The sinuous lines of this table and the exotic veneers give the piece a more timeless feel than many other examples from this period and the colour means that it would work equally well in a contemporary interior or alongside pieces of Art Deco furniture as it would in a more traditional room. This is a piece of sublime quality that somehow manages to be both decorative and yet understated and as such is exactly the sort of piece we enjoy sharing with our clients. Edward Holmes Baldock (1777-1845) Born on the 14th May 1777 he established his business in 1805 in Hanway Street which over the years he expanded at this location. He soon was a prominent London furniture dealer to several members of the Royal Family and is responsible for supplying French-fashioned furniture to the 5th Duke of Buccleuch. Edwards Holmes Baldock’s pieces have become a prized possession amongst collectors, museums and dealers alike. The use of a variety of specimen woods can often been seen on attributed and signed tables by Edward Holmes Baldock, reminiscent of those on the present table. Baldock was thought to have worked very closely to with the master of marquetry and inlay of the 19th Century Robert Blake who had workshops adjacent to Baldock’s retail premises. Pieces in public collections with likely links to the Blake Family include a piano in the Metropolitan Museum of Art, a writing desk in Goodwood House, a centre table in Syon House, a circular table in Alnwick Castle, an octagonal table in the Leeds City Art Gallery at Temple Newsam House and also signed works in the Victoria and Albert Museum. Baldock's works often imitated the important pieces of 18th-century French furniture that Francophile collectors including George, Prince of Wales, later George IV, William Beckford, Francis Seymour Conway, 3rd Marquess of Hertford and George Watson...