Verner Panton Iconic Lounge Chair in Leather with Olivier Mourgue Floor Lamp

With its undulating, futuristic and playful form, it’s easy to see why filmmaker Stanley Kubrick chose to use Olivier Mourgue’s iconic Djinn chair in his 1968 masterpiece 2001: A Space Odyssey. But the French artist and industrial designer is known for much more than the Space Age Djinn. From his whimsical Flower floor lamps to his anthropomorphic Bouloum chair, Mourgue is renowned as an important contributor to the 1960s Pop art era of modern furniture design.

Born in Paris in 1939, Mourgue grew up in an apartment filled with Empire-style antique furniture, which he derided as having “nothing to do with life.” He later studied art at Paris’s École Boulle, graduating in 1958. He then attended the École Nationale Supérieure des Arts Décoratifs.

In 1959, his former teacher at École Boulle, Marcel Merpillat, encouraged him to present a chair he designed at a competition hosted by furniture manufacturer Airborne. Airborne founder Charles Bernard was impressed by Mourgue’s design, which featured a leather-upholstered seat attached to a chrome steel frame; it was produced by the company under the name the Joker. Mourgue designed several other mid-century modern pieces for Airborne throughout the 1960s, including the Whist chaise longue, the rotund Montreal chair, the unique Cubique chair and the Djinn series, which first appeared in 1964.

In addition to Airborne, Mourgue has designed for furniture manufacturers such as Disderot and Prisunic, and collaborated with British architect and designer Sir Norman Foster and Finnish architect Juhani Pallasmaa.

Mourgue worked for Le Mobilier National to design the French Pavilion for Montreal’s Expo ‘67. In 1968, he received the International Design Award from the Institute of Interior Designers in New York for the Djinn lounge chair. He also exhibited several of his works at Expo ‘70 in Osaka, Japan.

Today, Mourgue’s pieces are part of the permanent collections at the Museum of Modern Art in New York and the Centre Pompidou in Paris.

On 1stDibs, discover a range of vintage Olivier Mourgue seating, lighting and more.

Verner Panton introduced the word “groovy” — or at least its Danish equivalent — into the Scandinavian modern design lexicon. He developed fantastical, futuristic forms and embraced bright colors and new materials such as plastic, fabric-covered polyurethane foam and steel-wire framing for the creation of his chairs, sofas, floor lamps and other furnishings. And Panton’s ebullient Pop art sensibility made him an international design star of the 1960s and ’70s. This radical departure from classic Danish modernism, however, actually stemmed from his training under the greats of that design style.

Born on the largely rural Danish island of Funen, Panton studied architecture and engineering at Copenhagen’s Royal Danish Academy of Fine Arts, where the lighting designer Poul Henningsen was one of his teachers. After graduating, in 1951, Panton worked in the architectural office of Arne Jacobsen, and he became a close friend of Hans Wegner's.

Henningsen taught a scientific approach to design; Jacobsen was forever researching new materials; and Wegner, the leader in modern furniture design using traditional woodworking and joinery, encouraged experimental form.

Panton opened his own design office in 1955, issuing tubular steel chairs with woven seating. His iconoclastic aesthetic was announced with his 1958 Cone chair, modified a year later as the Heart Cone chair. Made of upholstered sheet metal and with a conical base in place of legs, the design shocked visitors to a furniture trade show in Copenhagen. 

Panton went on to successive bravura technical feats. His curving, stackable Panton chair, his most popular design, was the first chair to be made from a single piece of molded plastic.

Panton had been experimenting with ideas for chairs made of a single material since the late 1950s. He debuted his plastic seat for the public in the design magazine Mobilia in 1967 and then at the 1968 Cologne Furniture Fair. The designer’s S-Chair models 275 and 276, manufactured during the mid-1960s by August Sommer and distributed by the bentwood specialists at Gebrüder Thonet, were the first legless chairs crafted from a single piece of plywood.

Panton would spend the latter half of the 1960s and early ’70s developing all-encompassing room environments composed of sinuous and fluid-formed modular seating made of foam and metal wire. He also created a series of remarkable lighting designs, most notably his Fun chandeliers — introduced in 1964 and composed of scores of shimmering capiz-shell disks — and the Space Age VP Globe pendant light of 1969.

Panton’s designs are made to stand out and put an eye-catching exclamation point on even the most modern decor.

Find vintage Verner Panton chairs, magazine racks, rugs, table lamps and other furniture on 1stDibs.