Frank Paton Oil painting on canvas of Puppies playing

Painting by artist BomberBax from 2021 with mixed media on canvas with barbed wire insert. His vibrant colors are characterized by a sensual use of color and canvas work. The artist with this painting wants to depict two fates...

Contemporary painting made by the artist Bomberbax from 2021. The painting is made with mixed media on canvas and newspaper applications inspired by the vintage circus world. Iconogr...

Contemporary painting made by the artist Bomberbax from 2021. The painting is made with mixed media and tempera and paint on canvas . Iconographic sign elaborated by the artist on th...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Cario Wostry (Austrian, 1865-1943), Indian on Horseback, oil on canvas affixed to board, signed lower left, board: 24"h x 20"w, overall (with frame): 31"h x 27"w

Late 20th century giltwood framed oil on canvas still life painting. The oil painting is in good condition. Artist signature left hand corner. The frame is about 17 inches x 15 inche...

Architectural oil painting on canvas of Heydon Hall executed in a rustic naive style with contrived aging and presented in a maple frame. Signed Dan Dunton.

A naturalistic oil painting depicting joseph, maria and the holy child in the barn of bethlehem. Oil painting on canvas with vigorous pastell colors. Framed with antique decorative g...