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Gino Sarfatti Lamp Model 1081 170cm Black Mount for Astep

About the Item

Model 1081 Design by Gino Sarfatti Model 1081 Floor is adding to the luxurious depth and versatility of Le Sfere collection. The strong visual presence of the floor light is a case study in balance. A single luminous sphere rests delicately on the black finish steel stem and base, serving as an ornamental structure. Alone the lamp stands as a solitary sculpture, in pairs a composition emitting a warm and diffused light. The floor light comes in two heights, 168 cm and 182 cm. Le Sfere 1959 / 2018 Throughout his life, the sky served as a muse for lighting master Gino Sarfatti. He was fascinated by the perfect light emitted by the Moon, and one of Gino Sarfatti’s most brilliant designs is inspired by the natural poetry of the luminous satellite. In 1959, Le Sfere was launched in a solar system of its own, revolving around a single luminous sphere. Le Sfere features a simple, yet elegant principle in which a blown opaline glass sphere is held in place by a painted aluminium ring. A refined embrace that lends the Luminaire a graphic expression and brings forth its distinctive aesthetic. The Le Sfere collection is a multifaceted, open-minded Luminaire system, suitable for illuminating all kinds of spaces with its ambient moonlight, from a modest corridor to exclusive private and commercial settings. The collection was gradually expanded to fit larger commissioned projects. Among them is the famous Teatro Regio in Turin, Italy, where Le Sfere can still be seen in a variety of compositions, including cascades and columns, that emphasise the genius and beauty of the system. The Le Sfere collection is the largest product family by Gino Sarfatti with models that have developed over time, from the first single sphere, Model 2042/3 , to the iconic twenty-four-sphere chandelier. All created from the same fundamental principle: a beautiful interpretation of the perfect luminous sphere. Specifications Model 1081 Typology Wall Materials: Opaline Glass Diffuser, Steel Structure Dimensions: Ø 20 cm H 168 cm Light Source: 1 x E27 LED 7W (60W Max) 806lm (2418lm Total) 2700K This lamp is wired for Europe, if used in US or any other country the client will need to convert it. Dimmable Bulbs Included Not UL Listed Gino Sarfatti Born in Venice in 1912, Gino Sarfatti studied to become an aeronautical engineer until family circumstances compelled him to relocate to Milan where he had his first encounter with lighting, an engineering project to transform a glass vase into a lamp. This encounter with lighting design and engineering shaped the path of his life. In 1939 Gino Sarfatti founded his company Arteluce, which brought lighting into the 20th century combining innovative ideas with groundbreaking design. Arteluce won numerous prizes and awards including the Compasso d’Oro in 1954 and 1955, and the Honorary Diploma of the Milan Triennale, becoming an important meeting place for many leading Italian architects throughout the 1950s and 1960s. The first Milanese Arteluce retail space was designed with Marco Zanuso in 1951. Ten years later Gino Sarfatti and his lifelong friend Vittoriano Viganò designed their flagship location on Via della Spiga. Throughout his career, Gino Sarfatti explored and was inspired by new product typologies, innovative materials, lighting technologies, and production techniques. His hybrid talent as a designer and engineer enabled him to created refined products in both aesthetics and function. Gino Sarfatti was a significant figure in the history of Italian Industrial Design, developing more than 700 luminaires. In 1973 he retired on Lake Como, with Flos acquiring Arteluce and their expansive catalog. Gino Sarfatti died at Gravedona in 1985.

Creator:

Gino Sarfatti (Designer),Astep (Manufacturer)

Dimensions:

Height: 66.15 in (168 cm)Diameter: 78.75 in (200 cm)

Power Source:

Plug-in

Voltage:

220-240v

Lampshade:

Included

Style:

Mid-Century Modern (In the Style Of)

Materials and Techniques:

Opaline Glass,Steel

Place of Origin:

Italy

Period:

2010-

Date of Manufacture:

Contemporary

Production Type:

New & Custom(One of a Kind)

Estimated Production Time:

8-9 weeks

Condition:

Seller Location:

Barcelona, ES

Reference Number:

Seller: NL.05.10.23.3651stDibs: LU1427236466172

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Gino Sarfatti

That a spiky, futuristic chandelier named “Sputnik,” which was highly suggestive of the Soviet satellite of the same name, designed by an Italian engineer could predate the space age and the satellite’s launch by a few decades is the stuff of legend. But in 1939, Venetian-born Gino Sarfatti channeled his obsession with light and expert engineering skills into a design so bold it predicted the future. He would go on to design around 700 lighting products in his lifetime — each table lamp, wall light, pendant and chandelier superb and unorthodox in shape.

Sarfatti’s singular focus on creating opulent lighting designs that were rational in their use of resources makes him one of the most innovative lighting designers in history. He was studying to be an aeronautical engineer at the University of Genoa when his family’s financial troubles led him to drop out and move to Milan to help. During this time, he built a lamp for a friend using a coffee machine’s electric components and a glass vase. This exercise sparked his fascination with lighting, and he went on to found Arteluce in 1939. What followed was a period of working with skilled artisans and tinkering with materials instead of sketching. The self-taught designer soon established himself as a creator of provocative, sculptural luxury lighting. Through the company, he collaborated with some of the 20th century’s most influential designers, such as Vittoriano Viganò, who worked on Arteluce lighting between 1946 and 1960. In the 1950s and ’70s, Franco Albini, Franca Helg, Ico Parisi and Massimo Vignelli all contributed designs.

Sarfatti used resources mindfully and injected functionality into everything he designed. His light fixtures were lightweight, easy to take apart and reassemble and could be affordably repaired. This marriage of utilitarianism and glamour lent Sarfatti’s designs a clean, minimal yet arresting splendor, based on their graphical forms and construction.

After World War II, Sarfatti embraced new wiring technologies and materials like plexiglass, such as his 1972 project with Carlo Mollino that filled the Teatro Regio in Turin with hundreds of plexiglass pipes. In 1973, Sarfatti sold Arteluce to FLOS. His foresight, invention and fearlessness as a designer are revered to this day.

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