Painted Floor Lamps

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maje...

Francesco Librizzi 'Alicanto' Floor Lamp for Fontana Arte in White and Gold. Executed in blown glass shade and white painted metal stem with golden accents, this floor lamp's elegan...

Fully Articulated Italian modern c.1960's Floor lamp by Reggiani.

Italian painted tole torchiere. Fantastical botanical inspired six tier open basket work burnt orange painted tole torchiere sprouting large artichoke form finial enclosing electrica...

Christian Dell 'Kaiser Idell 6556-F' Floor Lamp for Fritz Hansen in Matte Black. Established in 1872, Fritz Hansen has become synonymous with legen...

10 years after producing his famous first designs, Mouille departed from naturalism and created a series of lighted columns, among them the large and small signals. The signals combi...

Steel pedestals featuring a combination of incandescent and fluorescent lighting. Each glows through rhythmical cuts in solid panes. The upper part is composed of four elements take...

A rare wooden sculptural floor lamp, hand-crafted and signed. Dedicated to the splendors of the sun and shade as is the title "Sol Y Sombra". This French mid-century sculptural flo...

The Horst adjustable brass tripod floor lamp collection was inspired by the life and times of globe-trotting early 20th century lensman Horst P. Horst, who introduced color photograp...

Beautiful 1940's ivory painted wood floor lamp with carved detail. The lamp has visible paint loss and wear. It has it's original wire shade support, but a...

Standing lamp from the Firefly collection, which takes on a new character in this version by the renowned Mexican interior designer Olga Hanono. Olga Hano...

Porcelain standing lamp from the Nightbloom Collection, created by Lladró in collaboration with the Dutch designer Marcel Wanders. Delicate petals that seem to sway in the breeze ins...

The Horst Collection is inspired by the life and times of pioneering early 20th century lensman Horst P. Horst, who is credited with introducing color photography to a mass audience ...

Christian Dell 'Kaiser Idell 6580-F' Floor Lamp for Fritz Hansen in Gloss Black. Established in 1872, Fritz Hansen has become synonymous with legen...

Christian Dell 'Kaiser Idell 6580-F' Floor Lamp for Fritz Hansen in Matte Black. Established in 1872, Fritz Hansen has become synonymous with legen...

An unusual 1950s Spanish black painted wrought iron floor lamp in a captivating modernist style. The twisted central stem is mounted on a geometric tripod base with solid, pronounced...

Christian Dell 'Kaiser Idell 6556-F' Floor Lamp for Fritz Hansen in Glossy White. Established in 1872, Fritz Hansen has become synonymous with lege...

Christian Dell 'Kaiser Idell 6580-F' Floor Lamp for Fritz Hansen in Gloss White. Established in 1872, Fritz Hansen has become synonymous with legen...

A black, vintage Industrial Style French spotlight made of hand crafted painted metal, in good condition. The detailed Parisian cinema floor studio la...

This tall antique wood floor lamp was carved in Italy, circa 1850. The elegant light stands a wide three-leg pedestal base ending with scrolle...

Unique pair of massive scale painted wood and metal floor lamps. Rich shades of green with gilded accents and ornate carved face and scroll detail. Good vintage condition, lights are...

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maj...

Description: Clean, simple lines describe the elegance of this Serge Mouille floor lamp. A long, slender arm supported by a tapered triangular base allows the swiveling shade to illu...

Paavo Tynell Model 9602 floor lamp with wicker shade. Originally designed by Paavo Tynell in 1935, this authorized GUBI re-edition is executed ...

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maj...

A black-silver, vintage Mid-Century Modern French spotlight made of handcrafted chrome, in good condition. The detailed cinema floor studio lamp is fe...

Intricately hand carved French torchere style floor lamp featuring an abundance of fruit nuts and foliage.

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maje...

This elegant, antique floor lamp was forged in France, circa 1930. The lamp sits on three double scroll legs over a bottom central finial; it features intricate motifs with decorativ...

The Horst adjustable brass tripod floor lamp collection was inspired by the life and times of globe-trotting early 20th century lensman Horst P. Horst, who introduced color photograp...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 001 features an oil-paper shade constructed from a vintage souvenir parasol handed out at the Japanese Pavilion during the 1933 World's Fair in Chicago. It sits atop a lacquered bamboo column with rattan wrapping and a painted seagrass base. Brass fittings, leather accents, and a cloth-covered cord complete the modernist profile. Made-to-order by hand in New York by artist Christopher Tennant...

Model No. 014 is a one-of-a-kind art lamp featuring a vintage rice-paper shade constructed from an exceedingly rare 1919 French parasol advertising a lin...

Description: Clean, simple lines describe the elegance of this Serge Mouille floor lamp. A long, slender arm supported by a tapered triangular base allows the swiveling shade to ill...

This midcentury French floor lamp features five black painted steel pillars will brass rings on a square base. Each pillar ends with a round clear bulb.

These torchiers are well carved and hand painted with Gilt highlights. They are open in the center so that they May be wired. They are not wired at present. The carving Has open ...

French Empire-style floor lamp with an Ionic columnar form, constructed in aluminum and brass with a heavy patina and mounted with a brass two-light fixture and a black painted woode...

A grey-black, vintage Mid-Century Modern French spotlight made of handcrafted lacquered iron, designed and produced by Clémançon in good condition. Th...

In his Post Black Shapes period, Serge Mouille experimented with color and columns. With the Totem, he stacked cylindrical shades around a central lighting element. By alternating th...

Clean and dramatic architectural floor lamp comprised of multiple segments of mirror polished stainless steel sheet that have been cut and formed with precision into geometric building blocks that fit together to form a single tower out of multiple volumes with contrasting light and shadow from three internal Edison screw light...

Steel pedestals featuring a combination of incandescent and fluorescent lighting. Each glows through rhythmical cuts in solid panes. The upper part is composed of four elements ta...

Mid-Century Modern wire tripod base brass finial floor lamp atr. to Frederic Weinberg.

Steel pedestals featuring a combination of incandescent and fluorescent lighting. Each glows through rhythmical cuts in solid panes. The upper part is composed of four elements ta...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 002 features a rice-paper shade constructed from a vintage souvenir parasol handed out at the 1962 World's Fair in Seattle. It sits atop a lacquered bamboo column with a hand-painted, rattan-and-leather handle, and a painted coiled-seagrass base. Brass fittings, tan leather accents, and a cloth-covered cord complete the modernist profile. Limited edition of 3. One in stock and ready to ship. Handmade in New York by artist Christopher Tennant...

Fabulous style in a Triennial Floor Lamp. Three beautiful colored shades, all original with some normal paint loss on edges , pictured. 32 x 29 at...

A pair of carved wood and painted white, elegant torchieres floor lamps in Serge Roche style.

The Vanderbilt Collection consists of two one-of-a-kind monumental floor lamps from Christopher Tennant's 2022 solo exhibition at the Vanderbilt Mu...

Late 19th Century Gilt Bronze and Japanese Satsuma Porcelain Floor Lamp The round lamp with painted scenes of men, women and children in landscape scenes and at leisure...

Joe Colombo 'Triedro' floor lamp in chrome and white for Stilnovo. Founded in 1946 in Milan, Stilnovo was one of the most innovative lighting companies in Italy during the Mid-centu...

Fabulous pair of extra tall, 54.5 inches tall by 8.5 wide, 38 to the top of the socket. Sculptural obelisk with ball and accentuated with a large ball finials, Always optional to rem...

The Ballroom floor lamp is like a chameleon that will fit into every room and environment. This lamp is very stylish with the colored mouth blown glass dome and elegant base. The li...

The Ballroom Floor lamp is like a chameleon that will fit into every room and environment. This lamp is very stylish with the colored mouth blown glass dome and elegant base. The li...

Arne Jacobsen tall 'AJ Garden' bollard in black with spike for Louis Poulsen. Originally designed in 1960 by Arne Jacobsen for the SAS Royal Hotel in Copenhagen (Radisson Blu), the...

Awesome postmodern Artmaster Studios geometric triangular hand painted plaster floor lamp. Beautiful condition, keeping in mind that this is vintage ...

This floor lamp was designed by Silvio Bilangione and Paolo Portoghesi model Helga in Italy in 1967 and was produced for the Casa Papanice & Casa Corrias and edited or produced by Fu...

Spectacular chrome Interlocking floor lamp, Curtis Jere, USA, circa 1970. Chrome-plated steel clover-shaped stacked pieces with a black lacquered wood base. This piece measures 48"th...

Unusual Folk Art, Bespoke Billiard Themed floor lamp.. 8-ball. Modernist, que sticks, Hand crafted, Shade measuring 16" in diameter.

Flos Luminator Floor Lamp in Yellow with Iron and Metal Frame by Achille and Pier Giacomo Castiglioni Floor lamp providing indirect light. Bulb with ...