Achille Castiglioni 1960s Italian Mid-Century Modern Sculptural Light

A large bubbled glass flush light by Limburg Glass works. Newly rewired. Three-light sources. Matching 12” version available.

A 1960s nautical style golden brass ceiling fixture with a hallophane glass shade. Newly rewired.

A golden brass and clear and light amethyst color crystal flush ceiling or wall light by the Austrian lighting company, Stejnar. Newly Rewired. Two-light sources.

A great 1960s German copper mirrored glass and hold shade flush light. Rewired.

A beautiful 1960s Austrian glass floral and golden brass light fixture which can be used as a ceiling or wall light. Newly rewired. Four-light sources. Two other sizes available.

An original pair of 1960s Italian flush or wall lights by the lighting maker, Reggiani,. The lights are composed of a teak wood frame and a white triangular glass shade. Rewired.

Large 1960s Achille Castiglioni & Pier Giacomo 'Light Ball' Wall or Ceiling Lamp. Designed in 1965, this rare variant is executed in attractively patinated brass and opaline glass. A...

Gorgeous large flush mount light, wall lamp or ceiling lamp called "Light Ball" designed in Italy from Achille Castiglioni for Flos. Designed in 1965, this vintage brass variant comes with satin opaque glass which is screwed into the lamp. Please check out all pictures. This iconic mid-century design is quintessentially Italian. Nice patina and gorgeous dark vintage on the brass, loved from all real vintage lovers...

Large 1960s Achille Castiglioni & Pier Giacomo 'Light Ball' Wall or Ceiling Lamp for Flos. Designed in 1965, this rare and vintage brass variant comes with satin opaque glass. An incredibly refined and iconic midcentury design that is quintessentially Italian. Retains original manufacturer's sticker. Literature ref.: "1000 Lights: 1960 to Present," eds. Charlotte & Peter Fiell, Tachen, 2005 p.91 Price is per item. 2 lamps available. Not UL listed, but recommended UL listing possible from authorized 3rd party vendor upon request for an additional fee. Wiring tested and updated for compatibility with US electrical. Accommodates 1x e26 medium base 75w equivalent LED bulb (lower with incandescent). Glass in excellent condition, but possibly a replacement globe...

Large 1960s Achille Castiglioni & Pier Giacomo 'Light Ball' Wall or Ceiling Lamp for Flos. Designed in 1965, this rare and vintage brass variant comes...

Two Velella opal flush mounts by Flos, Italy 1960 -sold individually Set of 2 Achille Castiglioni flush mounts lamps, Italy, 1960. Sold individually. Wonderful lights by Flos made f...

Incredible mid-century "Light Ball large size" applique in smatised ivory metal and opal glass for Flos. This fantastic lamp was designed by Achille Castiglioni and produced in Italy for Flos in the 1960s. This fantastic light is unique because of the materials, made of ivory white enameled metal and opal glass. Requires an E27 bulb. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 31 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph...