Ceramic Floor Lamps

Nizwa black clay floor lamp resting on a circular bronze base. Barracuda edition, made in Portugal.

Olga Engel is a successful Russian product and interior designer, who harmoniously mixes luxury with minimalism, functionality and ergonomics with a light mood and a touch of irony. ...

A fine and decorative large handmade Danish Mid-Century Modern stoneware table lamp. Various green / brown colors. Unknown artist, made in the 1960s. A great vintage lamp well suite...

Large Swedish Floor Lamp by Tomas Anagrius, circa 1965-70, for Alingsås Keramik Tomas Anagrius' ceramics are represented in numerous museums, including the Swedish National Museums ...

This floor lamp made entirely of glazed ceramic was probably produced in a one-off by the San Polo Venezia company in the early 1950s. It was personally designed by Otello Rosa and S...

1 of the 2  ceramic floor lamps, 1970s. This set brings a rich visual appeal to any interior. With its beautiful shapes, it offers a unique presence. The bases with brown and green...

Modular ceramic floor lamp, designed by Adelie Ducasse. France, Ducasse, 2022. Ceramic floor lamp, made of a selection of modular pieces, ceramic lampshade...

French modern white ceramic floor lamp with green leaf by Roche Bobois, 1980s White ceramic floor lamp with glossy finish. The structure rep...

Take a look at this work of art created by a master craftsman, which is hard to find anywhere else in this world in terms of quality and design. Mobach stands for quality, design and...

A pair of postmodern lamps by Pacific Coast dated 1991. Postmodern sculptural style vases in peach are cast with flowing folds draped to give the look of fabric. Both the table lamp ...

Taking the span of almost a year from inception to completion, we are so thrilled to share our new collection which is available now for Pre-Order. The New Moringa Floor Sculpture ...

A stunning pair of very rare black porcelain Danish so-called Heiberg table lamps, made from black glazed porcelain and brass. Two identical lamps making a amazing pair of classic ta...

COQUETE FLOOR LIGHT, designed in 2025. Large artisanal floor light made in Project 213A's own workshop. This piece has a hand-crafted base that is either finished in wood or ceramic...

Set of 3 white TOTEM in enamelled ceramic, floor lamps set bringing to your space an amazing light experience when the night falls, and a stunning sculptural presence during the day....

Stunning hand painted floor lamp from the 1960s by Danish artist Rigmor Nielsen at Søholm ceramics workshop, Bornholm. The floral pattern in shades of brown on this lamp is simply am...

The Vanderbilt Collection consists of two one-of-a-kind monumental floor lamps from Christopher Tennant's 2022 solo exhibition at the Vanderbilt Museum in Long Island, New York, inspired by the tastes and eccentricities of globetrotting amateur naturalist and Jazz-Age aesthete William "Willie the K" Vanderbilt. Jumbo Crab Lamp...

Bibip floor lamp designed in 1977 by Achille Castiglioni and manufactured by lighting company Flos. Bibip is an adjustable light, that can be used both as ...

A fantastic rare Danish Mid-Century Modern/Scandinavian Modern teak and art pottery/ceramic floor lamp with the original conical fabric shade. Comprised of a solid teak round base wi...

1950's Italian floor lamp adorned with several glazed ceramic vessels in highly stylized asymmetric form. separated by diabolo form hourglass brass spacers and standing on a black me...

The capital lights up with a life of its own, lights up like an idea, freeing the object from any structural pretext, to return to a fragment of memory that brings light into the dar...

The Willow floor lamp is a perfect combination of slender elegance and sheer mass. The hand-shaped black walnut base comes from a tree that fell from a neighbor on to the designer's ...

A rare tall Danish Mid-Century Modern brutalist stoneware lamp in a beautiful vintage condition. Dark earthen colors. Crafted in Denmark in the 1970s. A beautiful vintage lamp well ...

An exceptionaly rare brutalist ceramic floor lamp with bouclé shade, dutch 1960s. Generally these lamps only come in a table lamp size and sometimes a medium size. This floor lamp ho...

Danish Modern Tue Poulsen Ceramic Floor Lamp, 1960s. Rustic large and impressive hand crafted Scandinavian Modern ceramic lamp in stoneware produced by Danish artist Tue Poulsen in D...

Warrior ceramic figure - unique handmade piece Monumental warrior castle ceramic sculpture and floor or table lamp Original parfect condition Realised circa 1970 in France Color...

Planets floor lamp - Ludovic Clément d’Armont. Blown glass and brass. Dimensions: 220 x 55 x 55 cm. Each creation is unique. Ludovic Clément d’Ar...

An hand-painted and brass floor lamp designed and manufactured in Italy in the Fifties, brass it's in original patina, the hand painted ceramic it's in perfect condition. The floor h...

Midcentury French lamp by Maison Le Dauphin designed in rectangular base and glazed ceramic central piece. The lamp is with new made satin finish black color textile shade with gold ...

Future Fossils Magma Lamp is a floor lamp made of stoneware, polished aluminum and thick blown glass. Molds are made of a hand carved texture, clay is press...

This striking floor or large table lamp was designed by Gunnar Nylund and produced in Sweden in the 1960s. Nylund, renowned for designing many classics for the Swedish ceramic factor...

Large pair of earthenware floor in a patchwork of glazes made in La Borne.

Exceptional large ceramic bubble floor lamp, Germany, 1960s. A sculptural high-end piece made of handmade ceramic in rich glazed dark red orange, brick and blue tones. With a new cus...

Bernard Rooke totem floor lamp terracotta made in England around 1960 Signed on the base Deep-stamped Rooke. Height to lamp base 104, diameter over feet approx. 25 cm. Lampshade hei...

The floor lamp is really beautiful and decorative. A fantastic piece of craftsmanship. The lampshade has an incredible 70cm diameter. The lamp comes with 1x E27 / E26 Edison sc...

Sun lamp in Bluich black gold and platinum enameled ceramic, sculptural floor or table lamp bringing to your space an amazing light experience when the night falls, and a stunning sc...

Ceramic lamp NOOR handcrafted in bronze with cotton lace lampshade cod. LC003 measures: Height 180.0 cm. - diameter 60.0 cm.

A space age red vintage ceramic totem floor lamp, which was designed and handmade in Italy in the 1960s. The floor lamp was composed of 8 geometric parts, which are round towards the...

Italian hand painted ceramic floor lamp by Ernestine Salerno circa 1950s with creatures of the sea represented on the piece with a net as the backdrop. The imagery includes, a lobst...

Large ceramics floor lamp handmade at Løvemose ceramics workshop in Denmark in the 1960s. The base is made from stoneware with a stunning grey speckled glazing. Løvemose was a pottery in the town of Kædeby on the island of Langeland in central Denmark, run by husband and wife team Marie Hansen (d. 2008) and Johannes Hansen (d. 2003). It started in 1942 and ran until the mid 1980’s. It was of a reasonable size with up to 15 staff working there at its peak. In recent years pottery by Løvemose has gained a whole new audience, as the pottery has been “re-discovered”, A huge range of work and styles that came out of Løvemose Pottery, and there are pieces that are up there with the best of 20th Century Danish studio pottery...

Rare floor lamp by renowned Cranbrook ceramic artist John Glick Plum Tree Pottery circa 1960's Conical base formed of stoneware in earth toned glazes All original example with drum...

Article: ceramic table light base. Producer: Jette Helleroe, Denmark. Decade: 1970s. This original vintage ceramic p...

Pair of French Mid-Century Modern bronze floor torchiere lamps. A pair of spectacular solid bronze floor lamps. Each having painted column form ...

Huge conical hand painted ceramic floor lamp by the Danish artist Rigmor Nielsen for Søholm, Bornholm, Denmark. The ceramic foot is decorated with a flower motif on an off-white gla...

Set of 3 white TOTEM in enameled ceramic, floor lamps set bringing to your space an amazing light experience when the night falls, and a stunning sculptural presence during the day. ...

Tall ceramic table / floor lamp, showing striking illustration depicting late 15th- early 16th century Latin America with Christopher Columbus "Santa Maria" and Azteks and Spanish Conquistadors.

Introducing the Ligurian Summer Collection, a sophisticated family of handmade fixtures in natural sea shell, coiled leather, marble, and bamboo, inspired by the faded splendor of th...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a raw, unglazed ceramic surface to...

Nautile I floor lamp by Elsa Foulon Unique Piece Dimensions: D 80 x H 160 cm. Materials: Ceramic, Plaster. Also available in other dimensions. All our lamps can be wired according t...

Georges Pelletier sun lamp in white enameled ceramic, sculptural floor or table lamp bringing to your space an amazing light experience when...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Rare Art Nouveau dragonfly table lamp in ceramic with original lampshade in bamboo. Measures: Height 75 cm. Width 40 cm. Depth 23 cm. Weight 3 kg.

An extra tall cubist design lamp in the style of Pablo Picasso and produced by Marbro Lamp Co. It features a ceramic form in a gold, black & white glaze, steel base, and brass stem. ...

Large floor lamp in caramel-colored fat lava ceramic with beige and brown accents. The lamp has a light beige shade with a border at the bottom and top in the same shades as the sha...

This jewel-like floor lamp is an exercise in elegant craftsmanship and modern design. Introduced at Milan Design Week 2018, its structure is entirely made of brass with a brushed fin...

A pair of ceramic Marcello Cuneo table lamps for Gabbianelli. Italy, 1966. Op de laatste vier foto's ziet u de lampen met 25 watt en 15 watt aan.

Very Tall Pebble Standard Floor Lamp from France A Charming and full height piece in greys with an oversize Lampshade All working and a great looker The lamp including the shade is ...

Rare floor lamp by Tommaso Barbi in gilded brass and white ceramic diffuser. It has a height adjustment mechanism. The ceramic diffuser also rotates on itself, directing the light as...

An organic and Brutalist style Floor Lamp with Dragon Fly and Leaf design. No chips or cracks. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Pair of Danish Mid-Century Modern Stoneware Lamps – 1960s Height 77cm and the height of the stoneware 51 cm A unique pair of large handmade stoneware lamps from Denmark, made in the...

A singular and captivating design of strong visual impact, this floor lamp will be an extravagant focal point in a modern living room or home office. A superlative combination of mat...