Flos Sawaru Floor Lamp by Nendo

Some pieces of contemporary furniture try to command attention with statement-making forms, while others aim to seduce with pared-down, meticulously detailed perfection. Nendo is remarkable in its ability to blend these two seemingly disparate qualities in objects that are simultaneously provocative and beautiful in their simplicity. And this ability has made the Tokyo- and Milan-based studio one of the most sought-after design firms of the moment.

Nendo is best known for its expansive portfolio of furniture and accessories designed for such luxury makers as Baccarat, Bisazza, Boffi, Cappellini, De Padova, Emeco, FLOS, Foscarini, Fritz Hansen, Kartell, Lasvit, Louis Poulsen, Moroso and Swarovski, as well as for the one-off and limited-edition pieces presented by galleries like New York’s Friedman Benda. But its range is much broader.

Nendo’s full oeuvre runs the gamut from product packaging for such brands as Coca-Cola and Kenzo to large-scale urban-planning and architecture projects, including Tenri Station Plaza CoFuFun, which populated the space in front of a Japanese rail terminal with a series of conical pavilions, turning it into a sort of urban playground for people of all ages.

Whatever the undertaking, the studio’s approach remains the same: embodying lighthearted insights into the human experience in minimalist forms and details. Nendo’s Gaku collection, for the legendary lighting company FLOS, for instance, is based on a simple cup-shaped lamp in a square frame, which can be personalized and changed over time by adding magnetic accessories, including a bookend, mirror, vase and bowl, making it almost as playful as a grown-up dollhouse.

The now iconic Cabbage chair, Nendo’s most recognizable design, offers a whimsical way to deal with trash from the fashion industry. A fat roll of discarded paper used in the production of Issey Miyake’s pleated fabric is simply cut down the middle and its individual layers peeled open to create a seat.

It wasn’t always evident that chief designer and Nendo cofounder Oki Sato would spend his life finding subtle surprises in tables, floor lamps and chairs. He was born in Toronto, where his father worked for Pioneer Electronics, and moved with his family to Tokyo when he was 11. He studied architecture at Waseda University but found the program a little too narrow and rigid for his liking.

After graduating, in 2002, he traveled with friends to the Salone del Mobile in Milan and stumbled into the biggest aha moment of his life: He realized that architects could do more than design buildings — they could also design furniture, lighting and other objects. And the architects at the fair appeared to be enjoying plenty of creative freedom while doing so.

Upon returning to Tokyo, he founded Nendo, whose name means “flexible clay” in Japanese, with his classmate Akihiro Ito, the firm’s managing director. In 2005, they established a second office, in Milan. Within a few years, Nendo had become an omnipresent name at the fair that had inspired them.

Nendo’s wares have been acquired by such institutions as New York’s Museum of Modern Art and Cooper Hewitt, Smithsonian Design Museum; London’s Victoria and Albert; and Paris’s Musée des Arts Décoratifs and Centre Pompidou.

Find Nendo furniture on 1stDibs.

Imaginative lighting is a longtime hallmark of modern Italian design. Following in the footsteps of innovative companies such as Artemide and Arteluce, the company FLOS brought a fresh aesthetic philosophy to the Italian lighting field in the 1960s, one that would produce several of the iconic floor lamp, table lamp and pendant light designs of the era.

FLOS — Latin for “flower” — was founded in the northern town of Merano in 1962 by Cesare Cassina (of the famed Cassina furniture-making family) and Dino Gavina, a highly cultured businessman who believed that artistic ideas espoused in postwar Italy could inform commercial design. The two enlisted brothers Achille and Pier Giacomo Castiglioni as their first designers.

Even before FLOS was formally incorporated, the Castiglionis gave the firm one of its enduring successes with the Taraxacum pendant and associated designs made by spraying an elastic polymer on a metal armature. (George Nelson had pioneered the technique in the United States in the early 1950s.) For other designs, the brothers found inspiration in everyday objects. Suggestive of streetlights, their Arco floor lamp, with its chrome boom and ball-shaped shade sweeping out from a marble block base, has become a staple of modernist decors. Designing for FLOS since 1966, Tobia Scarpa has also been inspired by the commonplace. His folded-metal Foglio sconces resemble a shirt cuff; his carved marble Biagio table lamp looks like a jai alai basket.

In 1973, FLOS purchased Arteluce, the company founded in 1939 by Gino Sarfatti, and it continues to produce his designs. In recent decades, FLOS has contracted work from several noted designers, including Marcel Wanders and Jasper Morrison. As instantly recognizable as they are, many FLOS designs remain accessible. While FLOS lighting is the essence of modernity, its sleek, subtle designs can be used to strike a sculptural note in even traditional spaces.

Browse a broad range of FLOS lighting fixtures at 1stDibs.