Tiffany Studios "Peony" Border Floor Lamp

The shade of this Tiffany Studios New York "Dogwood" leaded glass floor lamp features a bouquet of pink, white, and cream dogwood blossoms agai...

Tiffany’s “Peony” table lamp was a work grounded in naturalism but reaching for the divine. With a shade of resplendent blooms and a mosaic base evoking the hallowed ground of church floors, Tiffany’s peony lamp demonstrates his foundation in both Art nouveau and ecclesiastical art. To depict his multi-hued bouquet, Tiffany depicted two different cultivars, a Greek peony, and a Japanese peony. Tiffany used burgundy glass streaked with lapis to express the richness of the Greek Peony. Favored by neoclassical artists for their symmetry and simplicity, Tiffany featured the bloom in the architecture of his country estate. To represent the candy-striped Japanese peony Shima Nishiki, Tiffany used cream glass streaked with fuschia. The shade elegantly depicts different stages of growth from the bud, first bloom, peak bloom, to wilting. When peony petals wilt, their veins darken, and their form puckers. Tiffany’s glass selectors chose a stone textured glass called granite glass to express the wilting of the petals and their pronounced venation. The background and border of the shade is a golden amber, streaked with magenta and blue. The top-down perspective of the peony with a dirt background was a type of painting called “Rasenstück”, a detailed study of a piece of turf. The crux of the Rasenstück was the elevation of the humble. Popularized in the nineteenth century by the American Pre-Raphaelites, the movement believed in the idea of "truth to nature". The principle encouraged painters to capture the natural world as truthfully as possible, not romanticizing what they saw. In these nature studies, painters depicted flowers and trees in the soil from which they grew. While sublime on its own, the shade and base taken together paint a picture of Tiffany’s Japanese garden. Peonies imported from the far east bordered serene ponds. A frieze of turtleback tiles hypnotizes the viewers with its scarlet glow, evoking the red flash of a sunset, as seen through a field of cattails, rendered in bronze. Below it, the row of cat tails blends into a mosaic of red, yellow, and green glass. While Tiffany’s chief designer Clara Driscoll is most famous for her naturalistic lamp designs, the bread and butter of Tiffany Studios was its ecclesiastical department. Red, yellow, and green colorways were widely used in the depiction of Baroque angels, whose wings were modeled after birds of paradise. As hunters removed their legs upon sale, many believed they neither ate nor drank, and instead floated ethereally like angels. A lamp such as this epitomizes Tiffany’s understanding of his artistic vision in the context of the entire history of artistic expression. Since falling in love with glass at age twelve in the cathedrals of Chartres, light itself became a representation of divinity. A contemporary critic described Tiffany’s mosaics...

This delicately sized Tiffany Studios New York “Damascene” lamp is superbly colored in blood-orange and gold. Trails of blood orange glass were applied...

This Tiffany Studios New York "Jeweled Geometric" leaded glass and bronze table lamp features an enticing shade, comprised primarily of gradient-hued green glass in a geometric arrangement. This lovely pattern is interrupted by thick band of bronze openwork in a vegetal pattern, beautifully adorned with iridescent glass beads of various colors, imitating the appearance of beautiful cabochon jewels. The shade sits atop a patinated bronze telescoping "Ball" base. The finial cap is adorned by a glass bead. Artist: Tiffany Studios New York Circa: 1910 Dimensions: 22.5" diameter, 30.25" height Materials: Leaded glass, bronze Shade Signed: ''Tiffany Studios New York'' Base Signed: ''Tiffany Studios New York 10922'' Literature: Table lamp pictured in The Lamps of Tiffany...

The plain squares pattern from Tiffany Studios features columns of amber glass rectangles, arranged with precision to mirror the intricate veining observed in insect wings. The fusio...

This Tiffany Studios New York glass and bronze “Lotus Bell” table lamp, features a mottled jade green and cream-white leaded glass shade, suspended fro...

Tiffany Studios “Curtain Border” Floor Lamp 1899-1920 "Scroll" Senior floor base and "Pig Tail" finial leaded glass, patinated bronze 78 in. (198.1 cm) high 24 1/2 in. (62.2 cm) dia...

This exceptional floor lamp by Tiffany Studios features an iconic dome shade crafted from the firm's legendary Favrile glass, complemented by its original curved harp bronze base tha...

20th Century Tiffany Studios Floor Lamp with acorn Lampshade. Floor is stamped with "Tiffany Studios New York 423" underneath. Lampshade diameter: 10"

Tiffany Studios New York patinated bronze and Favrile glass floor lamp. The lamp has a green "damascene" shade with iridescent decoration suspended within a harp base...

Tiffany Studios of New York bronze floor lamp, circa early 20th century. Original domed bronze shade with decorative border over a single socket. Signed on base as shown. Immaculat...

An outstanding Arts & Crafts or Art Deco period floor lamp By Tiffany Studios (signed to the underside of one foot) New York, USA, Early 20th Century Gilt bronze stand, with gorge...