Quadrifoglio Floor Lamp designed by Harvey Guzzini, manufactured by Meblo

Harvey Guzzini may sound like a single designer, but it was actually a mid-century Italian lighting company started by six brothers in the Guzzini family: Giovanni, Raimondo, Giuseppe, Adolfo, Virgilio and Giannunzio. The first part of the name was an homage to the 1950 film Harvey. Compounding the historical record even further, it seems that the Guzzini company rebranded many times in the 20th century, going by, at various points, Harvey Creazioni, Guzzini, Illuminazione Guzzini and iGuzzini. 

The Harvey Guzzini brand produced a range of fixtures during the postwar years, including table lamps, floor lamps and pendant lights. 

Harvey Guzzini was founded in 1959 in a room of Giovanni's home in the town of Recanati. Initially, the company was focused on making copper decorative objects. The brothers quickly established their own studio space and, in 1963, they expanded into lighting production. The following year, they hired prolific Italian designer Luigi Massoni as head of design. In addition to Harvey Guzzini, Massoni was involved with many of Italy’s most influential brands, such as Poltrona Frau and Alessi. 

Another key to the growing success of Harvey Guzzini was partnerships with a number of Italy's most prominent designers, including Gio Ponti, Fabio Lenci, Rodolfo Bonetto, Cesare Casati and Ennio Lucini.

From 1967 to 1968, Harvey Guzzini also participated in “Domus: Formes Italiennes,” an exhibition held at the Galeries Lafayette in Paris. By 1969, the company had grown into one of the best-known design firms in the country and opened a retail outlet in central Milan. Famous Harvey Guzzini designs include Massoni and Luciano Buttura's Mushroom table lamp (1965) as well as the in-house designed Arc floor lamp (1968), Faro table lamp (1970) and Toledo table lamp (1973). 

In 1974, Harvey Guzzini rebranded as iGuzzini. The company introduced a range of new and technically advanced lighting fixtures, including low-voltage halogen lamps. In 1977, iGuzzini organized the first Italian lighting design conference. In 1991, it was awarded the Compasso d'Oro for its commitment to design.

Today, iGuzzini remains headquartered in Recanati and is a leading international architectural lighting group with a rich heritage spanning more than six decades since its early days as Harvey Guzzini. The company creates lighting fixtures for workplaces, city infrastructure and even cultural heritage sites.

On 1stDibs, find a collection of vintage Harvey Guzzini table lamps, floor lamps and other lighting.

The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980–86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy.

After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space.

Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble Jumbo coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura.

Each work has a marvelous sculptural presence. Pieces such as her Pipistrello table lamp and Quadrifoglio pendant are a perfect marriage of organically shaped glass and high-tech fixtures. Others have a futuristic elegance — and some even have a touch of personality. Aulenti’s Pileino and La Ruspa table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.

Find vintage Gae Aulenti armchairs, coffee tables and other furniture on 1stDibs.