Gilt Floor Lamps

Fine crystal and gilt bronze standing lamp by Jules Leleu, stamped Leleu and numbered under the base. This lamp comes from a Montreal collec...

An impressive and statement making true pair of French 19th century Renaissance st. patinated Bronze and Gilt floor lamps. Each palatially scaled Torchière is raised on a triangular ...

Caldwell, a pair of doré and silvered bronze tripod form floor lamps on conforming marble bases. The seven-armed candelabra are carried on neoclassic urns decorated with rams' heads ...

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

The Feather Floor Lamp, edition piece by A Modern Grand Tour. An illuminating palm tree, resplendent with exquisite ostrich feather foliage, the feather floor lamp takes centre stage in any luxury setting and delivers the ultimate midas touch to Hollywood regency decors. A pièce de résistance among standing lamps, this lighting work of art commands attention to its exquisite design and intricate craftsmanship. An Ostrich Feather Floor Lamp...

A late 19th century two-tone bronze lamp After Clodion Cast as a female figure from a bacchanale upholding a cornucopia lamp, on a bronze-mounted...

French 1950s gilt bronze faux bamboo design floor lamp resting on 3 feet (in the style of BAGUES)

French 1950s gilt bronze faux bamboo design floor lamp resting on 3 spladed feet (in the style of BAGUES).

Candeliere in legno laccato e scolpito, con decori dorati, originale di Epoca '800, provenienza Italia, non ha il suo cappello originale. Misure candeliere cm w 35 x H 180

Glamorous French Brass Faux Bamboo Floor Lamp, in the style of Maison Bagues, unsigned, France, circa 1950s. Rewired and ready to use. The height to the top of the socket is 54". The...

The lamp can be operated with normal or LED light bulbs. If the lamp is operated with mirror head bulbs, the light is very indirect and very soft. The lamp needs 5x E27 / E26 Edis...

Pair of antique monumental cast iron and gilt bronze candelabra French, late 19th Century Height 219cm, width 52cm, depth 52cm This exceptional pair of monumental candelabra is ...

This antique florr lamp is unsigned, but presumed to originate from Italy and date to approximately 1920 and done in a Classical Florentine style. The lamp base is composed of a softwood that have been heavily hand-carved with considerable decorative elements from the top to the base, and has three pull chain light...

Antique Italian Wood Carved Baroque Style Torchiere Two Light Floor Lamp. Early 20th century hand carved and turned Baroque style two light electrified torchiere. The turned body is...

Standing over two and a half metres tall, this sculpture is truly exceptional—an unusual, and remarkable, statement piece. The sculpture features a standing female figure, her dress ...

A very fine gilt and patinated bronze floor standing candelabrum, after a model by Clodion. French, circa 1880. Claude Michael Clodion, (1738-1814), was the son-in-law of sculp...

Dutch antique bronze floor lamp, circa 1870 The bronze lamp is originally an oil lamp from the 19th century, changed into an electric floor ...

Carved & polychromed wood Chinoiserie pagoda motif floor lamp England, Circa 1900s An extraordinary carved and polychromed substantial chinoiserie pagoda floor lamp...

This pineapple floor lamp is made of brass and gilt metal with a black shintz shade, gilt inside. This is a very decorative floor lamp, in the sty...

This tall Torchere was produced by Frances Elkins The gilding has a lovely aged patina with some loss. The casting is crisp and true to the original d...

One of a Kind Gilt Iron Chinoiserie inspired Tripod Floor Lamp in Gilt Iron, France, 1950s Eye-catching tripod floor lamp made in France at the Mid-century Modern period with Chinoi...

Awesome Beautiful Floral Floor Lamp by Hans Kögl, Germany 1960s This lamp requires 5x E14 bulbs. Very high quality workmanship with many nice details. Very good vintage condition. ...

An impressive matching pair of 20th Century gilt and painted floor standing uplighters. The pair of lamps feature a solid heavy set base with four paw feet with acanthus carving det...

Beautiful white ceramic fish table lamp, handmade and hand painted with gold plate on a brass base.  

Brutalist Floor Lamp in Gilt Wrought Iron, 1950s Rare find Outstanding hand forged floor lamp with geometric decorative construction and brutalist design. Inspired in Paul Evans desi...

Elegant pair of Swedish brass floor lamps manufactured by Aneta in the 1970s. These minimalist lamps feature slender tubular stems and weighted round bases, showcasing the clean lin...

A circa 1950's French gilt iron floor lamp. Measurements: Height to shade rest: 67" Diameter: 16"

This rare and very nice floor lamp is made of Lucite and gilt brass. This is an Italian work, in the style of famous designer Romeo Rega, circa 1970.

Large floor lamp in gilded brass, large Murano glass shades in deep red and green, marble base. Fully restored and rewired. Italian design from the 1970s. Height 187 cm - 73,62 po W...

Pair of large asymmetrical floor lamps in brass, gold, métal, lacquered black, and beautiful colored glass. Completely restored and electrified. Italian design from the 1970s. Heig...

French 1950s gilt bronze faux bamboo design floor lamp resting on 3 feet (in the style of BAGUES)

A circa 1930's French gilt bronze floor lamp. Measurements: Height of body: 58″

Amazing vintage gold-brass and large faceted crystals floor lamp. Germany, 1950s. Lamp sockets: Two x E27 (US E26).  

At over six feet tall (both measure around 76 inches), these torchère candlesticks have a commanding presence, enhanced by a silver gilt finish. Hand-carved in Italy, circa 1800, the...

Outstanding gilt iron Hollywood Regency floor lamp with floral and leaf design and extra large glass globe shade. Handcrafted In the manner of Maison Jansen. France, 1960s. Rare fin...

Mid-century, exceptional Italian Cast Iron Floor lamp in Golden Brown by Banci, Florence, 1980s Gilded metal base and pedestal – abstract iron exterior decoration (6-9 mm thick) lac...

Elegant tole ware mid century floor with glass table sandwiched in. Beautiful gilt flowers and leaves, table supported by 3 arching scroll type legs.   

A circa 1920's French gilt bronze lamp with crystal body. Original patina. Measurements: Height of body:52" Height to shade rest:61"

A circa 1960's Italian gilt floor lamp with 3 lights and marble base. Measurements: Height: 76.5" Width: 54" Diameter: 15.5".

c1900 Antique French Louis XV style Gilt Bronze with Cut Crystal Grand Floor Lamp Signed by Baccarat. Rare model. First time in my 35 years of dealing Antique upscale lighting that I...

Italy, circa 1900 An Italian cream painted Solomonic column candlestick with gilded foliate decorations, all supported on a square base with hairy paw feet, now converted into a lam...

A Mid Century Ebonized and Partial Gilt Walnut Floor Lamp Measures Lamp stands 50" tall, with an 13" in with and 13" in depth.

Gilt wrought iron floor lamp in the Ramsay Manner, shade included.

A single gilt bronze torchère, having a circular top edged with decorative mouldings above a capital decorated with lotus leaf motif, the elegant...

Floor lamp, reading light in gilded brass, 1980-1990, high quality craftsmanship. Reading lamp, floor lamp, in gilded brass, 1980-1990, very good quality workmanship. H: 125cm, W: 6...

This unusual and elegant floor lamp is made of gilt brass and chrome on an octogonal marble base. The top looks like an opened flower. This lamp is French, circa 1970.

Hollywood regency Style vintage floor lamp in flower organic shape from gilded brass and metal by Willy Daro 1970s Belgium. An amazing flower like floor lamp in golden color from gi...

A mix of modern, classical and Art Deco, this floor lamp is composed of veined marble at the base and a sectional lucite shaft of rings and twisted tubing. The very bottom is gilt me...

French Louis XVI-style (19th Century) floor lamp. Gilt and black patinated bronze. 4 candelabra arms, later wired. Resting on a tripod base with each leg ending in paw feet. Finely...

Albert Hadley Gilded Floor Lamp. Tripod adjustable gold leaf gilded floor lamp designed by Albert Hadley and Pairish Hadley Design. Pair available. T...

Hand made collectible design lamp from the IC-Series by Studio Josha. All pieces in this series are based on his initial hand drawn sketch, copied one to one in the 3rd dimensions. ...

This tall floor lamp features a gilt metal frame with granite table and four candle sockets. Simple and elegant design with accenting spheres and a four leg base. Please confirm loca...

Floor lamp in gilded gold with colored glass beads.

A gilt metal floor lamp from Italy made in the 1960s. This four element candelabra is made up of sheet metal, cast elements and tubing, that has been hand assembled and coloured. Th...

Hand made collectible design lamp from the IC-Series by Studio Josha. All pieces in this series are based on his hand drawn sketches, copied one to one in the 3rd dimensions. The do...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A French 1970's floor lamp by Maison Fournier. The shade is carved to represent the lower part of the earth's southern hemisphere, depicting Islands...

Italian torch holder from 19th century. Pleasantly carved, lacquered and gilded wooden and plaster object, pleasantly furnished. Large size candleholde...

Brass and acrylic floor lamp end table. Needs a new shade.