Asian Floor Lamps

What makes this particular Akari lamp even more exceptional is its pristine condition and history. This lamp has never been used before, preserved in its original state since its pro...

Vintage Shanxi Province Elm Cream Lantern Floor Lamp This limited edition Vintage Shanxi Province Elm Cream Lantern Floor Lamp is crafted from antique elm that is over a 100 years o...

Vintage Shanxi Province Elm Red Lantern Floor Lamp This limited edition Vintage Shanxi Province Elm Red Lantern Floor Lamp is crafted from antique elm tha...

Vintage Shanxi Province Elm Brown Lantern Floor Lamp This limited edition Vintage Shanxi Province Elm Brown Lantern Floor Lamp is crafted from antique elm that is over a 100 years o...

A very hard to find contemporary modernist walnut slat cylindrical floor lamp, circa 1970s. The lamp is made of solid walnut slats surrounding a white acrylic cylinder shaped shade o...

A stunning vintage Japanese brass Search lamp paired with a wooden British antique surveyors tripod, to create a completely unique floor lamp. There is limited availability of this item. A reclaimed and professionally restored item ready for use. All brass components have been stripped down and polished to a high lustre and new electrics installed. The lamp is fitted with an Edison filament squirrel cage...

Very rare and in great condition multidirectional floor lamp by Hannes Wettstein for Belux, circa 1980's base is steel with metal enameled p...

Akari model “33N” on “Single Stem Base” (T3) by Isamu Noguchi Original shade in washi & bamboo rims Structure in black lacquered metal & pebble base in cast iron and black lacquere...

Designed in 1998 for MOJIKO HOTEL, Kitakyushu city, Fukuoka, the second hotel on which Shigeru Uchida collaborated with Aldo Rossi. The Mojiko lamps came in many versions, with co...

Akari model “S1” on “BB3” base by Isamu Noguchi Original shade in washi & bamboo rims Structure in black lacquered metal & pebble base in cast iron and bamboo stem Hand-made form ...

Akari model “S2” on “BB3” base by Isamu Noguchi Original shade in washi & bamboo rims Structure in black lacquered metal & pebble base in cast iron and bamboo stem Hand-made form ...

Tall and handsome mid century floor lamp with bamboo trunk set in a grasscloth base framed in bamboo elevated with bamboo feet.

Akari model “L2” on “BB3” base by Isamu Noguchi Original shade in washi Structure in black lacquered metal & pebble base in cast iron and bamboo stem Hand-made form realized by Ozeki...

Royal House Antiques Royal House Antiques is delighted to offer for sale this very rare hand painted and lacquered Chinese Export circa 1920's Chinoiserie floor standing lamp Pleas...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Pair of Akari model “S2” on “Single Stem Base” (T3) by Isamu Noguchi Original shade in washi Structure in black lacquered metal & pebble base in cast iron and black lacquered metal...

Just ask Jennifer Lopez how much she loves her pair of majestic, organic and inspiring tall lotus flower brass lamps famously made by the Feldman Lighting Company beginning in the 1950s. These lamps are show stopper attention seekers. A delicate organic lotus flower silhouette made of glowing brass. As if born from light - each layer representing a season of life - rings of lotus flower petals bloom in size. A symbol of strength and beauty, Lotus flowers can grow in even the harshest conditions and still bloom. Brass petals are embossed with small lines softening the brass and adding more organic detail. They are also malleable and can be gently bent to your pleasure. Black lacquered wood base highlights and anchors the brass elements. Professionally polished bringing back its original glamorous glow and clear coat lacquered to retain it. Works beautifully in any setting from chinoiserie to Hollywood Regency to Contemporary and Eclectic. This tall lotus lamp is rare and sought after by collectors and fans of the Feldman Lighting Lotus Flower Line. Featured in Architectural Digest (last photo). Single lamp also available. Want to see more beautiful things? Scroll down below and click "View All From Seller" or favorite our shop to get your 1stDibs on our new inventory. Diameter of lamp shade 18" Photographed along with and also currently available in our shop: James Mont Attributed Black Lacquered Sideboard or Bar Cabinet, circa 1940s Pair of Billy Baldwin Style Leopard Velvet Stools with Leather Piping circa 1970s Curtis Jere Mars & Venus Gold Gilt Bookends Sculptures Signed Jeré, 1968 Rare Pair of Tall Parzinger Style Brass Lotus Candle...

The glass lamp can be used as table lamp, floor lamp or pendant lamp. Use the metal hook adjusted to every lamp, in case you consider using it as pendant lamp. The glass sculpture i...

Large Oba-Q K series floor lamp by Shiro Kuramata. White acrylic shade with external light source. Excellent condition. Kuramata, one of the most influential post-modern designers, i...

Pair of large and impressive bronze, marble and composition Louis XVI style six light painted and gilt torchères. Electrified. Bronze and composition mounted on Sienna marble bases.  

Late 19th Century Gilt Bronze and Japanese Satsuma Porcelain Floor Lamp The round lamp with painted scenes of men, women and children in landscape scenes and at leisure...

Late 19th c. China. This unique and adjustable lamp is handcrafted from dense hardwood throughout, probably [huanghuali]

Rare finely carved pair of Teak Anglo-Indian torcheres jardinieres resting on trip pod base with carved birds at at each ends with floral carved motifs

A vintage Asian square-shaped wooden floor lamp from the mid-20th century, with rice paper panels secured by a latticed design. The inside conceals the socket. The top is made of a w...

Isamu Noguchi Akari light sculpture. Model 1P. Early model, marked with iconic red sun and moon ideogram. Hand-made form by Ozeki Company, ...

Pair of decorative floor lamps, having pierced metal foliate bodies, in alter black paint finish. Both are non working condition, and have been newly professionally rewired. Specific...

Jeanneret, Chandigarh, teak lamp, circa 1955, in original condition Lamp with two lights, known as "Standard Lamp" in solid teak, with two reflectors in embossed sheet aluminium, ...

An Akari model "34N" on "T" base by the artist Isamu Noguchi (1904-1988) Original shade in washi & bamboo rims. Plate base in cast iron and black lacquered metal stem Handmade form...

A magnificent Qing Dynasty (1636-1912) Chinese temple altar pagoda fashioned as a large one-of-a-kind sculptural floor lamp. Exquisitely hand-crafted in China in the 19th century, t...

Exterior concrete lamp from Chandigarh, India. Designed by Le Corbusier. Circa 1955. Not wired. For the display, it lits with the LED tape light.

Part of Palacek’s Pierce Martin Collection, in natural gunmetal finish with raffia shades. Made by Palecek Lighting, these over-scaled, Modern floor l...

Torch floor lamp - Kaoyi Flacha - Circa 1980 Made in Japan In white and rose gold PVC in perfect condition. Electricity in perfect working order. ...

Beautiful custom made teak floor lamp. Asian inspired in the style of nakashima or Frank Lloyd Wright. original owner bought somewhere in Asi...

Elegant antique Oriental Middle Eastern hand-etched and pierced finely engraved patinated floor lamp. Intricate Indo-Persian decoration on the tall brass urn...

Fantastic vintage Coastal floor lamp. Beautiful pencil reed in a loop design in a pale tan finish. Acquired from a Palm Beach estate.

A circa 1940's etched bronze Turkish floor lamp with enamelled decoration. Measurements: Height of body: 53.5" Height to shade rest: 63" Diameter a...

Majestic, organic and inspiring tall lotus flower brass lamp famously made by the Feldman Lighting Company beginning in the 1950s. Feldman Lighting offered a large line of lotus inspired fixtures, lamps, centerpieces and candle holders of many forms and sizes of which our shop carries several of. This particular lamp is the largest of the lotus flower line. As if born from light - each layer representing a season of life - a ring of lotus flower petals grows in size with each layer down to maturity and full bloom. The lotus traditionally symbolizes strength. It can grow in even polluted waters and bloom, just with light. It perseveres through even the toughest obstacles to bloom. Brass petals are embossed with small lines softening the brass and adding organic detail. They are also malleable and can be gently bent to your pleasure. Black lacquered wood base highlights and anchors the brass elements. Shown with a large black bucket lamp...

Extremely fine antique 19th Century Islamic Floor candlestick in brass with Kufic Mamluk revival pierced foliate openworks chased and chiselled with calligraphy. Antique 19th century Middle Eastern Arabic candleholder. Measures: 46.5 inches Height x 14 inches bottom and diameter opening is 8 in. Rising from wide trumpet foot through to slightly tapering cylindrical shaft with two pronounced collars to gently flaring mouth and flat rim, the shaft with pierced openwork lattice containing scrolling vine issuing from cusped palmettes, bordered above and below by bands of engraved scrolling floral vine, the upper section of the foot and the body below the mouth with further pierced openwork sections in rectangular cusped cartouches with similar design set in a ground of engraved scrolling floral vine, interlocking palmettes and stylized cloud bands, band of verses. There is a top lid that is removable and could be used for candle or incense. This large floor candle holder...

Handcrafted tall Mid-Century Modern Eiffel Tower Paris pencil reed, cane & bamboo floor lamp with Drum Shade. It is wired for the U.S. and uses a regular or LED bulb. Bohemian chi...

This lamp is not only a fantastic piece, it’s a rare collectors item. Designed by Pierre Jeanneret, Eulie Chowdhury and Jeet Malhotra. It is raw in its simplicity, embodying an expre...

Floor or table lamp deigned by Masanori Umeda. This lighting consists of stainless frame and plastic covered washi Japanese paper shade. Shade has original washi texture.

Japan mid-century Floor lamp ghost (Fantasma) by Kuramata for Yamagiwa, 1972. Floor lamp ghost (Fantasma) in plexiglass. The white acrylic glass shade has the shape of a floating clo...

Floor lamp from Kazuhide Takahama for Sirrat Edition Stainless steel and nylon Piece of collection circa 1975.

Vintage Casella style floor lamp - adjustable polished chrome - from a Palm Beach estate Adjusts from a low height of 58 3/4" to 86 3/4 inches high.  

Early 20th century cast bronze floor lamp with neolithic Chinese motif 13" diameter at the base x 74" high The wiring needs to be updated (please see images) This is truly an exception cast bronze lamp. The Chinese motifs around the base also have a strong resemblance to Mayan motifs...

Reclaimed, stripped, polished and modified 1970s Daeyang Electric Co. Ltd flame proof luminaire with fully updated electrics and fitted with four E26 filam...

Wonderful industrial spotlight, coming from Russia. The lamp is mounted on the original wooden tripod, adjustable in height. The lamp is made of metal and marked CCCP. Measures: M...

This is a Shonan Kosakusho daylight signalling lamp made in 1981, married with a Russian military gyroscope tripod. Reclaimed from Mid-Century war ship...

Unusually large scale reticulated Blanc De Chine porcelain table lamp. This example has an interior light allowing illumination from the upper bulb and or the interior light as illus...

Dramatic trumpet form uplight of tessellated stone with brass pinstripe trim, on stepped circular base. Art Deco Revival style circa 1980s by Maitland Smith - the lamp accepts a stan...

A rare single large circa 1940's Turkish etched and polychromed brass ewer floor lamp. Measurements: Height of body: 62" Height to shade rest: 74"

Asian Motif etched brass free standing floor lamp, circa 1920 Finely etched brass floor lamp Dimensions: 17" triangular base x 69" high t...

Chinese floor lamp. For your consideration an antique floor lamp. Hand carved sculpture base in solid wood with a beautiful original pagoda shade decorate...

1950s vintage Industrial adjustable chrome floor standing lamp/light, swivel base on wheels 1950s vintage Industrial chrome adjustable floor standing lamp/light with swivel base on ...

Monumental Chinese porcelain Blanc de Chine vase table lamp featuring a long, elegant, tapered vase mounted on a gilded metal pedestal and topped with a brass lid and hardware. Large...

Japanese bronze cloisonne floor lamp, probably, circa 1930s. Beautiful patina to the bronze and intricate cloisonne work throughout. It has been r...

Reclaimed and modified 1970s Daeyang Electric Co. Ltd flame proof luminaire with fully updated electrics and fitted with T8 Warm white LED tubes. The tube light has been fitted to a custom made tripod was comprises of 6 rigging screws to create the tripod base and spine, the tilt can be adjusted by a few degrees to allow the light lean back or stand more upright. The light has been cleaned back to its factory finish which is aqua marine and battle ship grey then lacquered to protect and give a gloss finish. The mains cable is sleeved with silver grey braid and has an onboard switch mounted on the opposite side to the cable entry. Daeyang strip lights were originally used in hazardous areas on large cargo ship and supertankers where dangerous gasses and flammable cargo may have been present, typically in cross loading areas, cargo bays and engine rooms. The cast aluminium chassis and toughened glass make an extremely robust fixture which has stood the test of time in the harshest of conditions. Flame proof light...

Two beautiful old antique wooden stock pots from Burma converted in the 1970s into lamps. Measures: Diameter wooden base 36 cm. Height base without socket 46 cm. Shades are not in...