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A Louis XVI Style Gilt-Bronze Six-Light Chandelier 'Aux Termes'.
$30,356.32
£22,000
€25,858.97
CA$41,286.69
A$46,261.52
CHF 24,080.88
MX$565,938.49
NOK 305,662.20
SEK 288,694.29
DKK 193,042.53
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About the Item
A Louis XVI Style Gilt-Bronze Six-Light Chandelier 'Aux Termes'.
The central blue-painted tole bowl with spirally fluted lid and pomegranate finial. Modelled with three caryatid term figures holding spiral branches issuing candle nozzles. Hung from three loop chains.
This chandelier is reduced in scale from a celebrated model attributed to the bronzier François Rémond dating to circa 1785. It hangs in the Nissim de Camondo museum in Paris (Inv. CAM 146). Another, is in the Metropolitan Museum of Art, New York (1972.242). The model was revived in the nineteenth century by bronziers including Henry Dasson and Alfred Beurdeley.
France, Circa 1900.
- Similar to:François Rémond (Maker)
- Dimensions:Height: 25.2 in (64 cm)Diameter: 20.48 in (52 cm)
- Power Source:Hardwired
- Style:Louis XVI (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1880
- Condition:Wear consistent with age and use.
- Seller Location:Brighton, GB
- Reference Number:Seller: B777631stDibs: LU1028042373412
About the Seller
5.0
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The British Antique Dealers' AssociationLAPADA - The Association of Arts & Antiques Dealers
- ShippingRetrieving quote...Shipping from: Brighton, United Kingdom
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By Emmanuel-Alfred Beurdeley
Located in Brighton, West Sussex
A Louis XVI Style Gilt-Bronze six-light chandelier 'aux Termes'
Attributed to Emmanuel-Alfred (dit Alfred II) Beurdeley, Paris.
Modelled with three caryatid term figures holding spiral branches issuing candle nozzles. The whole executed in exceptionally finely cast gilt-bronze with beautiful matte and burnished gilding. The bowl in blue-painted tole.
The prototype for this chandelier dates to the end of the eighteenth century, is attributed to the bronzier François Rémond and is in the Nissim de Camondo museum in Paris (Inv. CAM 146). Another, dated to circa 1785, is in the Metropolitan Museum of Art, New York (1972.242).
This example is attributed to the celebrated ébéniste and bronzier Maison Beurdeley, owing to the fine quality of the gilt-bronze and in relation to a drawing for the model which is held in the Beurdeley archives in the library of the Musée des Arts Decoratifs, Paris.
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