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Gae Aulenti Sistema Trepiu Stilnovo Floor Lamp, 1972

About

Rare Sistema Trepiu floor lamp designed by Gae Aulenti-Livio Castiglioni, manufactured by Stilnovo, Italy 1972. This small floor lamp has a black crackle painted base and an aluminum stem, the shades are made of chrome-plated metal and adjustable in different positions. Signed with the Stilnovo mark on the top of the arm. Lamp is in good original condition and fully functioning. All our lights are checked, cleaned and are suitable for use in the USA. For US usage you would only have to change the plug or get a holiday converter if needed.  

Details

  • Condition
    Good.
  • Wear
    Wear consistent with age and use.
  • Dimensions

    H 55.12 in. x W 21.66 in. x D 9.85 in.

    H 140 cm x W 55 cm x D 25 cm

  • Seller location
    Roosendaal, NL
  • Reference number
    LU93309538061

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About Gae Aulenti (Designer)

The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980-86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy.

     After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space.

     Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble “Jumbo” coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura. Each work has a marvelous sculptural presence. Pieces such as her “Pipistrello” table lamp and “Quadrifoglio” pendant are a perfect marriage of organically-shaped glass and high-tech fixtures. Others have a futuristic elegance—and some even have a touch of personality. Aulenti’s “Pileino” and “La Ruspa” table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.

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